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首页  Labels  Dark Entries US
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Dark Entries US 黑胶唱片和CD

Browse the latest Vinyl & CD releases on Dark Entries US
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Items 1 to 12 of 12 on page 1 of 1
Primes
Primes (12" + insert)
Cat: DE 171. Rel: 27 Jul 17
 
Coldwave/Synth
Primes (7:17)
Stranger (feat Nicole Ginelli vocals & Doc Sleep) (4:37)
Imperial Tranz-Am (13:25)
Played by: Honey Soundsystem
 in stock $14.72
Closer (reissue)
Cat: DE 165. Rel: 27 Feb 18
 
Coldwave/Synth
Closer (4:57)
Tam Tam (3:55)
Review: Codek is the brainchild of Jean-Marie Salaun who grew up in Paris influenced by the folklore of the inner city. In 1978 he joined art rock group SpionS alongside Gregory Davidow and recorded two singles. Diving into the Paris post punk scene he met Claude Arto and designed the artwork for Claude's single on Celluloid "Kwai Systeme / Betty Boop." Robin Scott (M "Pop Music") had produced the SpionS first single and wanted to collaborate further. With Claude, Jean-Marie wrote "Me Me Me", intended for a choir, for M. Then SpionS split and Robin was off to Switzerland to record an album to follow-up his hit single. That left Jean-Marie alone in London, where he began working as Codek, a play on the brand name Kodak The "Me Me Me" single was released by MCA Records in 1980. Back in Paris, now with some studio experience, Celluloid Records hired Jean-Marie to produce records for Artefact and Les Orphelins. Over the next 2 years he began working on ideas for the next Codek single "Closer / "Tam Tam".
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 in stock $13.15
Take Parts
Cat: DE 291. Rel: 18 Oct 22
 
Techno
Stroke (7:21)
Take Apart (7:34)
What You Have (4:24)
The Last Time (6:40)
Measurement (Of What?) (6:40)
Part Fun (7:23)
Review: Much is made of the love that Bill Converse from Austin, Texas, has for classic music making hardware (as opposed to the computer-based solutions most find convenient these days), but at the end of the day it's the results he gets rather than the means that have cemented his reputation as one of the most interesting names operating in the US today. This six track selection is no exception, suitably freed-up from convention or restriction and executed with a radioactive excitement that shines directly out of the grooves. Check the rapid fire snares of 'The Last Time', the eerie, horn-like screeches of 'Measurement (Of What?)' or 'Take Apart', with its ascending Detroit-style bassline, for further proof, or just dive in and enjoy the whole lot.
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 in stock $16.57
Jump Over Barrels
Cat: DE 102. Rel: 11 Jan 16
 
Electro
Jump Over Barrels (3:32)
Jump Over Barrels (1981 demo) (3:32)
Jump Over Barrels (Charles Manier remix) (3:33)
Jump Over Barrels (early rehearsal version) (3:07)
Review: Post-punk aficionados may already by familiar with Crash Course In Science, a Philadelphia-based band who released two acclaimed singles between 1979 and '81, before going their separate ways. Here, one of the band's previously unheard 1981 demos gets mixed and released for the first time. "Jump Over Barrels" is a song about overcoming adversity, and in newly mixed form sounds like a lost post-punk classic. It's accompanied by a couple of demos - their initial 1981 recording, and an earlier, deliciously skeletal and heavy rehearsal version - and a fresh remix from Tadd Mullinix under his now familiar Charles Manier alias. The Ann Arbor-based producer does a good job of toughening up the track for modern dancefloors, whilst retaining the free-spirited essence of Crash Course In Science's original.
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 in stock $13.15
FORTHCOMING
Near Marineland
Cat: DE 328. Rel: 19 Apr 24
 
Coldwave/Synth
Near Marineland
Second Glance
It Cost's To Be Austere
No More Hollow Doors
Force The Habit
Someone Reads
Jump Over Barrels
Pompeii Spared
Fun Hair
In Your Own Backyard
Wishbone
Sputnik In Orbit
Review: The cult favourite Dark Entries hits 15 in style here and celebrates in the only way it knows how - with more great music. This time it is the legendary synth-punk yahoos Crash Course in Science aka Dale Feliciello, Mallory Yago, and Michael Zodorozny who are in the spotlight. The group formed back in 1979 and set out to make music using toy instruments and kitchen appliances. Their punk-y, aggressive, angular sound soon found a hardcore fan base and gave rise to big tunes like 'Cardboard Lamb' and 'Flying Turns.' In 1981 they recorded Near Marineland, a full-length that never actually saw the light of day but does now and shows the band moving into more diverse and polished territory.
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est. release 19 Apr 24 $22.35
(No payment required now - pay when released)
Card Short Of A Full Deck
Cat: DE 301. Rel: 15 May 23
 
Electro
Card Short Of A Full Deck (4:30)
Le Rale Du Male Alpha (3:22)
Accidental Surgeries (4:07)
Puddle Points (3:25)
Scene Serpents (3:36)
Une Fuite Chaussee Mais Sans Lacets (3:09)
Review: Dark Entries label regulars De-Bons-en-Pierre are back with more of their scuzzy delights in the form of their Card Short of a Full Deck EP. It's drenched in textbook sludginess as is often the way with Beau Wanzer and Maoupa Mazzochetti ever since they came together in 2016. These tunes were all originally written back in 2019 for live performances and really find the pair pushing at the boundaries of accepted social norms. The absurd sounds pair skipping rhythms with dark and freaky basslines and plenty of eerie rave chords to make for an all-new kind of dance floor energy.
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 in stock $16.83
Stand Scatter
Cat: DE 309. Rel: 15 Dec 23
 
Electro
Forming Lines (6:31)
Choreography (9:06)
It's Right There In Front Of You (7:03)
No Floor (2:54)
Review: The ever-popular and always innovative Dark Entries welcomes Lust Pattern for more deviant electro explorations here and i isn't the first time the artists has graced the label in such fashion: Ryan Armbridge has previously done so as Linea Aspera many times before, exploring coldwave revivalist sounds alongside Zoe Zanias. With this alias, though, he looks to post-punk and electro-funk for inspiration. Opener 'Forming Lines' is redolent of Drexciyan squelch with plenty of live drumming powering it on. 'Choreography' has a similarly aquatic feel but with faster drums and more urgent funk and 'It's Right There In Front Of You' then slows to a predatory and menacing crawl. 'No Floor' is a motorik workout with the squelchiest of mutant synth sounds and rickety rhythms.
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 in stock $14.99
Lost Tracks Vol 2
Lost Tracks Vol 2 (12" + insert)
Cat: DE 216. Rel: 25 Jun 18
 
Electro
Upstart (4:57)
Love On 26 (5:20)
Snuff Movies (2:19)
The Building (6:28)
Review: Matt Cheon & Co. unearth yet more rare gems from old school electro fiends Caroline Herve & Michael Amato here, on the second volume of Lost Trax. As story has it, after the French duo met at a rave in their native Grenoble in the early '90s, they made music heavily influenced by 80s synth, post-punk and Italo disco. Bored by the techno scene at the time, they set out out to lighten the serious tone and bring a campy sexiness to the dour musical landscape. From the sexy, four-to-the-floor EBM of "Upstart", the Drexciyan style "Love On" with its aquatic bass assault, or the classic Miss Kittin & The Hacker sound of old on the monochromatic" The Building" featuring the former's trademark deadpan vocal delivery.
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 in stock $14.99
Lost Tracks Vol 1
Cat: DE 098. Rel: 30 Jul 15
 
Electro
Leather Forever (5:26)
Nightlife (3:41)
Miss Crazy Bullshit (4:47)
Loving The Alien (4:19)
Review: It's been some six years since Caroline "Miss Kittin" Herve and Michel "The Hacker" Amato last delivered fresh material together. While we await further news of their long-mooted comeback, there's this tasty EP of previously unheard archive material to enjoy. Made up of tracks recorded between 1997 and '99 - when their production partnership was in its' infancy - The Lost Tracks Volume 1 contains a number of fuzzy, stylish, floor-friendly bangers, from the S&M-themed madness of opener "Leather Forever" and stripped-back electro gem "Nightlife" (a tribute to Berlin clubs of the period, apparently), to the high-tempo acid-loaded freakishness of "Loving The Alien". Top-notch sleaze.
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 in stock $14.72
Love/Hate
Love/Hate (12")
Cat: DE 189. Rel: 07 Dec 17
 
Deep House
Love (4:01)
Hate (7:09)
Hate (version) (5:27)
 in stock $13.15
Fragments
Fragments (12" + insert)
Cat: DE 221. Rel: 10 Oct 18
 
Coldwave/Synth
Dreams Of Leaving (7:45)
Server (2:59)
A Strange Traveller (4:09)
Sand Drip (7:41)
Sisyphus (7:28)
Review: Raw formed during the summer of 1990 in Athens, Greece when keyboardist Giannis Papaioannou and percussionist Makis Faros started composing music for imaginary waiting rooms. They combined the traditional cut-up technique of tape-loops, the industrial timbres of musique concrete with the harmonics of world music, all filtered through digital sampling and computer programming. Their first recordings generated an 8 track demo, which was freely distributed among friends and the local underground press. After 6 months of work and several sessions with guest musicians on acoustic and electric instruments, Raw self-released their first album 'Land' in December 1991 on Elfish Records. In 1992 they recruited the band's sound engineer, Coti K., as a third member, both on stage and studio sessions. 'City' was their second album fully inspired by the mechanisms of their home town. Presenting a different electronic face of Raw, manipulating rhythms with analogue synthesizers and harsh sampling to evoke the atmosphere of Athens.
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 in stock $15.25
I Need A Freak (reissue)
I Need A Freak (reissue) (gatefold 2xLP)
Cat: DE 264. Rel: 15 Jan 21
 
Electro
I Need A Freak (5:48)
If I Gave You A Party (5:36)
You Are My Sexual Connection (4:46)
Exercise Your Ass Off (5:38)
KISSING (6:16)
We Didn't Say It (6:17)
We Want Prince (6:05)
These Are The Things That I Like (6:29)
Review: Dark Entries is pleased to announce a deluxe reissue of Sexual Harrassment's 1983 opus I Need A Freak. Lynn Tolliver, DJ/Program Director at Cleveland's WZAK, adopted the pseudonym David Payton in order to keep his musical endeavors separate from his public persona. Sexual Harrassment (misspelled deliberately) was formed as a concept band, with members selected based on appearance and choreographic skill rather than musical ability. Tolliver's explicit lyrics focused on the central themes of desire and sexual relations. Working at a studio in Akron, he recorded an album of quirky-yet-lurid electro funk, which was released on Heat Records. Tolliver remarks, "I learned as a youngster, sex sells! The things that are rated the worst - violence, horror and sex - are the things people want to see or hear about." I Need a Freak was a surprise hit, selling over 100,000 copies.
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 in stock $27.87
Items 1 to 12 of 12 on page 1 of 1
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