Archeo Recordings Italy 黑胶唱片和CD

Review: Archeo Recordings home back in on the quintessentially Balearic stylings of Tony Esposito, whose stunningly original works simultaneously flaunt an unmistakable 'Balearism' whilst also escaping pure conformity with the Balearic style. It's only apt that we should consider his music as such; the Neapolitan drummer and bandleader was active largely when Balearic was first termed as a a category, and his idiosyncratic instrumental experiments and geneses - notable among which is the Tamborder, a little known invention of his own making resembling a tambourine - are what set him apart. 'Pagaia' was first released as a B-side to the 7" 1983 record 'Je -Na/Pagaia', and is now a staple of 'Afro-cosmic' Italian music, bringing an otherwise zany disco lilt to the then nascent sound; these are all too fleshed out by the new takes by Archeo staple Feel Fly here. Made in 1983 after a trip to Jamaica, and composed with Pino Daniele; 'Pagaia' is said to reflect the influence of Bob Marley and his group, with whom Esposito once worked both in Italy and Kingston.

Review: Exquisite Balearic inquisitors Archeo Recordings' one mission is to dig up the lost paleolithic fossils of pelagic yore; this time they unearth the 1984 LP stylings of Ettika, with thier self-titled debut track. This bop has gone down in time as an initial obscurio, one that flew well under the radar until, apparently, tastemaker Vidal Benjamin 'rediscovered' it in a bargain bin. Then plugging it via the ironically named 'Balearic Nightmare' mix, it became an overnight re-sensation. It's easy to see why its popularity lay dormant for so long; it was originally made for a 'back-to-work' scheme aimed at unemployed immigrant youth in Rouen, France, so its utilitarian function has since been transcended here. Now reissued on fresh 12" with three newer mixes, 'Ettika' testifies to the fact that we simply need to look harder, and in the unlikely places, for the still undiscovered species of banger out there.

Review: Pressed on stunning aquamarine vinyl, this 12" delivers a balearic escape through two extended reworks from the brilliant minds behind the recent Aqua Cheta remix EP. Italian producer Infradisco's original compositions are reimagined by Hear & Now and Manu Archeo, resulting in lush, transportive soundscapes perfect for blissful introspection or sun-drenched relaxation. Side-A features 'Beyond The Caduca (Hear & Now Remix)', a guitar-laced journey that glides effortlessly between balearic warmth and gentle motion. The remix expands on the original's dreamy essence, adding layers of melody and depth that ebb and flow like waves against a secluded shoreline. Side-B presents 'Beyond The Dulcis (Manu Archeo Remix)', an exquisite slice of seaside ambience. Soft, serene and filled with healing frequencies, this version unfolds with soothing textures, gentle horns and an atmosphere that feels like a tranquil sunset over endless waters. A masterful pairing of new-age dreamscapes and nostalgia, this release is great for those seeking deep relaxation or sonic escapism where tracks radiate positivity.

Review: Relative newcomers Infradisco blend a Balearic sound of disco and house for the Italian label Archeo Recordings. Aqua Cheta is a blend of proper electronic examples of Balearic and chill out influences. 'Caduca' (Hear & Now remix) is ideal for the late-night scene with a blend a perfect blend of 80s and 90s but still sounding futuristic. Manu Archeo's remix of 'Dulcis' is a beautiful laid back downtempo jam that shimmers like a hazy day on the beach. We think you will like the organic and mystical 'Fluminea' as well. This EP couldn't finish any better than on the ambient tip with a soul warming float on the marina remix by Ocean Moon. Fans of Balearic, Cafe Del Mar and chill out music will treasure this EP no doubt. This 12" comes with a CD as well.

Review: To celebrate its tenth anniversary, Archeo Recordings breaks tradition with the release of a new series of exquisite EPs honoring past masters. This collection features reimagined tracks from the label's cherished catalog, showcasing the talents of contemporary artists. Among these, Pepe Maina's 'The Infinite', enhanced by Manu's tribal percussion and electronics, transforms a classic into a celestial slow dance. Roberto Aglieri's 'Danza N. 1' receives a vibrant reinterpretation from Daniele Tomassini, merging proto-techno rhythms with psychedelic flute melodies, perfect for day raves and moonlit gatherings. The EP also revisits Radio Band's Italo-boogie classic 'Radio Rap', given a contemporary twist by the enigmatic Radiomarc. Finally, Mushrooms Project breathes new life into Futuro Antico's 'Pan Tuning', creating a transcendent dance journey that blends ancient sounds with modern beats. This collection not only honors the label's history but also promises exciting future endeavors, making it a great time to reflect on the past.

Review: Archeo love a good archive story, not least when it comes from the annals of Italian studio history. Here is one such story featuring Manrico Mologni and Nicola Calgari, who collaborated around 1990 on a series of rich, accomplished recordings with a highly musical, multi-instrumental backbone and the swoon of chanson in its heart. Due to Manrico's serious illness, these recordings were buried on a DAT and forgotten for 30 years, only to be recalled, recovered from DAT and given their chance in the sunshine. It's very much in line with Archeo's tastes - lush, dreamy pop with a Balearic tint, lovingly mastered and presented with the serious collectors in mind.

Review: For the label's latest release, the dusty-fingered diggers behind Archeo Recordings have decided to reissue a little-known but undeniably brilliant album from fellow Italians Fulvio Maras, Alfredo Posllipo and Luco Proietta. Recorded in 1992 and originally released in staggeringly low numbers (only 300 were pressed first time around), "Sfumature" drew on a disparate array of influences (think jazz, ambient, new age, fourth world, Afro-cosmic and electronica for starters) and loose-limbed drumming and melodious percussion instrumentation (marimba, glockenspiel etc) with ear-catching synthesizer sounds, sparse drum machine rhythms and occasional improvised vocals. It's a genuinely unique sounding anthem and well worth picking up, especially in this highly limited white vinyl pressing (apparently only 100 of these exist).

Review: Ultra-watery, ultra-space-age, ultra-vocoded and ultra-limited-edition new Italo disco wax from the folks over at Archeo Recordings. Engineered and executed in the style of an oldskool space disco cut - one which bears the same cover-artistic hallmarks - it's also a crossover electro/Italo release. Produced by Manu Archeo and remixed by Pellegrino in full progressive house stylee on the flip, this is a beautiful replication of the electro-disco essence.

Review: Sth. Notional was a short-lived project that manifested in one album back in 1992, originally released on Japanese label Zero Corporation. Yawn Yawn Yawn focused primarily on various Balearic-friendly mixes of the title track and some other scattered pieces, and now they've received a much-needed spruce up from Archeo Recordings. The "Dream... Another Reality" versions of "Yawn Yawn Yawn" are laid back to the extreme, revolving around delicate instrumentation and occasional threads of speech and singing. There's a mellow beat behind the "G-Tar Cannyon Mix," and the "Thankful Mix" brings a weightier groove to the table. With the other tracks adding to this utterly smooth, early 90s shake, and spread across three discs, this is the holy grail reissue collectors have been waiting for.