Review: 2Pac's final album released in his lifetime gets a lavish reissue treatment spread across four discs. All Eyez On Me was a landmark when it dropped - the first hip-hop double album released for mass consumption, and featuring a heavyweight cast of collaborators from Dr Dre and George Clinton to Snoop Dogg, Redman, Method Man, Nate Dogg and more. From the massive singles 'California Love' and 'I Ain't Mad Atcha' to the deeper album cuts, it's a milestone in hip-hop history from start to finish. Consider this the definitive version of one of the greatest, from one of the greatest.
B-STOCK: Sleeve scratched on the back but otherwise in excellent condition
Saudade Vem Correndo (4:10)
A Little Spice (4:30)
Gee Dee (4:29)
Soulful Strut (Piano version) (4:10)
Inside My Love (4:30)
All Because Of You (6:05)
Mysterious Vibes (4:15)
Remind Me (4:07)
I Love You (part 2) (3:32)
Review: ***B-STOCK: Sleeve scratched on the back but otherwise in excellent condition***
Collecting together most of their 7" releases onto this, their first album, 45Trio's keyboardist Swing-O/45, bassist Sunapanng and drummer Masahiko Kubo provide fans with not only their sold-out singles on the same label but new tracks too. So, enjoy their version of Patrice Rushen's 'Remind Me' that pares back the original, sweetening further this already sweet composition by marrying Fender Rhodes with vocoder, or relish Irvine Weldon's 'I Love You', as the sensitive keyboard again takes centre stage. Get lost in Loose Ends' 'A Little Spice' which is fairly true to the original but more synthesised with a jazzy hip hop break and the jerky more downbeat version of Gary Davis' 2006 track 'Gee Dee' reflecting the trio's love of paying homage but creating a different and slower groove. On Bloom Music, a label under the Japanese Flower Records 'Soul Review' soulfully reviews Trio 45s work to date, a must for fans disappointed not to have got in quick enough when tracks were first available on 7" and also for those newly initiated. You're all in for a treat.
Review: Collecting together most of their 7" releases onto this, their first album, 45Trio's keyboardist Swing-O/45, bassist Sunapanng and drummer Masahiko Kubo provide fans with not only their sold-out singles on the same label but new tracks too. So, enjoy their version of Patrice Rushen's 'Remind Me' that pares back the original, sweetening further this already sweet composition by marrying Fender Rhodes with vocoder, or relish Irvine Weldon's 'I Love You', as the sensitive keyboard again takes centre stage. Get lost in Loose Ends' 'A Little Spice' which is fairly true to the original but more synthesised with a jazzy hip hop break and the jerky more downbeat version of Gary Davis' 2006 track 'Gee Dee' reflecting the trio's love of paying homage but creating a different and slower groove. On Bloom Music, a label under the Japanese Flower Records 'Soul Review' soulfully reviews Trio 45s work to date, a must for fans disappointed not to have got in quick enough when tracks were first available on 7" and also for those newly initiated. You're all in for a treat.
Somewhere To Be (feat Andy Cooper & Marietta Smith) (3:22)
Ever Been (3:36)
Review: Freak The Speaker marks a vibrant evolution in The Allergies' sound, showcasing their deep-rooted love for diverse musical styles. Producers Moneyshot and Rackabeat have upped the ante, delivering their biggest beats yet and enlisting an array of talented MCs and vocalists to bring their vision to life. Afrobeat star K.O.G. injects energy into the lively 'Koliko,' while Ohmega Watts delivers sharp, impactful verses on the hard-hitting 'No Flash.' UK rappers Dr Syntax and Skunkadelic trade dynamic bars over booming 808s on 'My Own Way,' and Dynamite MC shines on the soulful, infectious 'One Time.' Fans of The Allergies' signature funky, sample-heavy production won't be disappointed. Tracks like 'Let Me Hear You Say' channel vintage roller disco vibes, while 'Knock Me Off My Feet' is a 60s soul-inspired banger that's already garnered praise. Andy Cooper of Ugly Duckling brings his trademark flair to his features, complemented by the lively contributions of saxophonist James Morton and soulful singer Marietta Smith. Freak The Speaker is a celebration of music's global diversity, wrapped in The Allergies' unmistakable style.
Review: Mr. Money With The Vibe is the debut studio album from Nigerian singer Asake. Following an impressive debut and meteoric rise in the music industry, Asake signed with YBNL Nation, the label founded by one of the godfathers of modern Afrobeats, Olamide. The 12-track album features elements of traditional Nigerian fuji music, Afropop, and South African Amapiano and sees appearances from fellow Nigerian star Burna Boy and American rapper Russ. The results are an ethereal sonic oasis that clearly sets Asake apart from his peers. Includes the single, 'Sungba (Remix),' 'Peace Be Unto You (PBUY),' and 'Terminator.'
Review: The DMV crew presents two Biggie-inspired tracks on a limited 7" vinyl here that drives just in time for you to flip some Christmas party dance floors inside out and back to front. Side A opens with the wonderful and timeless 'Juicy Groove,' which is a funky, brass-infused twist on a classic NYC hit that will connect with a wide array of dancers. Flip to side B and you will find a Caribbean-flavoured mashup that's sure to leave you 'Hypnotized'. Do not excuse the pun.
Crips - "Bro Dahwood - Transmigrator Of The Soul" (0:47)
Review: In 1993, Bangin' On Wax marked a pivotal moment in West Coast gangsta rap by managing to unite members of LA's infamous rival gangs-the Crips from Compton, Watts and Long Beach, and the Bloods from Inglewood and Los Angeles. The project aimed to channel gang tensions into music rather than violence with auditions selecting the best MCs for the album. Proceeds supported local schools and parks for children and now, 30 years later, this historic release returns for Black Friday as a double vinyl set featuring tracks previously exclusive to CD, all pressed on red and blue vinyl. A superb work in more ways than one.
Review: Lovers of heart aching soul are well attuned to the output of the Izipho Soul label. Each and every 7" they serve up is impossibly emotive and the new one is no different from Cornell CC Carter. It features singles taken from the artist's hugely anticipated new album, Next Life, and suggests it's going to be an absolute cracker. It will feature 13 carefully constructed songs with rich 70s and 80s soul influences throughout. Here the two chosen singles offer mid tempo, deep cut funk backed with a big ballad that will melt anyone's heart.
Do What We Gotta Do (feat Delroy Dyer/Gina Foster) (4:24)
I Like To Party (feat Andre Stevens/Imaani Kemi/Delroy Dyer) (4:35)
Gonna Make You Happy (feat Jill Francis) (3:43)
Love Dont Strike Twice (feat Easton) (3:53)
Share My Love With You (feat Imaan) (4:43)
Fantasy (feat Gina Foster) (4:38)
Without You In My Life (feat Delores) (4:00)
Sweet Vibrations (1:54)
Review: Rick Clarke was signed to Soul II Soul's Funki Dreds label, meaning he was contractually not allowed to release his music elsewhere. As such, he anonymously slipped out this album Guess Who in 1992, but now it gets a welcome reissue on Freestyle Records under the artist's given name. It is packed with creative ideas and sweet stripped back house grooves with a hint of garage swing. It features plenty of Rick's friends and collaborators who all came to his MJB Records studio in West Kensington where the LP was produced and recorded in just a few days. It's packed with raw drum machine sounds, great basslines and sweet melodies.
Review: .German low end collective Bass Come Save Me unleash a new 45 with a strong Portland portrait as Boomarm's Gulls makes their debut on the label with a warm beat that will keep the chills at bay this winter. Add Jamaica's Wayne Daniel on the vocals and another Portland native Madgesdiq on the conscious bars and there's a vibe that sits somewhere between Roots Manuva, YT and Wyclef. Yeah it's that toasty. Stay blessy.
Death B4 Dishonor (feat Fat Man Scoop & Static The Prodigy) (2:22)
Codes (feat Royal Flush, Agallah The Don & David Bars) (3:54)
Lay Me Down (feat Inspectah Deck & Shyheim Rugged) (2:27)
Blue Sunshine (feat Diamond, 38 Spesh & E-A-SKI) (3:17)
My People (feat Bonecrusher) (3:12)
Review: Legendary producer and rapper Diamond D makes a triumphant return with The Diam Piece 3: Initium, the first chapter of his highly anticipated final installment in the Diam Piece series. Diamond D, known for his groundbreaking work in the hip-hop realm, has crafted a compelling project that underscores his unmatched production prowess and keen ear for collaborations. In this era of fleeting musical moments, Diamond D's decision to split The Diam Piece 3 into three EPs is a refreshing approach. By releasing Initium first, with subsequent parts Duo and Tria planned for later, he ensures that each EP receives the attention it deserves, allowing listeners to fully appreciate the depth and nuance of his work. Initium features a stellar lineup of guest emcees, including KRS-One, Inspectah Deck and Skyzoo, delivering powerful performances over Diamond's signature hard-hitting beats. The EP's lead single, 'The Kings,' highlights Diamond's chemistry with KRS-One, offering a gritty backdrop that perfectly complements KRS's commanding delivery. This is an exceptional project that showcases Diamond D's artistry and dedication to hip-hop.
Review: DJ EPIK delivers a dynamic blend of styles on this release, showcasing his versatility across two distinct tracks. 'My Infamous Starship' stands out with its atmospheric, deep backdrop, evoking the soulful vibes of Pharcyde while maintaining a smooth, east coast flavor. The vocal performance is fluid and smooth, drawing listeners into its deep soundscape. On the flip side, 'Gotta Get Dis Money' brings a funky, 70s-influenced groove, channeling the spirit of early Too Short with its catchy flow and upbeat energy on top. This track is made for the dancefloor, combining infectious rhythm with a touch of classic hip-hop swagger. DJ EPIK's ability to seamlessly blend hip hop and r&b influences makes this release a standout for fans of both genres.
Review: This 12" is especially poignant as it captures MC Conrad's final recording session, which was completed just days before his passing. On that day, Conrad and DJ Prime Cuts recorded the chorus for 'Together' and planned to record more music, but never got the chance, which means this one arrives as a tribute and a commitment to Conrad's legacy with proceeds going to support the MC Conrad Foundation and a GoFundMe for Conrad's son. The A-side is a vibrant electro-funk piece with Conrad's iconic voice and the B-side, 'Our Time Is Now', is a powerful, high-energy homage to Roy Ayers that merges deep bass and techno influences.
Review: Cincinnati-based producer Doctor Bionic (Jason Grimez), known for his work with the 90s rap group MOOD, delivers a seamless fusion of jazz, hip hop, funk, soul and reggae in his latest project. As an executive producer and DJ, Grimez continues to tap into the sonic textures of the late 60s and early 70s, sampling and recording with analog gear to recreate the authentic sound he's always admired. Collaborating with local musicians like Jonathan Luck Spaulding and Josh "Mojo" Cole, Grimez brings his vision to life with a rich blend of instrumental layers that transport listeners to a different era. This release, part of a larger series, exemplifies Grimez's ability to curate smooth, captivating radio mixes that cater to fans of classic, groove-heavy sounds. As always, Doctor Bionic's releases come with a distinctive visual touch, this time working with Israeli artist Refael Idan Suissa to craft an eye-catching album cover. Perfect for setting the mood, this latest project promises to be another standout in his growing catalogue.
God Gave Me Feet For Dancing (feat Yazmin Lacey) (4:11)
Ajala (0:42)
The Traveller (4:48)
N29 (3:56)
No One's Watching Me (feat Olivia Dean) (4:57)
Hear My Cry (3:31)
Shaking Body (3:14)
Expensive (6:10)
Streets Is Calling (feat M.anifest & Moonchild Sanelly) (3:08)
Why I Smile (5:20)
Have Patience (2:35)
Everybody (4:01)
Review: Dance, No One's Watching is a vibrant tribute to the joyous act of dancing and a night out from the anticipation of evening to the early morning hours. Written during Ezra Collective's whirlwind 2023 world tour, which saw them become the first jazz act to win the Mercury Prize, the album reflects the global dancefloors they experienced, from London to Chicago, Lagos to Sydney. Dance and rhythm unite us all, a spirit celebrated in these tracks. Recorded at Abbey Road studios, the sessions transformed into a live celebration with friends and family, adding a communal warmth to the music. The album features collaborations with Olivia Dean, M.anifest, Moonchild Sanelly, and Yazmin Lacey, who sings on the lead single 'God Gave Me Feet for Dancing.' This new album follows their acclaimed Where I'm Meant to Be, and continues to showcase Ezra Collective's innovative contributions to contemporary British music.
Review: This collaboration between Fashawn and Little Vic is a gritty yet sophisticated journey through life's trials and triumphs. Fashawn, hailing from the streets of Fresno, California, brings an unapologetic realism to his verses, detailing his path from struggle to success. Little Vic, with roots in Long Island, New York, provides a sonic backdrop that perfectly complements Fashawn's storytelling, his production seamlessly blending hard-hitting boom bap beats with live instrumentation. Tracks like 'One Eyed King' and 'Victim' showcase the raw energy and lyrical prowess of Fashawn, while 'Autumn In New York' and 'Spaghetti Western' offer moments of introspective beauty and cinematic atmosphere. With its diverse soundscapes and powerful lyricism, this album is a reminder of the resilience of the human spirit and the transformative power of music.
Review: When asked in a 2023 interview why he hadn't contributed any production work to long-time collaborator Future's 2022 ninth full-length I Never Liked You, tireless hip-hop producer Metro Boomin revealed that he was aiming to save his beats for a potential collaborative album, which now appears to have been the plan all along. Marrying the aquatic, lysergic production style Boomin has helped to majorly popularise with Future's hazy, xanned out delivery, the duo deliver a trap opus weaving the most accessible and underground facets of the genre into one malleable set of fluid bangers, while the guest feature section boasts a who's-who of modern day hip-hop acts such as The Weeknd, Rick Ross, Playboi Carti, Travis Scott and Kendrick Lamar. The project also would eventually be retconned as part one in their ongoing collaboration series with the follow up to We Still Don't Trust you dropping only three weeks later.
Review: Originally slated for release in 1995 before a flood destroyed over 100 beats The RZA had stored in his basement, the once indefinitely postponed debut album from Wu-Tang Clan member Inspecktah Deck would finally see official release in 1999 and is still the MC's highest selling solo endeavour to date. Dedicated to Deck's late father Frank Hunter and sporting features from fellow Wu-Tang monks U-God and Masta Killa, as well as lesser-known affiliates such as Street Life, Killa Sin, and LA The Darkman; Uncontrolled Substance offers over an hour of classic east coast hip-hop at its incomparable peak.
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