Tony Esposito - "Dove C'e Luce" (LucaEffeSunset Balearic Seagulls & Children mix)
Antonio Nicola Bruno - "Danza E Ridanza"
Antonio Nicola Bruno - "Danza E Ridanza" (B version)
Review: "This release is a 12"" and it's individually 500 hand-numbered limited edition. The first 100 copies are pressed on CLEAR TRANSPARENT vinyls (AR013).
It contains 2 previously unreleased tracks from TONY ESPOSITO's Viaggio Tribale CD (2004): Dove c'e luce and Veronica song + A SPECIAL BALEARIC REMIX of Dove c'e luce from LucaEffeSunset + 3 previously unreleased tracks from the Lucan (Basilicata) musician Antonio Nicola Bruno CD (2004): Storia della terra mia and Danza e ridanza. In addition to the usual Archeo insert of credits and photos of the original album, it features also of a second insert concerning a beautiful photographic journey of 2004 by Manu-Archeo, related to this Music.
Archeo Recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of Italian music of the 70s and 80s, and not only.
All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images.
Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.
All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls."
Antonio Nicola Bruno - "Storia Della Terra Mia" (3:30)
Tony Esposito - "Dove C'e Luce" (LucaEffeSunset Balearic Seagulls & Children mix) (9:52)
Antonio Nicola Bruno - "Danza E Ridanza" (1:54)
Antonio Nicola Bruno - "Danza E Ridanza" (B version) (3:59)
Review: Archeo Recordings chart a course for the Balearics with this laid back delight of overlooked Italian island grooves. Tony Esposito is a long-serving singer-songwriter, and two tracks from his 2004 CD Viaggio Tribale get a vinyl cut here. "Dove C'e Luce" gets a special, 90s tinged remix from LucaEffeSunset. Antonio Nicola Bruno's "Storia Della Terra Mia" is the first of three unreleased tracks from this little known Lucan artist, striking a curious note with folk undertones and a sunny disposition. There's a more dramatic tone to "Danza E Ridanza," which takes on an almost Talking Heads-esque quality for the "B Version" that closes this high quality 12" from the ever reliable Archeo camp.
Review: Not An Animal are known for their heated takes on the art of disco-sampling house music, and Ess O Ess is one of the key factors in defining that sound. This comes through in spades on Take You To A Secret Place, where the title track comes marching out atop a deadly bassline that will cut through any mix to get the people freaking out. The dub mix is equally deadly, flying a generous dose of cosmic sparkle into the mix without losing the punch in the original production. Kuniyuki Hard takes a daring approach that slows the track down to a creep and emphasises space and tension. The Angophora version is even more drastic, seemingly stripping all the recognisable elements of the track out and leaving behind a plaintive thread of ambient instrumentation.
Review: Barely a month has passed since the release of Max Essa's latest sumptuous long-player - the lovely "Lanterns" on Music For Dreams - but the Balearic hotshot already has more killer cuts to showcase via a second EP for Hell Yeah Recordings. The real triumph is languid A-side "Han Zoc Roc (Midori Coup)", a gently unfurling fusion of slow motion electronics, gentle beats, meandering melodies and blissful instrumental solos that changes shape several times over 13 mesmerizing minutes. Over on side B, the jazz guitar-rich wonder that is "How You Showed Me Everything" sounds like a tribute to Antenna classic "African Queen", while "Rainbird's Alfafa Jam" is a slightly more energetic workout that could arguably be described as "Balearic funk".
Review: Light Of Other Days is a Zurich based label run by Marc Hofweber and Georg Munz and for this release they tap mysterious trio Ethimm for this rather beautiful EP. Starting out with a cover of Rhythm & Sound's "Why" featuring Veronique's gorgeous vocals, this is a lovely electro-modern classical crossover journey. They then team up with fellow Swiss purveyor of the deep Lexx on the smooth late night groove of "Late". On the flip, "Next" and "Done" go for some rather reflective and dubbed out downbeat vibes which will appeal to fans of Blackest Ever Black acts Dalhous or Raime. Curious stuff indeed!
842 Colours (feat Hrdvsion - Eddie C Elektro Funk remix) (3:42)
Musli Funk (3:45)
Review: Three years on from his last acclaimed outing on Endless Flight, Berlin-based Canadian Eddie C returns to the Japanese label with another high quality full-length excursion. Those who've followed his career over the last six or seven years will feel at home straight away. Opener "Hello baby" is a quirky, break-driven head-nodder rich in dub disco bass and quirky samples, while the cut that follows, "Carbon Date", offers a deeper and more spacey take on the same heady blueprint. From then on its' a loved-up, saucer-eyed jaunt through laidback Balearic disco grooves ("In The Park"), spaced-out punk-funk ("Way Uptown"), percussion-packed Latin beats ("Batacuda"), bustling breakbeat house ("Berlina"), warped digital dub ("Dancin' Music") and spaced-out broken beat ("Listen"). In a word: superb.
Review: Under the Prins Emanuel alias, Emanuel Sandin has never been particularly prolific, though what he does release tends to be very high quality. He's certainly kept the quality threshold high on sophomore album "Diagonal Musik", a breezy, beautiful and evocative set that's as Balearic as getting a back rub from Jose Padilla while watching the sun go down outside Cafe Del Mar. The album's greatest strength is its stripped-back simplicity, with Sandin offering up eight evocatively produced tracks built around gentle guitar motifs (mostly acoustic, with a little Pat Metheny style electric guitar), the occasional voice or beach-side field recording, a few well-placed effects (primarily delay and reverb) and little else. It may be simple and stripped-back in its construction, but "Diagonal Musik" is rarely less than intensely beautiful.
Review: The famous producer behind the 1990 smash hit "Sadness Part 1" indeed returns! Driven by founder and composer Michael Cretu, The Fall Of A Rebel Angel weaves together twelve conceptual tracks, or chapters, into one long and compelling narrative. Said to tell the story of a protagonist's progression, growth, and ultimate evolution. Grammy and Echo award winning writer Michael Kunze has created the story in words to accompany the music and will be featured in its entirety on the album's multi-lingual Special Edition. Cretu was said to influenced by a wide range of musical genres on this album. From the obvious classical music references and Gregorian chants as well as even more contemporary electronic music like dubstep. A compelling listen from start to finish.
Review: By the time they released "Amplified Heart" in 1994, Ben Watt and Tracey Thorn had spent a decade churning out admired but relatively commercially unsuccessful "lite-jazz" albums. Then, on the back of a string of on-point club remixes (Todd Terry's chart-topping version of "Missing" included), the set surprisingly became a runaway success. To celebrate the album's 25th birthday, "Amplified Heart" has been given the audiophile reissue treatment. It suits the album's gently breezy, emotion-rich feel, with Thorn's evocative, lovelorn vocals perfectly matching Watt's sunset-friendly blend of acoustic guitars, soft-touch double bass, trip-hop style beats and Balearic-minded electronics. It remains one of the duo's greatest albums and should be in every discerning listener's collection.