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Cult Legends 黑胶唱片和CD
Browse the latest Vinyl & CD releases on Cult LegendsSimilar labels:
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Cat: CL 78168. Rel: 01 Jan 90
Rock
in stock $13.77
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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
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Burt BACHARACH / HAL DAVID / VARIOUS
Hollywood's Greatest Songwriters: The Music Of Burt Bacharach And Hal David (180 gram vinyl LP)
Cat: CL 86477. Rel: 03 Feb 23
Pop
in stock $11.73
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Kawasaki 1992: Live Radio Broadcast Club Citta Kawasaki Japan September 19 1992 (180 gram vinyl LP)
Cat: CL 92539. Rel: 02 Aug 23
Hip Hop/R&B
Review: Few have ever matched the rawness and visceral hip-hop energy of the Beastie Boys, have they? To catch them live is no doubt one of the most explosive musical experiences of the last 50 years. If you never have, fear not, because an album like this one takes you back in time to be there in the flesh, in this case at Club Citta in Kawasaki, Japan in September 1992. It was a performance broadcast live on radio and it comes now on nice heavyweight vinyl with plenty of lesser-known tunes in amongst some of the bigger moments. A real must for collectors and fans alike.
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I Saw Her Standing There (Australia: Festival Hall, Melbourne,June 17th 1964 National Television Network)
I’m Down (bonus track - Teenager’s Turn - Here We Go, Playhouse Theatre, Hulme, Manchester with original Drummer Pete Best)
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Review: The one and only David Bowie was an untouchable talent no matter what he was doing - recording music, inventing personas, acting in films, speaking on futurism, or playing live for radio and TV. Now, this five CD boxset celebrates that fact with more than 80 tracks included and spanning all of his discography between the years of 1967 and 1995. The Broadcast Collection on Cult Legends incudes everything you want it to and more from 'In The Heat Of The Morning' (more than one version is included) to 'Unwashed & Somewhat Slightly Dazed' and plenty of other gems.
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Cat: CL 97114. Rel: 02 Dec 24
Indie/Alternative
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Review: On September 21 1979 The Clash took to the stage of The Palladium in New York City and performed one of the most significant gigs of their lives. At that point they'd released their self-titled debut and Give 'Em Enough Rope, and their position as vital progenitors of the British punk explosion was assured on an international level. This particular performance was broadcast on the radio and subsequently became one of the most widely bootlegged of all Clash gigs, but it attained an even more legendary status as the gig where Paul Simonon smashed his bass into the floor, captured on camera and subsequently used as the iconic cover for London Calling.
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Paramount Theater 1984 (limited gatefold translucent orange vinyl 2xLP)
Cat: VC 97916. Rel: 13 Feb 25
Indie/Alternative
Played by: Juno Recommends Rock/Indie
in stock $25.63
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A Forest
Three Imaginary Boys
Another Journey By Train
Jumping Someone Else's Train
Killing An Arab
Subway Song
Grinding Halt
A Forest (encore)
Played by: Juno Recommends Rock/Indie
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Review: In 1994, legendary hip-hop stoners Cypress Hill took the stage at Woodstock '94 and left an indelible mark on the iconic festival. With their groundbreaking fusion of hip-hop and rock, the 'Hill captivated the Woodstock crowd with their electrifying performances and brought all of the raw energy and innovative sounds they are so well loved for. The group's set at Woodstock '94 showcased their ability to command any stage, drawing fans from diverse musical backgrounds as they worked through many of their most well loved hit and in doing so solidified their status as pioneers of the rap-rock genre.
… Read more in stock $20.50
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Cat: CL 86798. Rel: 23 May 22
Rock
Burn (CD3: Brazil FM radio Broadcast live At The Olympia Stadium, Sao Paolo, Brazil, August 21, 1991 - part 1)
King Of Dreams (CD4: Brazil FM radio Broadcast live At The Olympia Stadium, Sao Paolo, Brazil, August 21, 1991 - part 2)
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Review: Deep Purple are often mentioned in the same breath as the main innovators of heavy Metal, like Black Sabbath and Led Zeppelin, but as this collection of radio transmissions from 1968 shows, they have a much closer relation to the good old fashioned funk than either of those rivals. Ian Paice's drumming on opening track 'Speed King' makes the track much more suitable for dancing to than headbanging, and we challenge you to hear their version of Billie Joe Royal's 'Hush' without thinking of The Charlatans' 'The Only One I Know'. With a generally relaxed feel about this cover version-heavy selection - Hendrix's 'Hey Joe' and The Beatles 'Hush' also get the Purple treatment - this is a different and altogether more accessible slant on the legends that you might not have even guessed existed.
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Review: Modern day Amsterdam is a bit of an oxymoron. On the one hand, the city proudly brandishes its reputation for alternative and sub cultures, pushing back against lawmakers and their incoherent policies to adopt approaches that are more realistic and levelheaded. On the other, its a place of such rampant commercial development the local government actively discourages visitors and new hotel developments. Look closely, though, and you can still feel the spirit of what, during the latter half of the 20th Century, made this place so special. Paradiso is one of those spots. A waterside cultural venue with a history first as a church, then an illegal squat, before becoming what it is today, the walls themselves seem to pervade a sense of brave, adventurous heritage. An ideal place to catch one of the most defining bands of the 1980s in their heyday, then, here Depeche Mode deliver an astounding set in a space with the atmosphere to match.
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Played by: Juno Recommends Leftfield
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Review: Whitney Houston was known as The Voice for good reason. Even now, decade on from her most famous material, no one has matched the range, power and emotion of the American songstress. She could not only do it in the studio, but also live on stage as this recording from a show at Madison Square Garden ably shows. It's got the most love anthems like 'I Wanna Dance With Somebody' and 'How Will I Know' as well as a fine medley in the form of 'Didn't We Almost Have It All/A House Is Not A Home/Where Do Broken Hearts Go'. Crowd noises are also included for extra authentic energy and edge when listening back.
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Review: Not to be confused with the rather divisive 2011 album, Original Sin, on which a host of guest artists - Rob Thomas, Ben Harper, Mylene Gamer, Pat Monahan among others - take on the difficult task of stepping in for Michael Hutchence, joining the surviving members of INXS, Original Sinners is the real deal of the band at a time when they couldn't have been riding higher or been filled with more promise.
Recorded in 1984, this was the year when things really started happening for the Aussie alt-rock new wavers, scoring their first homeland number one ('Original Sin' - hence the title of this and the aforementioned outing), setting things up nicely for more than half a decade that would see them hit international superstardom with successive chart topping albums and singles. Packed with a synth-laden, emotionally charged and stadium filling sound, this is a snapshot of what everyone saw in them back then.
… Read moreRecorded in 1984, this was the year when things really started happening for the Aussie alt-rock new wavers, scoring their first homeland number one ('Original Sin' - hence the title of this and the aforementioned outing), setting things up nicely for more than half a decade that would see them hit international superstardom with successive chart topping albums and singles. Packed with a synth-laden, emotionally charged and stadium filling sound, this is a snapshot of what everyone saw in them back then.
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Cat: CL 97152 (B-STOCK). Rel: 01 Jan 90
Metal
B-STOCK: Sleeve damaged but otherwise in excellent condition
in stock $10.79
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Cat: CL 90153. Rel: 01 Feb 23
Pop
in stock $12.68
