All Day I Dream Germany 黑胶唱片和CD

Review: London's All Day I Dream label is instantly recognisable for its use of clouds as its EP covers, a trend it has kept up since since its first release in 2011. This latest wispy six-track EP from Tim Green is a beautiful floater, very much unafraid of plunging its head into the deepest and most rapturous of clouds. Opener 'Water Steers' very much sounds like we're floating up to the pearly gates, with its stretched-out choir samples and voxy one-shots opening to a tricky single-key house track. From there, it's all blissful yet rave-worthy, with tech-trancers like 'Tears' and 'We've Been Here Before' not letting up from the crossrhythmic formula, but still laying down a slowly-revealed emotion.

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Crucially not to be confused with the other Powell (note the double L), Berlin-based producer and DJ Powel steps up for Lee Burridge's All Day I Dream label, itself an offshoot of the party series known for epic atmospherics at long, sun-kissed parties where subtleties, sexiness and melodies are often more appreciated than driving beats and bass.

Intros done, The Beauty of a Polaroid is likely exactly what fans of the artist and producer were hoping for. Downtempo tunes defined by the kind of sonics you'd expect to hear while watching sunset at whatever White Island spot you use for those essential evening pre-pre-party hangouts. And Powel certainly delivers a crop that's notably above the usual standard, the highlight of which could well be rave comedown overture Sunrise of Melmac - as emotional a thing as you'll hear all year.