Review: Since first emerging 23 years ago, Turkish outfit Baba Zula has developed a distinctive take on their homeland's psych-funk and psych-rock traditions, offering up albums that combine elements of occidental musical culture with low slung psychedelic rock grooves, spacey electronics and the delay-laden hum of dub. It's this unique fusion of past, present and future sounds from Middle Eastern and Western culture that makes their latest album - their first for five years - such a rewarding and enjoyable listen. While unique and hard to pigeonhole, each of the ten tracks is undeniably impressive, wonderfully evocative, genuinely atmospheric and - as you'd expect given their roots - more psychedelic than tea with Timothy Leary on the moon.
Review: Recorded in 1983 and '84 respectively, "Feelings" and "Sidiku Buari & His Jam Busters" were the last albums recorded by Sidiku Buari, a New York based musician who turned to music after a promising career as an athlete in his native Ghana. He initially rose to prominence making highlife and afro-disco, but by the early '80s Sidiku was in full-on Afro-boogie and electrofunk mode, offering up tracks rich in colourful synthesizer lines, punchy electronic drums and righteous vocals in his native tongue. There's much to set the pulse racing across both slabs of wax, from the squelchy, club-ready brilliance of "Music" and "Anokwar (Truth)", to the slap bass propelled flex of "Minsumobo", dub disco grooves of "Karambani" and flute-laden breeziness of "Rhythm Of Africa".
Review: BBE continue to explore the little-known catalogue of Ghanaian athlete-turned-musician Sidiku Buari, whose West African style takes on disco and boogie made him a surprise star on the New York underground in the late 1970s. Here they offer up a fresh pressing of "Disco Soccer", a brilliantly vibrant and over-the-top set of NYC disco floor-fillers that's been stretched out across two slabs of wax (the original album was a single LP) to ensure a more dancefloor-friendly cut. Highlights include the bass-heavy, Moog-laden hustle of "I'm Ready", the Patrick Adams-esque brilliance of "Hard Times", the intoxicating, high-octane thrills of "African Hustle" and the pitched-down sweetness of "Games We Used To Play".
Review: To conclude their must-have series of reissues of disco-era albums by NYC-based Ghanain Sidiku Buari, BBE Music offers up a freshly re-mastered edition of 1979's "Revolution (Live Disco Show In New York City)". Whether or not the first four tracks were genuinely recorded at a "disco show" - even BBE doesn't know for sure - they certainly sound like straight-to-tape performances that brilliantly mix and match elements of Afrobeat, Juju, disco and heavy funk. The second half of the set was definitely recorded in a studio and includes cuts either closer in style to Ghanaian popular music of the period ("Revolution") or that fuse Buaki's usual sound with different influences (see the clear reggae influences of "Together We Can Rebuild It (Ghana Motherland)" and the quirky "Merry Xmas & Happy New Year").