Review: In recent times, demand has soared for a trilogy of 12" singles that Matthew "Bushwacka!" Benjamin released on Sound As A Pound Recordings in 1996. This must-have 12" gathers together some of the series' most in-demand moments. Opener "8" is warm, positive and hypnotic, with marimba style memories and sun-kissed synth chords riding layered drums and a rich bassline, while "11" is a game-changing fusion of off-kilter breakbeats, heavy sub-bass and some seriously dreamy chords and lead lines. Flipside opener "5" adds sunrise-ready deep house chords and melodies to a funk-fuelled techno groove and is therefore the purest representation here of the early UK tech-house sound. As a bonus, Desert Sound Colony offers a tough and chunky peak-time revision of "8" that's altogether denser and heavier than Benjamin's original mix.
Review: With their "Foundations" series, DJ Spinna and Kai Alce continue to explore the formative years of house music culture, offering up seven-inch singles showcasing classic and overlooked gems. This fourth volume in the series contains two more must-have tracks subtly re-edited to fit the format by the effervescent Alce. First up on side A is Dreamer G's vocal anthem "I Got The Feeling", a 1992 NYC house classic - and Timmy Regisford favourite - produced by none other than Kerri Chandler. On the flip Spinna and Alce take us back to 1988, offering up an early New Jersey house production from the "Backroom Boys" team of Cassio Ware, Derek A. Jenkins and Dwayne Richardson, who would later find fame as DJ Spen. A superb song that's as soulful as you'd expect, it's largely been overlooked for over three decades.
Review: Madonna, Depeche Mode and Kelis - what do East End Edits have in store for us next? This seventh instalment harks back to the charming deep jazzy house of their inaugural release - think of the legendary St. Germain and that should give you a fairly good idea. The track's smoky, late night jazz bar vibe is complemented by a rolling bass and swinging rhythms that should appeal to the likes of Rhadoo or Petre Inspirescu - legends of the Romanian scene who themselves have lent their deft hand to the French producer's work as remixers in the past, too.
Kim English - "It Makes A Difference" (Danny Krivit & Kyle Smith remix - Danny Krivit 7" edit) (5:39)
Loni Clark - "Rushing" (Mood II Swing dub - Danny Krivit 7" edit) (5:31)
Review: Danny Krivit is currently known as one of the music community's greatest purveyors of top quality disco & house as he continues to perform regularly before sold-out audiences around the world. With his unique ear for what works on the dancefloor he has also become known as "King of the Re-edit." Danny has a deep connection to Kim English's "It Makes A Difference" release on Nervous Records from 2006. Krivit worked with writer Kyle Smith on the remixes that originally made this tune an anthem at his 718 Sessions parties as well as one of the highlights of club nights from Tokyo to New York to London that appreciate quality soulful house. The B-side is Danny's re-edit of one of the most famed dubs from the Nervous catalogue as well as for the producers Mood II Swing. Upon its release in 1993 this dub emerged as one of the defining sounds of summer 1993 at Ministry Of Sound which had just recently opened the year before. The "rushing rushing rushing" hook is well knownby golden era of house afficianados around the world and he does an amazing job bringing this essential hook.
Review: Platform 23's celebration of Exquisite Corpse wraps up with this fourth installment of visionary proto trance bubblers from the dream team of Robbert Henyen, Debbie Jones and Tim Freeman. As with the previous installments, they've picked choice tracks from across the spectrum of the PWOG-affiliated project's output, kicking off with a transmission from the debut release, "Honeymoon". Throughout the mood is loose and wigged-out, with a pleasant stew of New Beat, acid, house, trance and dub among the core ingredients flavouring this thoroughly early 90s dish. This is psychedelic dance music crafted before the genre boundaries were established to ruin everyone's fun - savour the vibe as we return to more freewheeling times once more.
Review: Juan Ramos and Luca Trentini AKA Trent have had a couple of prior outings as Greenvision, especially impressing with their excellent 12" on ESP Institute last year. Now they're back to where it all began, Cocktail d'Amore, with the lurid, pysched out freakery of "Mountain Of Madness". It's a truly devilish track, coming on heavy like a dangerous incantation, which is of course a good thing. On the flip, things stay firmly out on the wild frontier with the Sativa mix of "Rolling 2 Joints". The message is clear - this is music to lose your mind to, and you'll have a thoroughly wonderful time doing it.