New releases last two weeks: House

Review: Long time tech titan Nick Curly is back on Cecille, one of the several labels he has run over his storied career including 8Bit and Trust. His Come Right Back EP finds him head into similar sort of territory that has been his style in the past - it remains deep and loopy and hypnotic right from the off with the title cut layering up swirling pads, nicely stripped back and dusty drums and a hooky, soulful vocal that loops hypnotically up top. 'Arkum' on the flip is a nice loosely limbed and hip shaking rhythm with percussive details over silvery drums as a bobbling bassline and smart filter use bring subtle dynamics to keep things fresh.

Review: TV Hill Records starts things off rough and curiosity-rousing, with a technical itch from OG AG (Andrew Grant) in collaboration with fellow producer Dimneonsum. A mid-paced deep techno calculator, 'What's Up Everybody' pares back any semblance of emotion for pure robotic urgency, with every sound moving in juddering clockwork lockstep in an abstracted world of pure, preservative mathematic topology. Opener 'San Fran' pits nervous FM loops against an equally anxious Shepard-tonal riser, while calmer moments such as the beatless 'Drakey' still disquiet with their eerie glassiness. One for the bleepy heads, the only humanistic element is the revelatory vocal sample on 'Found Out'.

Review: Premier dub techno outlet Greyscale from Lithuania welcomes back Lotech/Hijack following the success of his last album here, Static Phase. He has served up another full length's worth of sublime deep dub techno explorations here, and that marks his rather remarkable 36th full length in total. Winter Constellations is inspired by the Canadian's love of star gazing and the vastness of space and results in plenty of widescreen and cinematic tracks that are subtly detailed with celestial moods. From the power of 'Let's Forget Who We Are' to the infinite depth of 'Auriga' via the airiness of 'Night Sky Dreaming' and 'Horologium', this is another masterfully immersive work that really exploits the album format.

Review: Random Factor's 'On The Air' EP is a hugely sought-after classic by those who know. It came on Ralph Lawson's ever-reliable 20/20 Vision and now, as it turns 25 years old, he has decided it is the right time to get it remastered and reissued. 'On The Air' is first up on this fine EP from Carl Finlow and it has serene synths that bring to mind Detroit techno soul over pulsing bass and slick drums. 'Lockdown' has a raw vocoder vocal over punchy drums and twitchy synth stabs and 'Undercurrent' is another weapon that has more than withstood the test of time as it bumps along on funky drums and is overlaid with more playful synth patterns. 'Disconnect' is a crunchy and 8-bit closer with pixelated synths and screwy acid lines. Superb.

Review: youANDme has always been an important cog in the wheel of underground house and techno and his recent PPPPP was another fine project that has also spawned plenty of equally brilliant remixes. This is a second collection of them and it kicks off with the Polish master of perfect loop techno, Head High aka Shed. His bulky, barreling drums and big percussive loops come with plenty of bounce and raved up vocals. After that come Ian Pooley's dub, and Johannes Albert's deep house trip. Sasha, Roger Sanchez and Laurent Garnier have already been banging these so now it's your turn.