Back catalogue: Industrial/Noise

Review: The REPITCH label started back in 2011 with a 12" split three ways between its co-founders, Pasquale Ascione (Ascion), Davide Carbone (D. Carbone) and Nino Pedone (Shapednoise).
Some 11 years on, and the trio are still very much at the heart of the label's activities, celebrated here with the Dys Functional Electronic Music X compilation, highlighting not only their label's scope but also, they say, pointing a way forward for its future intentions. This collection pushes at the edges of the experimental techno genre, whether that be through speed and heaviness (see Buttechno's pummelling 'Ghost Yunost'), smashed up arrangements like opening tune 'Mastice Riddim (VIP Mix)' from Shapednoise and Gabber Eleganza or reconnection with the ruffneck breakbeats that were once an integral part of rave culture (Ascion's 'Plugged' (Heavy-Rotation Mix) and DJ Plant Texture's 'Threat The Music With Respect')

Review: First released as a very limited 2 x 10-inch vinyl package in 2017, Luxor Necropolitics is widely considered to be one of Domimic Fernow's most accessible albums as Vatican Shadow. It was produced in collaboration with Teflon Tel Aviv member Joshua Eustis and, as this first ever CD edition proves, boasts more relatively straightforward moments than we're used to from the American experimentalist. Of course, his usual influences and sonic traits are still present - an obsession with geopolitics and the Middle East in particular, shards of melancholic melody, dark and dystopian techno grooves - but this time packaged into accessible, often rhythm-driven chunks rather than abstract ambient excursions and sample-heavy sound collages.

Review: So-called 'ethno-industrialists' and Paris-based outliers Vox Populi are next in the spotlight for Platform 23 Records as it continues on its mission to unearth archival treasures both known and unknown. Half Dead Ganga Music is widely thought to be one of the group's most cohesive records as it meanders through lo-fi drones, muggy ambient and voodoo ritualism. Founder Axel Kyrou and partner Mythra who provides the ghostly vocals cook up alluring yet oddball sounds with obscured bass, rich layers of tape processing and weirdly uplifting gloominess. A superb album that sounds as new and innovative now as it did when it was first released all those decades ago.