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Review: If you're the fan of the kind of organ-heavy funk made famous by the likes of Jimmy Smith and the Meters, we'd recommend this superb set from Seattle threesome Devon Lamarr Organ Trio. The outfit's third studio album in total (the first landed in 2015), Cold as Weiss naturally acts as a showcase for the virtuoso Hammond B3 playing of Delvon Lamarr, with the talented organist blessing each track with fluid, energetic solos and catchy riffs. His companions Jimmy James (guitar) and Daniel Weiss (drums) provide superb support; throw warming, weighty bass into the mix and you have an inspired collection of deep funk, soul-jazz, jazz-funk and blues instrumentals mostly made with dancefloors in mind.

Review: Last year, NYC based revivalist "gospel quartet" group the Harlem Gospel Travelers finally made their vinyl debut album after five years wowing audiences on the live circuit. 12 months later, they're finally ready to release their first full-length excursion. A nostalgic trip through 1950s and 1960s style gospel-based rhythms and blues, soul, funk and doo-wop, the album's greatest strength - aside from the authenticity of the music and production of course - is the group's incredible vocals. Brilliantly arranged harmonies play a big part, though the lead vocals (shared between all four members) are little less than stunning.

Review: It is always a highly anticipated event when Ikebe Shakedown drop new music and that is the case here once more. First up they tackle a legendary Ennio Morricone track as the A-side. Their take on 'Adonai' retains all the Western soundtrack charm of the original but with added horns, plenty of filthy but funky guitar riffs and a driving rhythm section sure to make its mark on the club. 'Waiting For The Storm' is a brand new cut that slows things down on the flip with jumbled drums and loose claps making for a more sensuous sound.