Back in stock: House

Review: Tilman returns to Off Track with a four-tracker for ostensible dancefloor pleasure, but our ears can confirm it goes further to sate the home-listeners' predilections too. Continuing the verve of his old skool 90s garage-intoned releases on his very own Pleasant Systems label, Tilman's newest spans dreamatics, whorling deep stabs and saturated toppers; with just the right ratio of sizzle, body and booty to make for a full collective somatic ecstasy.

Review: Eloi (Eloi Chazelas), a producer based in Paris, France, has released his latest work on the German label LTDBLBL. This 13th release showcases Eloi's mastery of deep house and jazz influences. 'The Great Delusion' sets the tone with its soulful touch and jazzy undertones. 'Foundation's Edge' delves deeper into jazz territory, featuring evocative horn samples. Side two opens with 'A Perfect Misconception,' a perfect blend of house and disco. Finally, 'I Hope It Ends Well' exudes a laid-back cafe house vibe with its jazzy nuances. Through this release, Chazelas demonstrates his versatility and ability to create music that both captivates and soothes. This kind of house music is great for day or night and for a bar or club.

Review: House music's ability to make you feel good is part of its appeal, and artists like New Jersey majesty Josh Milan of Blaze fame, and London broken beat astro Kaidi Tatham sure know that. They link here with Patrick Gibin for an EP that brims with summer time soul, joyous keys and funky bass riffs that are impossibly sweet. Jazz funk, house and boogie all colour the tracks here with "Don't Be Rude" brining the cosmic vibes and "Groove On" making you want to move for days with its killer b-line and disco energy. Gorgeous stuff, for sure.

Review: Purple Print's musical universe expands once more here with a ninth outing on wax and a fine various artists selection to mark the occasion, with Minube appearing on each of these collabs. It's a wonky and afterparty-tinged minimal jaunt from him in solo mode to open up with as 'Zaha Zhivai' gets you locked into a slinky groove. He then inks with Rebreanu for the marching bleeps and squeaks of 'Bro Disch Tut' and with D I N he makes 'Wormhole', a dry and dusty final tech shuffler before a fine work with Andrey Djackonda in the form of the abstract funk of 'Can't Stop The Time' shuts down.