Review: Actress released a mix for Resident Advisor in June and to everyone's surprise, it was filled entirely with new, unreleased music. When asked if this was a new album, Darren S. Cunningham, aka Actress, responded simply, "It's a collage - Braque." Call it what you likeia mix, a mixtape, a collage, or even an albumiit's unmistakably another bold statement from Actress. Cunningham's approach defies labels and formats, creating music that exists in its own space, evolving without concern for conventional definitions or boundaries. It's just pure, unfiltered Actress, doing what he does best.
Review: Bristol's Dream Software collective (and label) have long been fans of the mid 1990s work of Alex Silvi, best known for his releases as Alien Signal. So much so, in fact, that they reached out to the Italian producer and asked whether they could put out an EP of some of their favourite back catalogue tracks. That's what they've done here, flitting between the chiming melodies, warped electronics and shuffling beats of 'North Polar Stars', the chugging dream house-in-space flex of 'Brilliant Evening Planets', the stargazing proto-trance (with jazzy solos) of 'Quantum Limit', the intergalactic, acid-flecked dancefloor psychedelia of 'Violent Volcanoes of Lo' and the bleeping lead lines, immersive chords and bustling beats of 'Atomic (Esoteric Mix)'. An expertly curated and beautifully presented retrospective
The Orange Place (Castro Cosmic Orange dub) (8:33)
Review: The Orange Place' is one of those underground gems from the 2010s that leaves you wondering about Apiento's weekday rituals. Created by Paul Byrne back in 2013 in a tucked-away East London studio, the track was inspired by dimly lit clubs, hence its evocative name. As Byrne puts it, "you know what it is from the first conga hits." Known for captivating crowds in places like Ibiza's Pikes with DJ Harvey, it's a timeless blend of chugging rhythms and cosmic grooves. Now back with a fresh afro-cosmic remix by Castro, don't miss this reissue.
Review: Bongo Joe and Sofa Records' third instalment of the Maghreb K7 Club Disco Single series dives deep into Algeria's vibrant 1980s scene, offering four tracks that shine a light on the region's overlooked gems. The A-side is led by two irresistible pop-boogie-funk tracks from Khaled Barkat: 'Galouli Enshara' and 'Zourini'. Self-taught and self-produced in 1983, Barkat's music was a hit at the time but got overshadowed by the rising tide of rai. His dynamic collaboration with Yazid Fentazi, Redouane Ayoub, and Mhenni Benlala resulted in a sound that blends infectious grooves with local flair. Now, for the first time, these tracks are on vinyl, offering fresh ears the chance to rediscover a key player in Algeria's pop history. Cheb Tati takes over on the B-side with 'Dub El Hammam', a heavyweight dub number that showcases his range as a rai vocalist. Tati was flown to London in 1989 to work with dub pioneer Denis Bovell, and this track is a standout from their sessions, merging the pulsating rhythms of reggae with a distinctly North African flavour. Closing out the release is the Kabyle band Asif, whose only known recording, 'Tafsut', serves as a fitting finale. Formed by three brothers in Lille during the late 70s, this beautifully crafted pop-boogie track captures the band's unique sound, bringing a sense of nostalgia and triumph to the collection.
Review: This EP is the first collaborative work by Andrea Belfi and Jules Reidy. Berlin-based and hailing from Italy and Australia respectively, the duo blends compositional precision with improvisational freedom. During a residency at Berlin's Callie's-a 19th-century factory turned arts space-they and engineer Marco Anulli crafted four expansive tracks in which Belfi's masterful drumming interlaces with Reidy's shimmering guitars and electronic textures. The opener layers just-intoned guitar figures over delicate brushwork and climaxes with a synthetic surge and tracks like 'Oben' and 'Alto' explore shifting grooves, propulsive rhythms and dynamic soundscapes.
Review: Blundetto unveils a captivating folk single here that features the ethereal voice of French singer Juliette Magnevasoa. 'La Playa' is an acoustic-rich cover of Marie Laforet's 1970 classic and this rendition has a new vocal whose unique timbre adds depth and all-new charm. Together, the artists create a delicate harmony of softness and melancholy and blend soothing tones that evoke timeless beauty. Already heralded as a classic gem, this subtly evolved new version of 'La Playa' offers a serene and heartfelt sound for intimate moments.
Review: Tenalach, the latest EP from Chancha Via Circuito and El Buho, engages listeners in an enigmatic and atmospheric soundscape, blending organic and electronic elements. Following their earlier collaborations, this release takes them deeper into uncharted sonic territory, creating a vivid, almost otherworldly experience. With its mysterious tones, Tenalach feels like a soundtrack to an alternate realityiimagine a journey through Latin American jungles and mountains, as if guided by the spirits of nature. The opener 'El Samurai' stays closest to the duo's signature folktronic sound, blending cowbells, violin-like synths, and animalistic rhythms. 'Sapo Cururu' introduces an intriguing mix of croaking frogs and driving snares, pushing genre boundaries with its primal energy. 'Oropendola' lifts with its strobing synths and the delicate flutter of birds, creating a dreamlike, airy atmosphere. Meanwhile, 'Sumay' delivers a powerful blend of epic synth lines and Chancha's hallmark percussion, evoking both majesty and melancholy. While the EP pulses with life, it's neither downtempo nor uptempoiexisting in a space that defies easy categorisation. Reflecting a more introspective and darker edge, Tenalach captures a subtle tension, hinting at the duo's contemplation of a rapidly changing world and the blurred lines between human and nature. A truly unique listen.
Charlotte & Reinhard for WeCanDance - "To Be Free Again" (extended) (5:10)
Ollie Loudon - "LMT" (extended) (6:21)
Lily Ko - "Pure Rubber" (5:58)
Biancolato - "Resolution" (edit) (5:46)
Review: We're promised Mellow Magic and that's precisely what we get, across four tracks emerging from disparate corners of the globe but united in a common mission to provide beats that work on the more relaxed end of the dancefloor. Belgian duo Charlotte & Reinhard of Rheinzand fame kick things off with a slow motion Balearic version of a well known 80s MOR classic. Ollie Loudon's 'L.M.T.' finally makes it to vinyl after long being a secret weapon in Gratts' DJ sets, where handclaps and languid strumming meet a gentle but infectious groove. Flip it over for the more tracky affairs, as Japan's Lily Ko makes an impressive debut with 'Pure Rubber', an original mix of disco foundations and always snazzy but never showy 80s synth play. Melbourne's Biancolato finishes things off with understated deep house shuffling that adds just a touch jazzy keys and dreamy, wispy pads.
Review: Coyote release the second instalment of their continuing journey into all things Dub. 2 heavyweight tracks with their own unique expression of Dubness. Always ever-present in Coyote productions in some form or another here its front and centre.For big speakers and squidgy black.'Light like a feather-heavy as lead'
Review: Coyote team up with Quinn Luke Lamont for a one off collaboration. Quinns vocals add a distinctly yachty feel to Coyote's chuggy early evening acid groove. Project Sandro tighten up the percussion and strip the vocals back and create a dreamy more contemplative warm weather shuffler.
Review: Armed with a battery of synths, Sydney twosome D.D Mirage make music rooted in the 1980s. On their debut single, released a few months ago, they explored street soul and lovers rock; on this follow-up, they charge towards the dancefloor with a little help from Daniel Monaco and Andrea de Fazio (Nu Genea). In its original mix form, 'Feel It' is a colourful, jazz-funk fired slab of boogie brilliance smothered in heady female vocal snippets and delay-laden drum machine handclaps. The latter element comes to the fore on the simply superb, Larry Levan style 'Instrumental' dub that follows. Over on the flip, they opt for a sunnier and more languid mid-tempo jazz-funk sound on 'So Hot' before label chief Kev Griffiths dons his Jura Soundsystem guise and delivers a wonderfully spaced-out dancefloor dub.
Review: Michael Diamond is the Indian-born UK artist who is co-founder of the Vasuki Sound label and club night. He is known for his 'jazzed electronic' sound in which he blends academic insights with musical creativity. His background in music perception and cognition, which he studied at Oxford while pursuing Medicine, shapes his unique approach. On his new EP 'Placid Wakefulness', Diamond collaborates with renowned musicologist Professor Eric Clarke to explore how music impacts sleep and wakefulness. The tracks blend ambient calm with energetic rhythms and are a fine example of Diamond's distinctive sound and deep understanding of neuroscience and music.
Review: A new song by the acclaimed DJ Mitsu The Beats (a member of Sendai's hip-hop crew Gagle) and rapper Sorane, 'Daily Meets' is a chillaxed, fluid lo-hi-fi hip-hop tonic for those whose ears require polishing, refreshing and/or full-blown aneling in the morning. Getting at a quotidian "everyday life" themes - bleary eyes, coffee shop hissings, cutlery tinkles, long gazes out the window - this jazzy track blends sharp lyricism with repetitious slice-of-life themes, finding joy in those life periods that the less patient among us dare to call groundhog days. Backed up by the instrumental too, you're more than well equipped for both DJ and home system play here.
Review: Senking and DYL reunite after their notable collaboration back on 2020's EP Uniformity Of Nature, this time going long on their first full-length, Diving Saucer Attack. This new work spans a total of six tracks, two of which have been produced individually and so highlight their shared passion for dub-heavy and adventurous electronic music while also bringing out the subtle differences in their styles. The album opens with 'Six Doors Down', a track featuring throbbing bass and haunting synths while subsequent cuts like 'A7r380R' explore intricate soundscapes before culminating in the sombre closing piece, 'Not Just Numbers.'
When I’m Homeward Bound (Secret Soul Society remix)
Chasing Horses
Review: Max Essa is a bonafide Balearic boss man and one of the regulars of the Is It Balearic? label. It is there that he returns now with 'I'm Homeward Bound' which is a textbook sound from the producer, with a hint of Tears For Fears. The pads are delightfully gooey and subtly uplifting over gently percussive and stuttering beats and the whole thing is rich in lazy poolside energy. Nathan Dawidowicz remixes into a percolating bit of deep and tribal disco, Secret Soul Society brings out the early evening house grooves ready for sunset sessions and the closing cut 'Chasing Horses' is a super sweet late night groove with heartfelt chords
Review: It never rains but it pours for fans of Etch at the moment, with not only an extensive long player set to drop on Sneaker Social Club in November 2024, but also this four tracker on that other much loved and consistently wonderful label Ilian Tape. His work is stepped in the textures of jungle, drum & bass, grime, dubstep and bass but rarely enslaved by their limitations. Admittedly, the final of the four tracks here, 'Clockwork Romance', vaguely resembles a late 90s techstep workout, with a hint of junglist roughneck-ness, but the other offerings are very much their own beasts, from the clattering turntablist-constructed beat of 'Jack's Design' to the gnarly, scratchy groove of 'Asami' - imagine Basic Channel and Burial jamming - and the breezy, sunny-sounding opener 'Liz's Track'. Eclectic, individual and bursting with rich flavours.
Review: 'Everything You're About To Hear Is True 3' brings a delightful blend of retro grooves and polished dance tracks, capturing the warmth and charm of 70s and 80s disco and r&b. The opener, 'Inside Of Me', channels the smooth, sophisticated vibe of Alexander O'Neal, with rich r& b influences and a classy early 80s sound that oozes nostalgia. Following this, 'Blue Skies' delivers a lush mix of post-disco and soulful 80s textures, enhanced by a sultry diva vocal performance and vintage production that make it feel both timeless and dynamic. On Side-2, 'Should I' shifts gears with a playful, upbeat fusion of funk and electro, reminiscent of Midnight Star's style, making it perfect for the dancefloor. The EP wraps up with 'Saxophones Of Freedom', a soulful throwback to rare 70s sounds, accentuated by elegant saxophone melodies and a classy, authentic feel. This third edition of 'Everything You're About To Hear Is True' is a well-rounded collection that brings vintage dance music to life.
Review: When it first landed on Leng in 2018, Fernando Pulichino's 'Search of Indigo' delivered a typically attractive blend of dub disco, nu-disco, Balearica and stylish lead vocals from Luca Gaspirini. Six years on, the track returns in remixed form. The Argentinian producer and multi-instrumentalist kicks things off with his own 'AM Mix', a deliciously low-slung and psychedelic chugger propelled forwards by raw, restless TB-303 acid lines, low-slung bass guitar and the dreamiest of pads. Luca Trevisi AKA LTJ Experience handles the rest of the EP, delivering a trio of hazy, slow motion and pleasingly dubbed-out revisions. His A-side remix, in which echoing vocal snippets and jangly guitars catch the ear, is followed by the superbly squelchy, acid-flecked 'Dirty Mix' and the more immersive and hazy dancefloor 'Dub'.
Chain Reaction (DoctorSoul You Can't Fake It - extended Re-Therapy) (6:49)
When Sly Calls (DoctorSoul Don't Touch That Phone - extended Re-Therapy) (5:33)
When Sly Calls (DoctorSoul' Don't Touch That Phone - radio Re-Therapy) (3:45)
Review: Second time around for Doctor Soul's terrific reworks of cuts by yacht rock, AOR, quiet storm and West Coast rock legend Michael Franks, which originally appeared - and rapidly sold out - earlier in the year. First to get the (virtual) scalpel treatment is 1977 jazz-rock treat 'Chain Reaction', which Doctor Soul brilliantly turns into a loose-limbed, hip-hop-break-driven slab of extended yacht rock sunshine. Arguably even better is his extended take on sun-splashed 1985 jazz-funk/jazz-fusion gem 'When Sly Calls (Don't Touch That Phone)', which Doctor Soul lightly toughens up while respecting the original's fine groove. Also included is a shorter radio-friendly re-edit of the latter rework, which is handy for those whose audiences demand short cuts and quick mixes.
Review: Following the success of their debut album On The Inside, UK hip-hop, soul and r&b collective Gotts Street Park are back with their highly anticipated new EP which features a series of instrumental tracks born from the raw, live chemistry of the band. Made using techniques inspired by Miles Davis's Bitches Brew and with no lyrics, the music draws on psychedelic influences and hip-hop instrumentals so tracks like 'Diego' blend funky grooves and snaking guitar riffs, while 'Ozu' evokes the peaceful, voyeuristic feel of director Yasujir? Ozu's films. The EP ends with 'Enzo's Theme' which is nicely inspired by The Godfather.
Review: Belgian-born producer Gratts and pioneering Chicago vocalist Robert Owens first collaborated on 'Brighter Future' back in 2021 after meeting in the streets of Kreuzberg years before. The pair now join forces again for follow up 'Today', a powerful and emotive, 90s inspired deep house cut with layered backings and Owens' lilting affirmations soaring above. The extended club version takes you straight to house music's ecstatic heydays, while the twelve also includes an acapella tool for those singalong moments. On the flip, Mark Hand's slower, soulful rendition takes things into sideroom territory. Finally, 'Mount Olympus', home to the Greek deities, fuses a rattling drum machine, arpeggiated synth lines and a potent analogue bassline - with added bonus beats to bang the box and get weird!
Review: Basic Spirit is a new label out of Germany from the esteemed pair of Tornado Wallace and Jamie Tille. The label makes its bow with a mid-tempo cosmic workout from the pair under the HearT Sphere guise and makes big use of a siren sample from the cult TV show ER. It's layered carefully over post-rave downtempo bliss, with Balearic chords, dreamlike pads and big beats all feature across the three mixes. The Piano mix is the most fun and old school and the Children Mix is to get you in a trance, with added hints of Robert Miles. Bring on the summer.
Review: After a decade-long break, Herbert returns with 'Part 9', a continuation of his influential Parts series that has been a cornerstone of leftfield house music since Part One debuted nearly 30 years ago. This release marks the beginning of a renewed focus on Herbert's innovative sound, with 'Part 10' scheduled for later this year and a new album expected early next year. Part 9 introduces collaborations with Momoko Gill, known for her work with artists like Tirzah and Coby Sey. The EP kicks off with 'Fallen,' where Gill's vocals meld with Herbert's minimalist, 90s-inspired production, creating a track that's both haunting and deeply rhythmic. 'Find Me' strips things down with an instrumental that showcases Herbert's skill in blending subtle grooves with engaging beats. The release closes with 'Curt,' a track that feels like a nod to Herbert's roots, fusing minimal elements with house vibes that are both nostalgic and forward-thinking.
Review: Homebase's latest release 'Everlasting Love' is a joyous celebration of love that transcends time and musical boundaries. The captivating original track is a romantic minimal lullaby with feel-good melodies full of innocence that do a fine job of conveying the moments that make hearts race and memories that last forever. Whether dancing or reflecting, this track connects deeply with the soul. Then comes remixes by renowned artists Phonique, Marc Spieler, and Richard de Clark, each adding their unique touch with some perfect for dreamy after-hours and some a little more ready for the club.
Inland Knights - "Figure It Out" (remastered) (5:13)
Inland Knights - "Figure It Out" (Mark Farina's Mushroom Jazz edit) (4:10)
Review: The Frosted label is back with more brilliance from Inland Knights in the form of this newly remastered version of the classic 'Figure It Out.' It was first put out back in 2013 as the first release on the label and remains a vital tune from the British pair. On the flip, Mark Farina is one of those hallowed producers who always has his own unique sonic signature, most famously under his Mushroom Jazz alias. His edit brings plenty of depth and broken beat lushness with noodling guitar riffs and spoken words making it a backroom gem.
Review: Kaoru Inoue's latest EP continues the journey of his acclaimed long player Dedicated to the Island, which was recently released for Record Store Day 2024. This six-track sequel features a series of self-reworked tracks from the LP, a first-time vinyl release and previously unreleased material as well as a remix by Argentina's SidiRum, who is a leading tastemaker in the tribal and slower house scenes. True to its title, the EP emphasises enhanced rhythmic elements and delivers a blend of organic, left-field electronic sounds. Inoue's talent for crafting atmospheric, innovative sounds will only improve with this superb 12".
A Thousand White Kites Flying High Above The Sea (3:43)
Review: Leo James is back on his own Body Language label with a sixth tasteful take on breakbeat-driven sounds. He shows his range here with different grooves all exploring different moments. 'Better Days' is one that has you gazing off to the middle distance, lost in the rueful pads. 'Olive Grove' is a slowed-down and dubbed-out sound with lots of lovely reverb and 'Burst The Gates' is a deep digi-dub style cut with angelic vocals. 'A Thousand White Kites Flying High Above The Sea' is the ambient laced downtempo closer for late-night dreaming.
Tarde (Melchior Productions LTD Late remix) (7:14)
Review: Nina's Tarde was first recorded in her bedroom three years ago, with the goal of maintaining the same intimate and personal vibe as the original session. The track is a moody love song, delving into the intensity of a relationship so powerful it feels as though it could break you. Now, producers David Lohlein and Alex Wilcox have reworked the track with bright, energetic remixes, bringing a dynamic contrast to Nina's sombre tones. Released as a limited edition on pink vinyl with hand-stamped labels, Tarde is an understated gem that shouldn't be overlooked.
Review: Following fresh from her most recent single 'Tarde', the world's best-kept techno titan Nina Kraviz has gone on to enlist an all-star cast of remixers for a decalogue of versions of the track, notably topped off by a pystrance remix. But on this 12", Kraviz shortens the full ten tracks to four, streamlining the selection for the system-respecting DJ. "Tarde" meaning "late" in Spanish, Kraviz' original track is a brooding slow murmur, textured by earthen Reese-esque basses, ambirhythmic rumbles, and amorous lyrics in Spanish sung by Kraviz herself. Though the mood is climactic, Kraviz' subject matter is one of dubiety and anticlimax, standing tiptoed on the fence between giving love and deeming it too late. The remixes are uniformly weird, not eschewing the needs of the club-goer yet not shying from the dare of challenging them either. Of the remixes chosen here, dubstep OG Mala crops up for a surprise dash of steppers' quality; U.R.Trax continues the charge with a tricky but efflorescent minimal version; and Vladimir Dubyshkin opens the floodgates for a wacky big-roomed hard trance floater.
Review: Laars taps into the rich nostalgia of the mid-90s with a release that will resonate with anyone who longs for the early days of trance and progressive house. Side-1 kicks off with 'Breath Control,' a track that could easily have been spun by Sasha in his heyday. It starts with progressive house rhythms and a subtle breakbeat before edging towards trance, creating a hypnotic atmosphere. 'What If You Fly?' follows, channeling the early 90s progressive house vibe, reminiscent of the sound championed by labels like Guerilla Records. It's a mid-tempo journey that captures the essence of that era. On Side-2, 'Concur' ups the tempo slightly, with a sound that harks back to 1994-1995 when trance began to blend Goa and analog psy elements. This track brings memories rushing back. Finally, 'Delight' closes things out with a more chilled, spacey vibe, perfect for winding down. A true homage to the golden age of progressive house and trance.
Review: Scruniversal hit gold once more with this one from the label head Scruscru as well as Tony Lavurtz and DJ Pecan. This series is all about re-edits and reworks of old and rare records from Scru's friends' collections and first off is 'Pela Internet', a brilliantly sunny and percussive Brazilian number with great instrumentals and steamy Portuguese vocals. DJ Pecan steps up on the B-side with 'Marengo In Love' which is a more romantic sound for when the sun has gone down and you want to get up close and personal and gaze up at the stars while a sultry slow-motion funk groove unfolds.
Review: Marco Lazovic shows his jazzy electro side with this new outing on Scruniversal. It's a sixth EP from this label and another one you need to cop. The A-side tune is 'Amour Translanatique' and is one doused in romantic pad work, reverential moods and gentle drums that soothe the mind, body and soul. 'Uslada' is more upbeat but no less deft and silky. This one has lush cosmic chords and wispy melodies peeling off the busy beats which have a whiff of liquid jungle goodness to them. Two high-class cuts for tender dancefloors.
Review: An elegant fusion of deep house, jazz-funk and disco all showcasing the Japanese house producer's refined touch. Side-1's 'Sei-Un' is a sophisticated blend of jazzy piano melodies, funky undertones and soulful house grooves, creating a warm and inviting soundscape perfect for late-night sessions. The track's seamless integration of jazz elements with modern production highlights Loftsoul's craftsmanship. On Side-2, 'Brilliant Funk' lives up to its name with dynamic grooves and an infectious vocal presence that channels the vibrant energy of early 80s funk. Its polished arrangement and nostalgic vibe make it a great dancefloor cut. Together, these two tracks for a vibrant mix of funk, house and jazz music.
Review: This wonderful horn-led instrumental gem from Chris Petter and Dave Fullwood in their Love Grocer guise makes its first ever appearance on 7". Originally released on a Dubhead 10" featuring a Cheshire Cat vocal in 2000 and then also on the Rocking with the Love Grocer album on Dubhead in 2001, this one has long been a favourite and rightly so: it shows their signature take on dubbed-out rhythms and finds them weaving in some nice hypnotic melodies with great trumpet pads bringing the good vibes.
Daryl System & Mr Fantasy - "Sequential Love" (4:37)
Review: Barcelona-based Italian label Dance Conmigo makes a bold debut with a four-track release that is fully aimed at igniting dance floors. The opener from Lukinsky sets the tone with a dreamy, nostalgic journey you won't want to let go of while Elgo Blanco raises the tempo, perfectly bridging day-to-night vibes. On the B-side, Flavio Folco's signature style shines on a track featuring a dynamic live bassline and energetic arrangement. Last but not least, the EP closes with a collaboration from Daryl System & Mr. Fantasy that delivers a warm 80s-inspired groove and cosmic harmonies that transport you to another dimension.
Review: Curiously, 'The Winning Streak' has nothing to do with Miami Vice the TV series - in fact, the artist was an alias of library music legend Alan Hawkshaw and the track was a piece he composed in the early 1980s that ended up being used as the theme for a long-forgotten UK drama about 'family business intrigue'. The track, presented on this Miss You reissue in extended and original forms, is however a far-sighted treat - a combination of Harold Flatermeyer style synthsesiser excellence, delay-laden drums, Martin Rushent-esque percussion, trippy melodic motifs and just the right amount of sonic intrigue. A slept-on delight for sure. To round off an excellent EP, we also get original bonus cut 'Roadrunner', a synth-heavy instrumental which was used as incidental music in the TV series.
Spielplatz (Quiet Village instrumental mix) (13:58)
Spielplatz (Quiet Village Deep Space dub) (13:44)
Review: Matt Edwards and Joel Martin have done many fantastic remixes as Quiet Village, but little tops their 2007 'deep space' version of Mudd's 'Spielplatz'. Originally released on a relatively limited 12" by U.S label Rong Music, it reimagined the track as an epic slow-motion chugger that combined cosmic, spaced-out, turn-of-the-90s deep house synth sounds and metronomic dub disco bass with locked-in beats, echo-laden (sampled) spoken word vocals and all manner of intergalactic effects. This essential (and once again highly limited) reissue boasts the duo's famous - and deliciously epic - original 'Deep Space Dub' on side B, with the pair's vocal free (and previously unreleased) 'instrumental mix' on side A. A super-slow, ultra-deep house classic!
Review: Mukatsuku is hurtling towards its 100th release but ahead of that comes another vital and hand-numbered 7'' featuring a brace of tunes taken from the Resolution album from back in 2003 by Sidewinder aka Reading-born Glasgow resident Alan Bryden. 'Stanway's Revenge' you might recognise from Groove Armada's Back To Mine compilation and here, in edited form, it is as lush as seductive as ever with the smoochy horns and gentle grooves. On the flip, 'Plain Song' has late-night chords making a sombre vibe while muted trumpet, organic percussion and classy strings all embellish the mood.
Natural Numbers - "Wicked Can't Run" (feat U Brown) (4:00)
Thomass Jackson - "Numeris Vienas" (5:04)
Changa Boys - "Jaar Jaar Dub" (feat Ndiaxo Dal Jaam) (4:56)
Review: Invisible Inc's latest compilation EP, Mondo Ritmo, is a rhythmic exploration that spans the globe, featuring diverse influences from Latin and Afro to dub, dancehall, and acid. Building on the momentum of last year's Mondo Organico, this release places a strong emphasis on percussion and rhythm, making it a compelling addition to the label's catalog. The EP kicks off with 'Cabasa Loca' by Mytron & Balam, a track that's already proven its dancefloor prowess, with label head GK Machine spinning it regularly at his Wrong Party nights. Tom Chasteen's 'Wicked Can't Run,' a house and dancehall fusion, also stands out, featuring Jamaican legend U Brown and mixed by the iconic David Harrow. While the remaining tracks might not be peak-time anthems, they offer something for the more adventurous listener. Thomass Jackson, Thomash, and GATS, as Changa Boys, deliver a rich percussive experience with Senegalese drummer Ndiaxo dal Jaam, while Congo Caveman assists on the mysterious Machine's contribution. Mondo Ritmo is a vibrant, eclectic compilation that promises to captivate both seasoned dancers and rhythm enthusiasts alike.
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