All Day I Dream Germany 黑胶唱片和CD

Review: Never mind just all day, Lee Burridge must be dreaming of this music every second of every night as well because he manages to unearth more of it on a constant basis. It's like aural wallpaper, a sonic lava lamp to gaze at, zone out to, and lose yourself in. Mass Digital is the latest to offer up four teaks of people are calling yoga house with his Viaje De La Vida EP. 'Someone Like You' kicks off with a joyous and celebratory feel, full of hope and choral melodies. 'Rain In June' is similar, with lovely keys racing down and 'I Remember You' then slips into something deeper for later in the evening but still with those churchy bells up top.

Review: RECOMMENDED
Crucially not to be confused with the other Powell (note the double L), Berlin-based producer and DJ Powel steps up for Lee Burridge's All Day I Dream label, itself an offshoot of the party series known for epic atmospherics at long, sun-kissed parties where subtleties, sexiness and melodies are often more appreciated than driving beats and bass.

Intros done, The Beauty of a Polaroid is likely exactly what fans of the artist and producer were hoping for. Downtempo tunes defined by the kind of sonics you'd expect to hear while watching sunset at whatever White Island spot you use for those essential evening pre-pre-party hangouts. And Powel certainly delivers a crop that's notably above the usual standard, the highlight of which could well be rave comedown overture Sunrise of Melmac - as emotional a thing as you'll hear all year.

Review: Double Touch make their return to German label, All Day I Dream, with their four-track EP, 'Storm'. Like soaking into an ambrosial dream, Reigan's beautiful vocals, reminiscent on 90s trip hop, drift effortlessly through the emotive core of the titular track, 'Storm'. For 'Serenity', a cherubic, cascading melody twirls gracefully around the driving, percussive spine of the track - replete with a sense of endlessness, this track is like looking into a distant horizon. 'So Free', the second track to feature Reigan's ethereal vocals, rides a rousing orchestral wave, precisely punctuated at points by soft garage-esque rhythms. And as the release draws to a close, a deep house reimagining of the classical piano piece, 'Clair De Lune', is a lesson in combining two supposedly disparate musical spheres. A fantastic release, perfect for roof-down listening or ecstatic dancefloors alike.

Review: As evidenced by the cover of this latest EP, Belgian house artist Hermanez has his head in the clouds. Similarly, if we were to liken the weight of his productions to a cloud, it would probably be a dense cumulonimbus, ready to pour it all down on us. That's because every track on this bit has extra-special, nuanced attention paid to its drums, all of which are backed up by immense, emotive bassweight to boot.

Review: Lee Burridge's All Day I Dream label is like the Ronseal of house music - it does what it says on the tin. It's been a while but at last the boss man himself is back on wax here, this time in collaboration with Los Desert across four fine tunes. 'Les Voyeurs De La Nuit' is a lovely jumbled-on scattered congas, toms and snaking synths that soon soothe the mind, body and soul. 'Slave To The Strings' is an elastic deep house cut with a busy melodic bassline and serene strings while 'You May Never Leave' is a sonic daydream tethered to a smooth, rolling house rhythm. 'Here With You' closes down with funky little guitar riffs stitched into another mind-expanding and gorgeously airy groove.

Review: London's All Day I Dream label is instantly recognisable for its use of clouds as its EP covers, a trend it has kept up since since its first release in 2011. This latest wispy six-track EP from Tim Green is a beautiful floater, very much unafraid of plunging its head into the deepest and most rapturous of clouds. Opener 'Water Steers' very much sounds like we're floating up to the pearly gates, with its stretched-out choir samples and voxy one-shots opening to a tricky single-key house track. From there, it's all blissful yet rave-worthy, with tech-trancers like 'Tears' and 'We've Been Here Before' not letting up from the crossrhythmic formula, but still laying down a slowly-revealed emotion.