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Items 1 to 22 of 22 on page 1 of 1
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Jonny (gatefold clear vinyl LP + 1-sided clear vinyl LP)
Cat: 278443. Rel: 13 Oct 23
Indie/Alternative
Review: Four years on from Brutalism, The Drums has been on a journey to where it stands now - a solo project for Jonny Pierce. The sharp, catchy indie rock hooks remain fully intact as Pierce takes us deep into his background and self-described "cult-like" upbringing. From the cover to the confessional lyrics, it's an achingly personal record which veers from uptempo to intimate and tender, all orbiting around Pierce's arresting voice and undeniable gift for writing a beautiful song. 'I Want It All' is the anthemic lead single which sets the tone for the album, pressed up here as a three-sided album with an additional 15-minute piece entitled 'Track 17' on the fourth side.
… Read more in stock $31.13
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Review: Offering fuzzy grunge-pop with doses of shimmering synths and emo angst, Ned Russin co-fronted Title Fight before halting in 2018, after which he began playing music as Glitterer. Now a full band, Glitterer returns with Rationale, combining 90s grunge, capital-R riffs a la The Stooges and a keyboard lead motif that gives self-deprecating melodrama. After relying more on synths for the entirely solo, home-recorded Glitterer LP in 2017, Russin involved collaborators on the crunchier Looking Through the Shades in 2019, and this trend heard him move towards driving indie rock grit with 90s influences, continued on 2021's Life Is Not a Lesson and now Rationale. Russin has a unique voice to boot, not instinctively a shoegazey spectre, instead more of a belting tenor, but this proves a beautiful combination.
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It Will Never Stop
Kind Ghosts
Evening Star Supercharger
O Child
Failing Down
I Fucked it Up
Hello Lord
Daddy's Gone
Chaos Of the Universe
Listening To The Higsons
Everybody's Gone To Sleep
The Scull Of Lucia
Blue
Stay
Review: It's 13 years since Sparklehorse's Mark Linkous died suddenly, leaving behind a glittering legacy in indie rock and a shocked, devoted fan base. As it transpires, he had nearly completed his fifth album when he took his own life, and was in fact midway through recording with Steve Albini at Static King at the time. Now his brother and sister-in-law have finally found the right way to honour his legacy and bring this nearly-lost album to light in the most respectful way possible. For those who have been missing Linkous' unique, resplendent songwriting in the years since his passing, this is an unexpected and sure-to-be-treasured treat.
… Read more in stock $10.90
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Bird Machine (limited clear vinyl LP in embossed sleeve (indie exclusive))
Cat: 270814. Rel: 07 Sep 23
Indie/Alternative
Review: When a revered artist leaves this world too soon, they always leave behind a web of unanswered questions, and that's especially true of Sparklehorse's Mark Linkous. When he took his own life in 2010, he was midway through recording his fifth album with Steve Albini at the legendary producer's Static King studio. It's taken some time in the wake of the sudden loss, but finally Linkous' brother Matt and sister-in-law Melissa found the right way to approach finishing the project and presenting it in honour of the Sparklehorse legacy. For the fans who were left wondering what might have been, this is a hugely significant means of closure for a modern day great of US indie rock.
… Read more in stock $27.50
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Review: Bird Machine is the upcoming posthumous album by Sparklehorse, the indie rock project of American musician Mark Linkous, who died by suicide in 2010. The album was intended to be his fifth, following 2006's Dreamt for Light Years In The Belly Of A Mountain. Finalised with the help of producer Steve Albini in 2009, one might be able to predict - not least in characteristic Sparklehorse fashion - that this is a full compendium of melancholic, folk-country croons and drawls, with added sprinklings of noise and lo-fi. Completed by Linkous' brother Matt, and sister-in-law Melissa, an eerie quality permeates the entire release with the above context in mind.
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Review: Waxahatchee is emerging, butterfly like, from a cocoon that has kept her safe for most of her career. There was nothing ugly or hidden about Katie Crutchfield's older output. But it was intimate, quiet, thoughtful, vulnerable and, at times, almost a little nervous. At least some of those adjectives became irrelevant with the last LP, Saint Cloud, and now she follows up that ten-foot-tall 2020 triumph with Tigers Blood, continuing in a similar vein. Having significantly increased the size of her audience with the preceding, infinitely rousing record, Crutchfield simultaneously looks to please those newcomers and win even more over here. The tracks are similarly open armed, proud and accessible, but the razor sharp songwriting - dealing with everything from trying to stay still without being bored, to self doubt - has lost none of its impact, and the instrumental arrangements have arguably never been stronger.
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