Turntable Accessories

Notes: - Precision cut metal covers that fit right over your existing set up.
- Fit perfectly snug with deck lids up or down.
- Cut-outs for the hinges.
- Four folds ensure maximum strength.
- Installing the cover is a breeze. Simply slide them over the tonearm assembly and the cover drops in place.

Notes: AM's carbon fibre felt mat removes static charges from the record during playing for hiss and pop free listening. Unlike other anti-static mats on the market that claim to be made with carbon fibre, this one actually is.

Silence background noise and improve your soundstage, imaging, and tonal accuracy with the Anti-static record mat.

Made from felted carbon filaments to reduce friction and static build-up, the Anti-static record mat offers the clean sound of felt without the static.

The self-damping properties of the carbon fibre are especially effective with analogue playback, where small stray vibrations can cause big problems. Open up the sound spectrum of your collection and improve their everyday performance.

Notes: AM's carbon fibre brush removes static charges from the stylus. For cleaning the pick-up, run the brush along the cantilever in the direction of the stylus. Unlike other pick-up brushes on the market that claim to be made with carbon fibre, this one actually is.

Eliminate dust, dirt and static build-up from your record player's stylus with the Pickup brush.

The conductivity of the brush's carbon fibre bristles helps to drain static charge from the stylus and lift any residual dust and grime.

Maintain your stylus, improve audio fidelity and lengthen the life of your records.

Notes: Eliminate dust, dirt and static build-up from your record player's stylus with the Stylus cleaner.
The non-abrasive cleaning fluid and gentle brush safely and effectively lift dust, grit and particles worn from the stylus tip to reduce stylus and record wear, and improve tonal accuracy.
Maintain your stylus, improve audio fidelity and lengthen the life of your records.

- 20 ml cleaning solution for the pick-up needle
- The cleaning brush is enclosed inside the lid
- For those who care for their collection of vintage or brand new vinyl records

Notes: The Audio Anatomy Vinyl-Slipmat consists of a 1,5 mm thick cork and nitrile rubber mix. With a diameter of 295 mm the slipmat fits all turntables. The insulating properties of the cork and nitrile rubber mix prevent harmful resonances. In contrast to felt mats, cork additionally avoids electrostatic charging and thus prevents cracking when playing the record.

Notes: Universal size suitable for all turntables (295 mm diameter) // Prevents electrostatic charging // Resonance insulation // Natural material // Produced in the EU

DESCRIPTION
The Audio Anatomy Vinyl-Slipmat with Spiral-Design consists of 3 mm thick cork. With a diameter of 295mm, the slipmat fits all turntables. The cork's insulating properties prevent harmful resonances. In contrast to felt mats, cork additionally avoids electrostatic charging and thus prevents cracking when playing the record. The Spiral-Design is always an eye catcher on any moving or still turntable.

DETAILS
THICKNESS 3 mm
DIAMETER 295 mm
WEIGHT 105 grams
BARCODE 9003829971477
CAT NUMBER AC046 AA

Notes: Universal size suitable for all turntables (295 mm diameter) // Prevents electrostatic charging // Resonance insulation // Premium leather // Produced in the EU

DESCRIPTION
The Audio Anatomy Vinyl-Slipmat Leather consists of 1.5 mm thick premium cow leather. With a diameter of 295mm, the slipmat fits all turntables. The leather's insulating properties prevent harmful resonances. In contrast to felt mats, leather additionally avoids electrostatic charging and thus prevents cracking when playing the record.

DETAILS
THICKNESS 1.5 mm
DIAMETER 295 mm
WEIGHT 150 grams
BARCODE 9003829971484
CAT NUMBER AC047 AA

Notes: The Audio Anatomy Vinyl Record Clamp is an indispensable accessory for any vinyl lover, who is looking for the best possible sound reproduction. The easy to use clamp makes sure, that the record maintains an ideal position when turning and that disturbances from vibrations are avoided. The universal size fits all turntables.

diameter: 88mm - height: 23mm - weight: 85g, Black

Notes: The Audio Anatomy Vinyl Record Stabilizer is an indispensable accessory for any vinyl lover, who is looking for the best possible sound reproduction. The 416 grams of aluminium make sure, that the vinyl record maintains an ideal position when turning and that disturbances from vibrations are avoided. The universal size fits all turntables and the stylish colour combinations make all of the stabilizers an eye-catcher.

diameter: 80mm - height: 40mm - weight: 416g, Gold

Notes: The Audio Anatomy Vinyl Record Stabilizer is an indispensable accessory for any vinyl lover, who is looking for the best possible sound reproduction. The 416 grams of aluminium make sure, that the vinyl record maintains an ideal position when turning and that disturbances from vibrations are avoided. The universal size fits all turntables and the stylish colour combinations make all of the stabilizers an eye-catcher.

diameter: 80mm - height: 40mm - weight: 416g, Black

Notes: The Audio Anatomy Vinyl Record Stabilizer is an indispensable accessory for any vinyl lover, who is looking for the best possible sound reproduction. The 416 grams of aluminium make sure, that the vinyl record maintains an ideal position when turning and that disturbances from vibrations are avoided. The universal size fits all turntables and the stylish colour combinations make all of the stabilizers an eye-catcher.

diameter: 80mm - height: 40mm - weight: 416g, Red

Notes: The Audio Anatomy Vinyl Record Stabilizer is an indispensable accessory for any vinyl lover, who is looking for the best possible sound reproduction. The 416 grams of aluminium make sure, that the vinyl record maintains an ideal position when turning and that disturbances from vibrations are avoided. The universal size fits all turntables and the stylish colour combinations make all of the stabilizers an eye-catcher.

diameter: 80mm - height: 40mm - weight: 416g, Silver

Notes: Machined aluminium housing turntable leveler that provides a precise level for horizontal adjustment of the turntable.

Notes: AT617a Cartridge Stylus Cleaner - Specially formulated polyurethane gel removes dirt particles from stylus, Gel remains tacky for years and Surface is washable for repeated use.

The AT617a cartridge stylus cleaner is a specially formulated polyurethane gel that gently removes dirt particles from the stylus tip when the stylus is lowered onto it. The gel's surface is washable and will remain tacky for years.

Specifications

Material: Polyurethane gel

Dimensions: 37.5 mm (1.48") diameter × 17 mm (0.67")

Notes: A universal stroboscopic disc used to show the running speed of the turntable at 33 and 45 RPM with a spindle radius guide.

Notes: The Auralex ISO-Tone Turntable Isolation Platform is specifically engineered to decouple turntables from the supporting surfaces they rest on. The ISO-Tone diminishes structural vibrations and commonly associated acoustic feedback associated with desktops and DJ cases. Designed for turntablists, mobile DJs, audiophiles, rental houses and anyone seeking enhanced turntable performance, purity and accuracy, the ISO-Tone features a 0.75" layer of black fabric-wrapped MDF that floats on a layer of Auralex's proprietary Platfoam that protects turntables from unwanted vibrations. The 17.75" W x 14.25" D x 1.75" H isolation platform accommodates most turntables and the low-profile design enables easy transport.

- Creates A Cleaner, More Accurate Sound

- Decouples Turntable From Its Supporting Structure

- Reduces Acoustic Feedback

Notes: The superpods are manufactured in the UK by the same company that brought us the Polipods and Foculpods. The superpods build on the design by offering the same isolation and resonance control as the polipods but for far heavier equipment such as power amps. Each superpod will support up to 25kg in weight so 4 together will support 100kg.

The superpods also work particularly well under many turntables.

Notes: 20 ML - in cardboard box

Gentle cleaner for stylus care
Removes dirt and dust effectively
Extends the life of both vinyl and stylus

Stylus cleaner with application brush for stylus maintenance. This non-abrasive cleaner safely removes dust and residue from the stylus tip of the cartridge. Wet the brush and gently move it from the back of the cantilever to the stylus tip. Avoid applying too much pressure. The stylus cleaner improves overall sound quality and helps prevent record wear.

Notes: High-quality, domestically processed turntable mats with a focus on materials.

Japanese cork is softer than Portuguese cork. Among them, Disk Union adopted "small cork" that is strong in maintaining shape.

Compared to large cork, small cork is less likely to deform due to humidity and climate, and has less bark.

Many air bubbles in the cork reduce vibration and improve the playing environment of the record. (Cork is often used in environments such as concert halls where acoustic effects are required.) It is also known for its excellent discharge action and resistance to static electricity.

This mat is finished with a 2mm thickness that makes it easier to adjust the arm compared to a 5mm thickness.

Not suitable for DJs.

Disk Union uses small cork that does not easily deform due to humidity and climate. Please note that there is no problem with the playback environment.

Notes: High-quality, domestically processed turntable mats with a focus on materials.

Japanese cork is softer than Portuguese cork. Among them, Disk Union adopted "small cork" that is strong in maintaining shape.

Compared to large cork, small cork is less likely to deform due to humidity and climate, and has less bark.

Many air bubbles in the cork reduce vibration and improve the playing environment of the record. (Cork is often used in environments such as concert halls where acoustic effects are required.) It is also known for its excellent discharge action and resistance to static electricity.

This mat is finished with a 2mm thickness that makes it easier to adjust the arm compared to a 5mm thickness.

Not suitable for DJs.

Disk Union uses small cork that does not easily deform due to humidity and climate. Please note that there is no problem with the playback environment.

Notes: High-quality, domestically processed turntable mats with a focus on materials.

Japanese cork is softer than Portuguese cork. Among them, Disk Union adopted "small cork" that is strong in maintaining shape.

Compared to large cork, small cork is less likely to deform due to humidity and climate, and has less bark.

Many air bubbles in the cork reduce vibration and improve the playing environment of the record. (Cork is often used in environments such as concert halls where acoustic effects are required.) It is also known for its excellent discharge action and resistance to static electricity.

This mat is finished with a 2mm thickness that makes it easier to adjust the arm compared to a 5mm thickness.

Not suitable for DJs.

Disk Union uses small cork that does not easily deform due to humidity and climate. Please note that there is no problem with the playback environment.

Notes: A suede turntable mat manufactured by Mitake Sangyo, a long-established leather manufacturer in Asakusa, Tokyo, founded in 1925.

Made of high-quality pure domestic pig suede, it features a soft and smooth texture and a unique texture. Simple embossed logo on the front. The rich colour variations of all 5 colours are also attractive.

ATTENTION: This product uses natural leather. In order to enjoy the natural texture of the leather, the original scratches and wrinkles are left as they are.

Colours and textures may vary slightly for each product
The colour unevenness seen on the back of the leather does not appear on the surface, so there is no problem with the nature of the leather.
Please be careful of colour transfer due to wetness or friction.
There is a possibility of getting sunburned by being exposed to ultraviolet rays (sunlight or fluorescent lights) for a long time
Not suitable for DJ use

Notes: A suede turntable mat manufactured by Mitake Sangyo, a long-established leather manufacturer in Asakusa, Tokyo, founded in 1925.

Made of high-quality pure domestic pig suede, it features a soft and smooth texture and a unique texture. Simple embossed logo on the front. The rich colour variations of all 5 colours are also attractive.

ATTENTION: This product uses natural leather. In order to enjoy the natural texture of the leather, the original scratches and wrinkles are left as they are.

Colours and textures may vary slightly for each product
The colour unevenness seen on the back of the leather does not appear on the surface, so there is no problem with the nature of the leather.
Please be careful of colour transfer due to wetness or friction.
There is a possibility of getting sunburned by being exposed to ultraviolet rays (sunlight or fluorescent lights) for a long time
Not suitable for DJ use

Notes: A suede turntable mat manufactured by Mitake Sangyo, a long-established leather manufacturer in Asakusa, Tokyo, founded in 1925.

Made of high-quality pure domestic pig suede, it features a soft and smooth texture and a unique texture. Simple embossed logo on the front. The rich colour variations of all 5 colours are also attractive.

ATTENTION: This product uses natural leather. In order to enjoy the natural texture of the leather, the original scratches and wrinkles are left as they are.

Colours and textures may vary slightly for each product
The colour unevenness seen on the back of the leather does not appear on the surface, so there is no problem with the nature of the leather.
Please be careful of colour transfer due to wetness or friction.
There is a possibility of getting sunburned by being exposed to ultraviolet rays (sunlight or fluorescent lights) for a long time
Not suitable for DJ use

Notes: A suede turntable mat manufactured by Mitake Sangyo, a long-established leather manufacturer in Asakusa, Tokyo, founded in 1925.

Made of high-quality pure domestic pig suede, it features a soft and smooth texture and a unique texture. Simple embossed logo on the front. The rich colour variations of all 5 colours are also attractive.

ATTENTION: This product uses natural leather. In order to enjoy the natural texture of the leather, the original scratches and wrinkles are left as they are.

Colours and textures may vary slightly for each product
The colour unevenness seen on the back of the leather does not appear on the surface, so there is no problem with the nature of the leather.
Please be careful of colour transfer due to wetness or friction.
There is a possibility of getting sunburned by being exposed to ultraviolet rays (sunlight or fluorescent lights) for a long time
Not suitable for DJ use

Notes: A suede turntable mat manufactured by Mitake Sangyo, a long-established leather manufacturer in Asakusa, Tokyo, founded in 1925.

Made of high-quality pure domestic pig suede, it features a soft and smooth texture and a unique texture. Simple embossed logo on the front. The rich colour variations of all 5 colours are also attractive.

ATTENTION: This product uses natural leather. In order to enjoy the natural texture of the leather, the original scratches and wrinkles are left as they are.

Colours and textures may vary slightly for each product
The colour unevenness seen on the back of the leather does not appear on the surface, so there is no problem with the nature of the leather.
Please be careful of colour transfer due to wetness or friction.
There is a possibility of getting sunburned by being exposed to ultraviolet rays (sunlight or fluorescent lights) for a long time
Not suitable for DJ use

Notes: Hard-wearing, durable fabric
Protects against dust and grime
Ideal replacement for ugly or damaged lids

Notes: The Freefloat is a specially designed aircushion for turntables in a DJ set-up. By placing a turntable on a Freefloat, direct contact between the turntable and the DJ booth is avoided. This results in improved skip resistance of the needles and eliminates rumble problems completely. Because there is less chance of feedback you can push your levels more and get a little more low-end frequency. The Freefloat is a very simple but sturdy and well-executed tool to help all DJs and sound engineers.

Notes: The Freefloat is a specially designed aircushion for turntables in a DJ set-up. By placing a turntable on a Freefloat, direct contact between the turntable and the DJ booth is avoided. This results in improved skip resistance of the needles and eliminates rumble problems completely. Because there is less chance of feedback you can push your levels more and get a little more low-end frequency. The Freefloat is a very simple but sturdy and well-executed tool to help all DJs and sound engineers.

Notes: The Freefloat is a specially designed aircushion for turntables in a DJ set-up. By placing a turntable on a Freefloat, direct contact between the turntable and the DJ booth is avoided. This results in improved skip resistance of the needles and eliminates rumble problems completely. Because there is less chance of feedback you can push your levels more and get a little more low-end frequency. The Freefloat is a very simple but sturdy and well-executed tool to help all DJs and sound engineers.

Notes: The Freefloat is a specially designed aircushion for turntables in a DJ set-up. By placing a turntable on a Freefloat, direct contact between the turntable and the DJ booth is avoided. This results in improved skip resistance of the needles and eliminates rumble problems completely. Because there is less chance of feedback you can push your levels more and get a little more low-end frequency. The Freefloat is a very simple but sturdy and well-executed tool to help all DJs and sound engineers.

Notes: The Freefloat is a specially designed aircushion for turntables in a DJ set-up. By placing a turntable on a freefloat, direct contact between the turntable and the DJ booth is avoided. This results in improved skip resistance of the needles and eliminates rumble problems completely. Because there is less chance of feedback you can push your levels more and get a little more low-end frequency. The freefloat is a very simple but sturdy and well-executed tool to help all DJs and sound engineers.

Inflatable air cushion protects turntable from vibrations and rumble.

Notes: An analogue LP containing numerous reference sound sources for correcting and adjusting turntables, DJ mixers, and sound systems!

Side A includes:

1. Left/right balance (1:35) First, check the left/right balance. Since the click sound is recorded on the left and right sides with the same volume, please adjust the level knob of the playback device so that the click sound can be heard from the centre when listening from the front. Then confirm with another click.

2. Phase response (1:32) Checks the phase for correct polarity in stereo equipment. When the phase is normal, the white noise sound is heard from the centre, and when the phase is reversed, it is heard separately outside the speaker.

3. 1kHz (0:35) This is the reference tone of 1kHz. This sound is said to be the reference level of the playback equipment. It is used for checking the output voltage and S/N ratio.

4. Crosstalk (1:10) Check left/right crosstalk on playback equipment. A 440 Hz A sound (radio time signal sound) is initially played on the left channel for 15 seconds. Check how much this sound leaks into the light channel. The less sound leaks, the better the crosstalk. Then run it for 15 seconds on the light channel as well. Check how much it leaks into the left channel.

5. Irregular rotation (2:23) To check the "irregular rotation" of the turntable, run a 3kHz sound for 120 seconds. A turntable with little "rotational unevenness" allows you to hear sound at a constant pitch. When there is a lot of unevenness, it sounds unstable.

6. Standing Waves (1:43) Check out the standing waves in the listening room. Since it varies continuously from 20Hz to 1kHz, it can be said that there are few standing waves if the volume is uniform.

7. Non-recording groove (0:45) This is a non-recording groove for checking the noise-to-signal level ratio of the entire device. You can also use it to check for turntable rumble or hum.

8. Frequency response (1:53) High range frequency response (15kHz, 10kHz, 9kHz, 8kHz, 7kHz, 6kHz, 5kHz, 4kHz, 3kHz, 2kHz, 1kHz). Low range frequency response (1:33 1kHz, 800Hz, 500Hz, 400Hz , 300Hz, 200Hz, 100Hz, 70Hz, 50Hz).

9. Special appendix: sound effects 1. Table tennis (1:00) 2. Helicopter (0:30) 3. Racing car (0:30) 4. Steam locomotive (0: 30) 5. Truck (0:30).

Side B includes two Japanese Jazz standards as well as other recordings to test your settings.

Notes: Cork turntable mat, helps to eliminate static electricity on records.

- Reduces vibrations
- Improves sound quality
- 300mm diameter
- 3mm thickness

Notes: Even if you use your GrooveWasher to clean your records, room dust, lint and cat hair can accumulate on your stylus. Your stylus will "plow" out any debris that isn't removed from a record cleaning.

We sourced and tested dozens of brush styles, handle types and bristles. Straight "pencil" brushes. Artist camel hair brushes. Toothbrush styles. Mascara brushes.

We preferred a 90 degree angle. Long bristles so the brush can clean the underside of the cartridge as well as the stylus. Dense bristles to pull off gunky coatings but soft to avoid damage to the stylus or cantilever. Those are the effective cleaning features of our new stylus brush. This brush can be used dry or with a couple of drops of SC1 Fluid.

This kit includes our SC1 Stylus Fluid. It's a cousin of our G2 Fluid with a bit more organic alcohol. The stylus can become clogged with oily pressing release compound from new records and residue from other record cleaning and preservative fluids. SC1 Stylus Fluid dissolves these contaminants and the SC1 Brush removes them.

Note: Hard surface cleaning fluids like G2 and SC1 can be irritating to skin and eyes. Avoid contact with your eyes. Flush with clean water. Keep all cleaning products out of the reach of children.

Notes: The Groovy Stylus Cleaning Kit breaks down hard to see build-up with the dual action of the fluid and special brush.

Includes .34 oz of cleaning fluid & a dense nylon bristled brush. Comes with a cotton draw-string bag for storage.

Notes: This is the one record no analog system should be without. Featuring two full sides of excellent tools, the HiFi News Test LP is the best investment you can make. With tracks for testing everything from channel balance to azimuth, the HiFi News Test LP offers simple to use and comprehensive tests to allow everyone from analog newbies to record collectors get the most out of their turntables.

SIDE ONE
Track 1: Channel Identification: Voice on Left channel then on Right channel
Reversing left and right channels is one of the most common mistakes in an analog rig. If the channels are reversed, imaging, depth and dynamic range suffer. This track ensures the most basic test for a high performance system is covered.

Track 2: Phasing: Voice alternately "in phase" and "out of phase"
Reversing the cartridge leads is the second most common mistake made in an analog rig. Miswiring the phase at the cartridge destroys imaging, space, depth, bass extension and overall system gain. This track offers easily audible cues to highlight phase inaccuracies.

Tracks 3, 4, 5: Channel Balance: -20db pink noise tests
These three tracks provide mid-range weighted random noise to ensure tonal balance is set correctly. When listening, neither the left nor the right speaker should be louder. Track 3 is pink noise in both channels, Track 4 is Left only and Track 5 is Right Only. Check these tracks before moving on to the Bias tracks. (NOTE: Test Cut 4 and 5 for use with the Fozgometer Azimuth Device)

Tracks 6, 7, 8: Bias setting: 300Hz tone, both channels at +12dB, +14dB, +16dB, respectively
These tracks are for setting anti-skate. If the 300Hz test tone is heard distorting or buzzing on either channel, then the anti-skate function needs to be adjusted. Each successive track is more difficult for the arm and cartridge; increasing tracking force towards the top of the cartridge's recommended range will assist in properly resolving these tracks.

Track 9: Bias setting: 300Hz tone, both channels +18dB
This track stands alone as perhaps the most difficult track for a cartridge to track cleanly. Although it's only 2dB higher than track 8, this track is perhaps the most famous of the four, as only the very best gear and alignments can pass it unscathed. For those with more modest gear, results from this track should be taken with a grain of salt.

SIDE TWO
Tracks 1, 4, 8: Tracking ability: 300Hz tone, both channels +15dB
These three tracks contain identical information, which enables testing of the consistency of the cartridge's track across the entire surface of the record. These tracks - outside, middle and center - are designed to be used together, making sure that the cartridge sounds the same in all three positions. These tracks are also great for checking anti-skate and tracking force settings. Consistency is the key with these three tracks, if all three are spot-on, then most records should sound great.

Tracks 2 & 3: Cartridge & Arm, Lateral & Vertical Resonance Test
These two tracks are used to test the resonant frequency or your tonearm and cartridge combination in both the vertical and horizontal domains. These tracks offer both a visual and auditory indication of the resonant frequency; the stylus will "wobble" and the test tone will warble. A resonant frequency between 8 - 15Hz is ideal.

Track 5: Cartridge alignment test: 300Hz, both channels +6dB
Ideal playback occurs when the stylus is exactly perpendicular to the record, this track tests the cartridge's azimuth adjustment. When this track is played back in stereo, there will be identical output from both speakers, however, when the output is switched to mono, both tracks should cancel each other out for, ideally, no output.

Track 6: Residual System Noise Test
There's nothing in this groove, this track is completely unmodulated. Played back at normal listening levels the stylus will highlight any noise created by the analog rig; a worn bearing, noisy motor or poor vibration control. Playback of this track should be completely silent.

Track 7: Full Range Frequency System Check: Both Channels, 20Hz -20KHz, Sweep
This track will give your system a real workout, as the deepest bass swells up to the highest of highs. Listen carefully for resonance within the system and in the room.

Notes: ***B-STOCK: Torn outer sleeve, otherwise in perfect working condition***


This is the one record no analog system should be without. Featuring two full sides of excellent tools, the HiFi News Test LP is the best investment you can make. With tracks for testing everything from channel balance to azimuth, the HiFi News Test LP offers simple to use and comprehensive tests to allow everyone from analog newbies to record collectors get the most out of their turntables.

SIDE ONE
Track 1: Channel Identification: Voice on Left channel then on Right channel
Reversing left and right channels is one of the most common mistakes in an analog rig. If the channels are reversed, imaging, depth and dynamic range suffer. This track ensures the most basic test for a high performance system is covered.

Track 2: Phasing: Voice alternately "in phase" and "out of phase"
Reversing the cartridge leads is the second most common mistake made in an analog rig. Miswiring the phase at the cartridge destroys imaging, space, depth, bass extension and overall system gain. This track offers easily audible cues to highlight phase inaccuracies.

Tracks 3, 4, 5: Channel Balance: -20db pink noise tests
These three tracks provide mid-range weighted random noise to ensure tonal balance is set correctly. When listening, neither the left nor the right speaker should be louder. Track 3 is pink noise in both channels, Track 4 is Left only and Track 5 is Right Only. Check these tracks before moving on to the Bias tracks. (NOTE: Test Cut 4 and 5 for use with the Fozgometer Azimuth Device)

Tracks 6, 7, 8: Bias setting: 300Hz tone, both channels at +12dB, +14dB, +16dB, respectively
These tracks are for setting anti-skate. If the 300Hz test tone is heard distorting or buzzing on either channel, then the anti-skate function needs to be adjusted. Each successive track is more difficult for the arm and cartridge; increasing tracking force towards the top of the cartridge's recommended range will assist in properly resolving these tracks.

Track 9: Bias setting: 300Hz tone, both channels +18dB
This track stands alone as perhaps the most difficult track for a cartridge to track cleanly. Although it's only 2dB higher than track 8, this track is perhaps the most famous of the four, as only the very best gear and alignments can pass it unscathed. For those with more modest gear, results from this track should be taken with a grain of salt.

SIDE TWO
Tracks 1, 4, 8: Tracking ability: 300Hz tone, both channels +15dB
These three tracks contain identical information, which enables testing of the consistency of the cartridge's track across the entire surface of the record. These tracks - outside, middle and center - are designed to be used together, making sure that the cartridge sounds the same in all three positions. These tracks are also great for checking anti-skate and tracking force settings. Consistency is the key with these three tracks, if all three are spot-on, then most records should sound great.

Tracks 2 & 3: Cartridge & Arm, Lateral & Vertical Resonance Test
These two tracks are used to test the resonant frequency or your tonearm and cartridge combination in both the vertical and horizontal domains. These tracks offer both a visual and auditory indication of the resonant frequency; the stylus will "wobble" and the test tone will warble. A resonant frequency between 8 - 15Hz is ideal.

Track 5: Cartridge alignment test: 300Hz, both channels +6dB
Ideal playback occurs when the stylus is exactly perpendicular to the record, this track tests the cartridge's azimuth adjustment. When this track is played back in stereo, there will be identical output from both speakers, however, when the output is switched to mono, both tracks should cancel each other out for, ideally, no output.

Track 6: Residual System Noise Test
There's nothing in this groove, this track is completely unmodulated. Played back at normal listening levels the stylus will highlight any noise created by the analog rig; a worn bearing, noisy motor or poor vibration control. Playback of this track should be completely silent.

Track 7: Full Range Frequency System Check: Both Channels, 20Hz -20KHz, Sweep
This track will give your system a real workout, as the deepest bass swells up to the highest of highs. Listen carefully for resonance within the system and in the room.

Notes: *** B-STOCK: Sleeve damaged, product unused & in perfect condition ***

This is the one record no analog system should be without. Featuring two full sides of excellent tools, the HiFi News Test LP is the best investment you can make. With tracks for testing everything from channel balance to azimuth, the HiFi News Test LP offers simple to use and comprehensive tests to allow everyone from analog newbies to record collectors get the most out of their turntables.

SIDE ONE
Track 1: Channel Identification: Voice on Left channel then on Right channel
Reversing left and right channels is one of the most common mistakes in an analog rig. If the channels are reversed, imaging, depth and dynamic range suffer. This track ensures the most basic test for a high performance system is covered.

Track 2: Phasing: Voice alternately "in phase" and "out of phase"
Reversing the cartridge leads is the second most common mistake made in an analog rig. Miswiring the phase at the cartridge destroys imaging, space, depth, bass extension and overall system gain. This track offers easily audible cues to highlight phase inaccuracies.

Tracks 3, 4, 5: Channel Balance: -20db pink noise tests
These three tracks provide mid-range weighted random noise to ensure tonal balance is set correctly. When listening, neither the left nor the right speaker should be louder. Track 3 is pink noise in both channels, Track 4 is Left only and Track 5 is Right Only. Check these tracks before moving on to the Bias tracks. (NOTE: Test Cut 4 and 5 for use with the Fozgometer Azimuth Device)

Tracks 6, 7, 8: Bias setting: 300Hz tone, both channels at +12dB, +14dB, +16dB, respectively
These tracks are for setting anti-skate. If the 300Hz test tone is heard distorting or buzzing on either channel, then the anti-skate function needs to be adjusted. Each successive track is more difficult for the arm and cartridge; increasing tracking force towards the top of the cartridge's recommended range will assist in properly resolving these tracks.

Track 9: Bias setting: 300Hz tone, both channels +18dB
This track stands alone as perhaps the most difficult track for a cartridge to track cleanly. Although it's only 2dB higher than track 8, this track is perhaps the most famous of the four, as only the very best gear and alignments can pass it unscathed. For those with more modest gear, results from this track should be taken with a grain of salt.

SIDE TWO
Tracks 1, 4, 8: Tracking ability: 300Hz tone, both channels +15dB
These three tracks contain identical information, which enables testing of the consistency of the cartridge's track across the entire surface of the record. These tracks - outside, middle and center - are designed to be used together, making sure that the cartridge sounds the same in all three positions. These tracks are also great for checking anti-skate and tracking force settings. Consistency is the key with these three tracks, if all three are spot-on, then most records should sound great.

Tracks 2 & 3: Cartridge & Arm, Lateral & Vertical Resonance Test
These two tracks are used to test the resonant frequency or your tonearm and cartridge combination in both the vertical and horizontal domains. These tracks offer both a visual and auditory indication of the resonant frequency; the stylus will "wobble" and the test tone will warble. A resonant frequency between 8 - 15Hz is ideal.

Track 5: Cartridge alignment test: 300Hz, both channels +6dB
Ideal playback occurs when the stylus is exactly perpendicular to the record, this track tests the cartridge's azimuth adjustment. When this track is played back in stereo, there will be identical output from both speakers, however, when the output is switched to mono, both tracks should cancel each other out for, ideally, no output.

Track 6: Residual System Noise Test
There's nothing in this groove, this track is completely unmodulated. Played back at normal listening levels the stylus will highlight any noise created by the analog rig; a worn bearing, noisy motor or poor vibration control. Playback of this track should be completely silent.

Track 7: Full Range Frequency System Check: Both Channels, 20Hz -20KHz, Sweep
This track will give your system a real workout, as the deepest bass swells up to the highest of highs. Listen carefully for resonance within the system and in the room.

Notes: Helps dampen & stop vibrations to avoid needles jumping out of the grooves.

*** IMPORTANT NOTE ***

Due to the manufacturing process, some small bubbles will be present on the underside of each foot. This is normal and is due to the type of polymer used and the process of pouring the polymer into the mould. When poured, air bubbles are released and settle at the top of the mould. Also, the type of polymer used has a slight stickiness to it - again, this is normal and is a characteristic of the material used.

Notes: Built from mild steel, laser cut and CNC folded, and welded to leave a seamless join. MK top plates are powder coated with a hard wearing finish. Easy to clean, the top plates help to protect decks from being marked. Just take the hinges off your deck and slip your top plate over.

Please note; the rear hinges must be removed before putting on the top plate. The hinges can be left off or put back after installation.

Notes: Built from mild steel, laser cut and CNC folded, and welded to leave a seamless join. MK top plates are powder coated with a hard wearing finish. Easy to clean, the top plates help to protect decks from being marked. Just take the hinges off your deck and slip your top plate over.

Please note; the rear hinges must be removed before putting on the top plate. The hinges can be left off or put back after installation.

Notes: Mobility Fidelity Sound Lab's Geo-Disc is the perfect complement to its series of limited edition original master recordings. Both will markedly improve the sonic performance of your stereo playback system. The high fidelity pleasures of original master recordings, even the audio content of conventional records, cannot be totally realized in your phonograph pickup apparatus (stylus/cartridge) if it is not aligned accurately. This is where the Geo-Disc is essential.

With extensive research and development, the Geo-Disc features a proprietary 3D visual system that delivers incredibly precise, uncomplicated, rapid and economical cartridge alignment. Mobile Fidelity's Geo-Disc is an LP sized platter that provides a very accurate spot for adjusting the cartridge overhang, and has visual gridlines for properly adjusting the offset angles. It's a lot easier to use than those flimsy plastic templates or paper cutouts that come with a lot of turntables. Just fit the disc on your platter and align using the simple printed graph based on the Baerwald alignment curve.

Notes: Clean Your Stylus, Protect Your Analogue Investment, Extend Your Stylus Life, and Hear Better-Sounding Vinyl Records: Mobile Fidelity Sound Lab Stylus Brush Pays Immediate Dividends.

Keep your stylus clean and protect your analogue investment by cleaning your stylus with the Mobile Fidelity Sound Lab Stylus Brush. The same brush that comes with the world-renowned Mobile Fidelity LP#9 stylus cleaner, this is the ultimate affordable stylus cleaning tool. It is comprised of ultra-soft fibres bundled into a high-density cluster for maximum cleaning ability. Say goodbye to dust and debris, and hello to much better-sounding records as well as a longer stylus life. A must for all analogue fans!

NOTE: Always brush from the back to the front of the stylus. Start behind the stylus and delicately pull forward. Try to only touch the stylus and not the cantilever.

Notes: Mobile Fidelity's Super HeavyWeight is unlike any record weight you've ever seen or used. Developed in conjunction with Harmonic Resolution Systems engineers and compatible with any turntable setup, its revelatory abilities go far beyond simply coupling the record to the platter - the duty performed by nearly every other type on the market. In addition to superb coupling, Super HeavyWeight literally drains groove noise away from your stylus, audibly improving clarity and impact. That's correct: Super Heavyweight acts as a noise-dissipation device that eliminates resonance, elevates resolution, and enhances stability - feats that translate into greater dynamics, firmer instrumental foundations, and better definition.

Designed with a proprietary HRS polymer selected for its noise-absorbing properties, Super HeavyWeight features a carefully chosen mass that will never put a strain on your turntable's motor, suspension, or bearing. Built from a machined billet aluminum outer shell, it's easy to grip. And the universal non-threaded design makes its simple and quick to use. For further security, Super HeavyWeight has a soft polymer underside that won't damage the record labels on your LPs.

Whether you're a seasoned analog pro or just getting into the hobby, and whether you have a reference or entry-level turntable, Super HeavyWeight will pay instant sonic dividends. We encourage you to audition this on your 'table. If you don't immediately hear improvements, just send it back using the Music Direct Satisfaction Guarantee, no questions asked.

Notes: Your phonograph stylus also needs cleaning and care. Due to air pollution caused by both outside influences (traffic) and domestic influences (kitchen, smoking) a sticky film is deposited over time on to your records.

During playback the stylus will scrape this deposit from the groove which in turn causes a sticky film to form around the stylus tip which in turn traps other dirt and dust found on your record. This easily visible thick deposit not only influences the quality of the sound but may even cause damage to your favorite records.

The special formula of the Nagaoka AM-801 efficiently dissolves all the sticky substance caught on the stylus and removes this as well as the dirt trapped.

Notes: Nagaoka BN-7S

This pack includes

M2.6 x 3mm 4 each
M2.6 x 6mm 2 each
M2.6 x 8mm 2 each
M2.6 x 10mm 2 each
M2.6 x 12mm 2 each
M2.6 x 14mm 2 each
M2.6 x 18mm 4 each
M2.6 Nut 4 each
Nylon Washer 4 each

Notes: Ultra strong transparent display case for storing your cartridges

Notes: Part of the Nagaoka range of replacement turntable drive belts. All types have a flat cross-section and are 5mm wide.

Diameter: 27cm
Circumference: 54cm

Notes: Part of the Nagaoka range of replacement turntable drive belts. All types have a flat cross-section and are 5mm wide.

Diameter: 29cm. Circumference: 58cm