Review: Staggeringly, this tidy tech-house EP from Dan Andrei is not only the Romanian's first release of any sort for four years, but also his first vinyl single since 2011. He begins in confident mood with "SOS", a gentle, undulating affair where pulsing electronics, drowsy chords and fizzing audio glitches clamber atop of a warm, mind-altering bassline and unfussy machine drums. "In The Bass" is a darker and wonkier workout for clubs that like it dark and clandestine, while "Still Unclear" adds warming deep house chords and dusty melodies to a futuristic tech-house groove. To round things off, Andrei offers up a spot of alien tech-house chug where swirling, deep space chords and another ear-catching bassline dominate the sound space.
Review: Last year, Bucharest producer Vlad Caia impressed plenty of people with "Division I", a collection of experimental-minded minimal techno cuts that was the closest he's come - so far, at least - to releasing a debut album proper. This speedy sequel continues in a similar vein, offering up five more atmospheric cuts across two slabs of wax. He begins in confident fashion via the swirling, deep space pads, bubbly electronics and off-kilter tech-house drums of "Renaissance", before reaching for the droning analogue bass, jammed-out bleep melodies and smooth drums of bolder floor-filler "Cluster". Elsewhere, "Alkuon" sees Caia blend heavy sub-bass and swinging machine drums with sparkling electronics and liquid synth lines, while "Parallax" is a darker, moodier chunk of late night dancefloor science rich in "LFO" bass and off-kilter keys.
Review: Very few labels within Romania's storied techno scene can match the wonderful curation of Vlad Caia & Cristi Cons' Amphia Records. The Bucharest-based imprint now presents a full length by NYC-based sonic sorcerer Kamran Sadeghi - considered by many to have one of the most singular takes on the minimal techno sound at present. His most bold and stylistic expressions await you on Ritual Signal and highlights are aplenty: from the ethereal alien transmissions of "More Than Tomorrow", exotic creatures of the deep ("Today"), afterhours reductionism ("Who New") to more leftfield groove expressions, best exemplified by the majestic micro-funk of "May Day" and the splintered/echo-laden hypnotism of EP closer "Decay".