Review: G.A.N.G. was a short-lived studio project from Giorgio Giordano, Giorgio Dolce and Roberto Zanetti (Savage). In 1983 they released "Incantations", a plush cosmic disco burner that rides a slow tempo but hits heavy with its rich layers of synth and slick guitar licks. Best are giving it a fresh airing with this on-point reissue, bringing the chugging bass arps back into the fold of a sympathetic scene that celebrates just this kind of evocative, sensual slow-mo party fodder. The original mix elevates in the second half with a soaring vocal from Stefania Dal Pino, but if that doesn't appeal there's a purely instrumental take on the B side that focuses purely on the groove.
Review: The EBO label returns with Seaside Edits don Jean Claude Gavri sharing sides on a 12" with Italian contemporary Moplen that's slightly too vitamin D-infused in tone for the Winter months but will nice up any left leaning discotheque. Any self respecting disco scholar should have no issues IDing the source material here, Gavri taking on the Carly Simon classic "Why" and adding subtle Caribbean disco vibes to proceedings and occasionally dipping into the filters on this extended groove rendition. On the flip "The Riddum Slave" sees Luca Locatelli work similar magic, filling the Grace Jones cut of the near same name with all manner of dub fx, neat loops and hot breaks.
Review: Mehmet Aslan and Miajica represent some of the finest operators in Basel, and their Fleeting Wax label is on hand to represent what's good in the Swiss scene and beyond. On this latest release they turn to Eva Geist, who has previously been spotted on Macadam Mambo and Elestial Sound with her beautiful mix of synths and vocals, striking a chord between noirish synth pop and heads down club music. "Blumareciano" is a wonderfully seductive, slightly spooky stew of a track which San Proper then injects with his usual freaky energy to make for a more uptempo party version. Then Geist's "Begum" stretches over the B-side in a bubbling blend of delayed voices, tribal percussion and general outernational surrealism.
Review: Alexis Georgopoulos and Jefre Cantu-Ledesma's Fragments Of A Season was one of the highlights of Emotional Response's output in 2017, centred around blissful, Balearic instrumentation that shone a spotlight on the considerable talents of these accomplished artists. Now the label is revisiting the material with a couple of finely selected versions, the first coming from Emotional regulars Woo, who dutifully inject "Marine" with their effervescent, otherworldly expressions and create a glistening masterpiece in the process. Felicia Atkinson then tackles "AA Cleo" and sends it out onto the horizon in a haze of reverb romanticism, muffled percussive rumbles and murmuring vocals.
Review: Much to the surprise of many house enthusiasts, Joe Claussel's Sacred Rhythm imprint delves into plenty of different genres and styles, all of them bound together by a recurring thread of percussive delight. Paul David Gillman debuts here, coming through with three gloriously loose slices of kinetic ambient fuzz, with the terms 'new age' and 'balearic' coming through vividly. The opening "Red Earth" is a supremely jazzy whirlpool of sonics and harmonic delight, which evaporates neatly into the much vaster planes of "Installation III". "Winter's Moon (excerpt)" washes away all the fury and energy of the previous two tracks to end up somewhere desolate and calming, offering a beautiful piece of soundscaping for the ambient fans. Recommended.
Review: Jose's tones have been charmed by remixes in the past; notably by Jori Hulkkonen on "Crosses" and Todd Terje on "Killing For Love". Almost 10 years later and Holy Ghost! and Dino Soccio remind us how it's done on "Let It Carry You" from Jose's 2014 album Vestiges & Claws. Holy Ghost! gives Gonzales such a sparkling polish and spaces out his lyrics he sounds like Hot Chip while Dino adds a more cosmic, chuggy dubby Norwegian sound. Like previous twists on Jose, both are sublime.