Bordello A Parigi Holland 黑胶唱片和CD

Review: Italian artist Ricardo Baez brings his EBM influences to a new and dazzling post-disco EP on Bordello A Parigi that mixes up elector, new wave, synth pop and Italo. First up is dark disco dons Curses to remix 'On & On' and do so with rugged synth lines and jacked-up angular drums. The original is only subtly different and a touch smoother then 'Sfida Notturna' takes off on big stomping drums with bright synths and retro-future 80s feels ringing out proudly. 'Dietro L'Orizzonte' closes down with a more Balearic sound for the afters.

Review: This week on Bordello A Parigi we have a release originally from 1983 on Cinofilm Produzione. Berlin-based, Italian producer Armonics (Slow Motion) came across the 'Radio' 7? by coincidence in 2020 near his home in Southern Italy. Vito Lisco wrote and produced the track together with Renzo Maria La Costa back in the 80's in a basement. The original track has been revised with the vocal parts re-recorded, plus some added guitar riffs and remixed for a modern take on this eccentric Italo production by Evolution (L&L). Limited to 200 copies.

Review: Bordello A Parigi is back with more of their sublime electro jams this time from Heinrich Dressel. The EP kicks off with 'Galatograd', a slow and steady jam with shimmering chords and lazy baselines. 'Eden Olympia' then picks up the pace a little with still skill drums and celestial keys that take you on a jaunt through the cosmos. 'Remoria' brings many layers of lush and futuristic synth work and timeless electro rhythms that are comforting and subtly celebratory and 'Mylos' shuts down this most lovely EP with another classy sound.

Review: Antoni Maiovvi's latest synth EP 'Birds of Paradise' is a dark, brooding release that draws inspiration from classic horror soundtracks, avian themes and early synthwave. Like something between an 80s title theme for the mothman and a modernist fever dream for automobiles taking flight, each track here is named after a quirkily-named bird, whether that be the Quetzal or the Streamertail. In keeping with the thermal-riding and soaring feel of the music, every track contains subtle birdsong as its texture, not to mention beautifully danceable yet minimal melodies.

Review: Martin Matiske was discovered by DJ Hell as something of a child prodigy already deeply immersed in the history and present moment of electro and synth-pop, and by 2012 he had already released his debut album Robotermusik. This release on Bordello A Parigi revives one of the tracks from that album, 'Dimension Phantasy', and gives it a standalone release with some interesting remixes. Captain Mustache does a fine job of threading extra arpeggio sparkle into the track without derailing it, while Play Paul turns the track into his own bombastic synth-pop anthem which appears in vocal and instrumental versions.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


In anticipation of Nouvelle Phenomene's forthcoming album, Bordello A Parigi concomitantly announce the reissue of their acclaimed debut LP Glory Of Romance, almost ten years after its initial release. An emotively depth-scouring work of contemporary synthwave-via-darkwave, the musical quadrangle of Angela Santa, Fanni Santa, Peter B. and Zsolt Dziba first produced this impressive studio project under the ambit of Russian indie label Other Voices, giving rise to the likes of 'Glory Of Romance' and 'Caresse', both excellent singles venturing into a well-established sound, yet colliding it with a fabulously fresh thematic locus, such as modern-day fatigue and artifice. Truly an ever-new phenomenon, Nouvelle Phenomene's style - that of gothic-sonic art nouveau - is a newness that nevertheless does not forfeit timelessness.

Review: Middlesborough musician Rees impressed with his last outing on the Bordello A Parigi label: 'Three Eyes' was a real dancefloor gem which he now follows up with three more gems that showcase the artist's eclectic style and versatile skills. 'Dream Wave' is a bright, busy, intense cut with glistening synths front and centre, dancing about a crunchy and rigid rhythm while 'The New Beat' ups the ante with eerie arps leading the way as more metallic drum sounds clatter away below. Last of all is 'Electric Body' which is awash with more incisive synths and guitar lines, all with a hypotonic lead synth and new wave techno drums powering it along.

Review: Dutch 'West Coast' sound pioneer Ruud Lekx has been serving up suitably dark, throbbing and wayward dancefloor jams since the mid 1990s, most frequently under the name familiar Rude 66 alias. On his latest full-length excursion - the long-serving producer's first for six years - the clandestine melodies, weirdo analogue synth sounds and horror movie soundtrack textures have been dialled up to eleven. That's no bad thing, because Lekx does it far better than most. For proof, check atmospheric chugger 'Magick Angels' Invocations', the acid-laced early morning beauty of 'Interpreting The Cards', the slow motion dark-Italo pulse of 'Victim Of Illusion', the swirling ambient darkness of 'The Demiurge and his Arcons', and the sub-bass-propelled headiness of 'The Chariot'.

Review: Speakwave is a lesser-spotted alias from Frenchman Dynarec, who has been exploring the outer edges of electro on various superb labels for years. Here he builds on his famously melodic sound across a trio of cosmic cuts. 'Cartographic Venture' kicks off and is a ten-minute odyssey with cold melodies and tinny drums that have a retro-future feel. Distant vocals add an extra edge to 'Coming On Monday' which has wispy sci-fi lines darting about over more cold drums. 'Exposition To Revolution' closes out with an introspective feel but a widescreen sound that is clean and has lovely spiraling skyward melodies.