City Slang 黑胶唱片和CD

Review: Canadian artist Caribou's much-adored album 'Our Love' hears a reissue, harkening back to a time still occupying vaguely recent memory in which festival summers from the mid-to-late 2010s were dominated by Dan Snaith's band-backed productions and innocent croons. Explosive at the time of its release, hits such as 'Can't Do Without U', 'All I Ever Need' and 'Dive' are now veritably etched into the public consciousness, and it all comes down to Snaith's spelt-out use of soul vocal samples and cleverly warm house production.

Review: COMA has always operated in a world where melody is in high supply and indie and electronica have collided in fresh new ways. The artist is not one to hide away from a big hook or a pop tip line and always manages to imbue their work with tons of emotion. This new album is another step forward that investigates sonic realms ask just how broad the scope of club music can really be. That means Fuzzy Fantasy is in many ways a departure from all-out dance floor focus into something more human and nuanced.

Review: "I made ['The Work'] over the last year at home in my temporary studio which was supposed to be the living room, while um, building my actual studio," Gold Panda said of his latest record, arguably his most introspective and - factually - his first full-length in more than six years. Made at home over the course of around 12 months, the track 'I've Felt Better (Than I Do Now)' has been doing the rounds for a while ahead of this full length and turned many heads in the process.

While that number, and the excellent Daniel Avery remix, is a pretty warm slice of future-bass leaning house with filter (although maybe not quite filter house), the complete package represents a more exploratory and personal sound from the music maker in question, although one that's no less immediate in its engagement of the listener. Simply put, it's very interesting and also very good.