Back catalogue: House

Review: In a move towards soulful French electro-funk from the duo that brought us 'Caipirnha', comes the latest new single from DjeuhDjoah & Lieutenant Nicholson. The two producers here bring together a vast cast of musicians playing everything from Moog to claviers, culminating in a texturally rich afro-soul single that urges us to "hold our horses" ('Pas Si Vite') in these troubling times.

Review: Danny Krivit is currently known as one of the music community's greatest purveyors of top quality disco & house as he continues to perform regularly before sold-out audiences around the world. With his unique ear for what works on the dancefloor he has also become known as "King of the Re-edit." Danny has a deep connection to Kim English's "It Makes A Difference" release on Nervous Records from 2006. Krivit worked with writer Kyle Smith on the remixes that originally made this tune an anthem at his 718 Sessions parties as well as one of the highlights of club nights from Tokyo to New York to London that appreciate quality soulful house. The B-side is Danny's re-edit of one of the most famed dubs from the Nervous catalogue as well as for the producers Mood II Swing. Upon its release in 1993 this dub emerged as one of the defining sounds of summer 1993 at Ministry Of Sound which had just recently opened the year before. The "rushing rushing rushing" hook is well knownby golden era of house afficianados around the world and he does an amazing job bringing this essential hook.

Review: The blistering, one-of-a-kind West Coast disco-funk record 'U Need Me' by LA Propinquity surfaces as part of a new body of historic productions initially intended for compilation on a full-length LP. For reasons undisclosed, this never happened; instead, Italian sonic exhumers Cannonball Records have been afforded the privilege of reissuing these tracks across a series of 7"s themselves. Hardly and criminially under-recognised in their day, the L.A. Propinquity were nonetheless composed of the angelic city's finest, with drummer James Gadson forming a prominent part. A blast from the 1970s, 'U Need Me' is a beaming slice of unrequited longing, set to delicious funk tones that are as maximized as they are unstrained.

Review: Whether she likes it or not, Sophie Lloyd will always be known for the unfeasibly uplifting gospel disco-meets-gospel-house anthem 'Calling Out'. That was released five years ago and ever since, she's struggled to embrace it's shadow. With 'Angels By My Side', Lloyd seems to have embraced this, delivering another fine gospel-powered number that inhabits a similar sonic space while being different enough to avoid accusations of treading water. It's genuinely good, too, with Pauline Taylor delivering superb lead vocals over a hybrid gospel disco/stomping gospel sound hybrid full of Hammond organ licks, booming bass guitar, piano house riffs and stirring orchestration. In other words, it's another anthem in waiting.

Review: This one has got an unlikely anthem written all over it from the Los Disco Duro. It features a pair of covers and the weird and wonderful A-side jam 'La Inconforme' is a steamy samba shuffler but with plenty of digital production touches and a roboticized vocal that is sure to hook in any sort of dance floor. After that newer opener which is well known in sonidero circles, comes the Tito Puente composition 'Oye Como Va' which has been popularised by Carlos Santa amongst others. It is another hot Latin American vibe packed with retro-futurism.

Review: Luciano FM is founder of Funky Floor and Lounge Floor Records, as well as manager of Dafunk and member of the Neapolitan outfits Bhoo and Mall Aka Funk based in Capri. His latest comes courtesy of Sardinia's Sound Exhibitions titled 'Fly Guy'' which is a perfect lo-slung disco loop in the vein of classic DJ Sneak or MCDE's Raw Cuts series. Over on the flip, he treats you to another slo-mo dancefloor heater in the form of 'My Girl' featuring a ripping strings section, soulful vox and creamy Rhodes lines underpinned by a stompin' rhythm section.

Review: It may come with an eyebrow-raising price tag, but what's on offer here is undeniably alluring: a box set of 10 seven-inch singles containing all of the songs from Louie Vega's brilliant Expansions In The NYC album - an all-star affair in which the Masters at Work man celebrated his love of New York disco, boogie and house. The album itself is incredible, with fantastic musicianship, arrangements and vocals, while the cast list - which includes original electrofunk outfit Unlimited Touch, Peech Boys main man Bernard Fowler, Honey Dijon, Cindy Mazelle, Moodymann, Kerri Chandler and his son Nico - is similarly impressive. It's a great product, packed with brilliant music: a fitting finale to this portion of the ongping 'Expansions NYC' project.