Review: Gruth incorporates pitch black and aggressive textures into his sonic palette. Incorporating techno, ambient and industrial, but mainly rooted in the Nordic darkness of metal - this is the experimental music project of Juha Puupera. Drawing further influence from UK sound system culture and Italian 'Giallo' of the '70s, he's joined by homeboy Hannu Ikola (Subself/Ether) who is a techno DJ and producer on this EP. It features the grinding and guttural sludge techno deconstruction of "Severely Decomposed" and "Disgorged Viscera" on the A side. The pitch black techno of "Ke Jawenan Deserration" and the haunting dark ambient soundscape "Futile Demise" where Gruth is joined by Helsinki-based violinist and sound designer KuJo.
Review: LA Club Resource's Innsyter helps carry Contort Yourself into this new realm of dedicated solo releases from contemporary artists (their previous form was to split releases between archival and new tracks). The snarling, industrial palette is much the same, and the years of origin are as ambiguous here as they've ever been on the label, making Innsyter the perfect addition to the catalogue. From acid-dipped synth pop to nightmarish wave contortions, this record is certainly not for the faint of heart, but if you already love the dark and deadly world of Contort Yourself then this brilliantly-realised, consistently inventive record can't fail to hit the spot.
Review: Whatever Makes You Feel Safe is a collaboration between Canadian producer and singer Marie Davidson and Berlin based Ukrainian sound designer Invisible Church. They met in Montreal during Red Bull Music Academy festival and shared the idea of exploring the concept of feeling safe both on a personal level and as a part of society. Quite different from what you'd usually associate with Davidson but still worthy of your attention all the same. Beginning on the A side with "Collage" featuring some chilling drone experiments over textural sound design and field recordings which allow Davidson's haunting vocals to carry the track further into the void. Sounds like a cross between OAKE and Lustmord. Next up "Never Release The Tension" delves further into pitch black territory on this contorted downbeat industrial thriller. Finally on the flip, we've got an epic 10 minutes of haunting esoterica in the form of "Ten Years" and features Theo Parrish on cymbals! The label recommends it as for fans the late Mika Vainio, Black Rain, CTI, and the Bladerunner OST. Pretty on point, if we do say so ourselves!
Nocturnal Emissions - "Even The Good Times Are Bad (1983)" (4:33)
Innyster - "Todis" (6:08)
Review: Contort Yourself reaches its sixth installment with yet another era spanning gathering of post-punk and industrial oddities for the most deviant of dancefloors to digest. In the contemporary corner we have Penelope's Fiance, a promising industrial artist from Greece. Meanwhile on the B-side, Nigel Ayers as Nocturnal Emissions takes us back to 1983 with the utterly chilling "Demon Circuits Bloodbath" and "Even The Good Times Are Bad". L.I.E.S boss Ron Morelli steps up as U202 to remix "Even The Good Times Are Bad" as a death march of malevolent percussion.
Review: Los Angeles based producer Alex Gray aka D/P/I of CHANCEIMAG.es returns, this time on French imprint Shelter Press with more avant electronics excursions on the Composer LP. Thee seven sound collages are said to be an experiment in rhythm, where human error is introduced to basic sounds (such as a djembe or conga) via midi controllers, introducing complex processes and effects which naturally developed into compositions. Gray himself hopes his album "can act as a beacon of creativity for future generations, who are currently being completely saturated by marketing content for products and media that will do nothing but confuse and distract them.
Review: "Say Yes To No" is the debut record from iDEAL Recordings label head Joachim Nordwall, aka the iDEALIST. It is an experimental affair couched in dub but run through with a sense of dread and plenty of noise. Expertly manipulated sound characterises each track - the distant drone of a factory floor, the hum and fizz of machines at work and the lumpy, loopy drums of automation. Fans of Adrian Sherwood's brain frying, punk influenced work are sure to lap up this most dark and dystopian dub exploration, and arresting vocal appearances from John Duncan and Jamaican poet Nazamba only heighten the whole experience.