Harry Romero - "Revolution" (House Masters edit) (5:13)
Prunk & Rona Ray - "Keep It Simple" (6:41)
Review: The mighty Defeated has got a fun package on its hands here with some fat disco and house anthems primed and ready for big room summer fun. A'Studio's 'SOS' (feat Polina - Skylark remix - Nic Fanciulli edit) is chunky house with a hooky vocal and rolling groove designed to sweep you up and away. Chloe Caillet then remixes Tensnake's classic 'Coma Cat' into a hands-in-the-air house stomper with epic strings. Harry Romero's sweaty 'Revolution' gets its drums buffed up and well swung by a House Master's Edit and Prunk & Rona Ray steal the EP at the last with their lush vocal house cut 'Keep It Simple.'
Review: There's a fair chance you'll already have heard "Cola", experienced production duo Camelphat's collaboration with vocalist Elderbrook. The original version, with its rumbling bass, atmospheric builds, subtle bassline house influence and "she sips the Coca-Cola" refrain, has become something of an anthem since first appearing on digital download earlier in the year. For this first vinyl release, Defected has packaged the now-familiar original mix with a trio of reworks. The most impressive of these comes from German veteran Mousse T. He brilliantly re-casts the track as a bumpin' chunk of celebratory disco-house complete with thrilling piano riffs and an elastic bassline.
What Would You Do (Expansions NYC dub vocal) (7:10)
Review: Get ready for a rush-inducing dose of proper soulful vocal house from the mighty Dames Brown. On this record for Defected, Detroit's foremost trio of Athena Johnson, Lisa Cunningham and Teresa Marbury linked up with the mighty Amp Fiddler and Andres for a rip through house music as real as it gets. The original 12" mix of 'What Would You Do?' is hard to beat for raw, heavy-hitting groove and production, but there are some choice remixes included here for those who have different needs, whether it's the bouncy jazz funk of Two Soul Fusion's version or the smoother sound of Folamour creating a sleek disco house variation for the peak time crowd.
Review: When it comes to gospel-powered 21st century dance music, Detroit trio Dames Brown have been involved in many of the most memorable records - not least Sophie Lloyd anthem 'Calling Out' and Horse Meat Disco hook-up 'Message To The People'. Here they join forces with fellow Motor City musician Waajeed for another arms-aloft classic in the making. In its original form, 'Glory' blurs the boundaries between gospel disco and gospel house, with the trio's powerful vocals rising rubbery bass guitar, loose-limbed beats and riotous organ licks aplenty. It comes accompanied by two fine remixes: a stomping, piano riff-powered gospel house take from Rob and Lyric Hood's Floorplan project, and a stomping, thickset gospel disco 'dancing club dub' courtesy of Kelly G.
St Germain - "Alabama Blues" (Todd Edwards dub mix) (5:39)
Indo - "R U Sleeping" (Todd Edwards mix) (5:59)
Sound Of One - "As I Am" (Todd Edwards mix - version) (6:13)
Kim English - "Tomorrow" (Todd Edwards dub) (7:31)
Daft Punk - "Face To Face" (4:02)
Todd Edwards - "Shut The Door" (7:24)
Todd Edwards - "Push The Love" (7:46)
Todd Edwards - "The Dream" (6:49)
Review: Todd Edwards is affectionally known as Todd the God because of his skills. Those skills are two fold - he famous fomented this own style of garage with quick beats and cut up vocals used like an extra instrument in the mix. But he is also a badass DJ who can slam through house and garage with high energy and plenty of charger. As such, he is rightly celebrated here with an overdue entry into Defected's long running House Masters series. All his most famous joints make the cut, from the bumping remix of St Germain to the lively vocal soul of his dub of Kim English via originals like his jazzy, chord laced anthem 'Push The Love.'
Review: There are promising signs that something of a renaissance in dance music is taking place in the greater New York area, helmed by one of the new school progenitors of deep house. As half of New Jersey based Sfere Recordings along with house legend Kerri Chandler, Dennis Ferrer can only be described as the face of hope for a new generation of producers of deep and musical electronic grooves. A real artist with an aptitude for song-writing and new production concepts, Ferrer is undoubtedly at the top of his game. Known first and foremast as having the Midas touch with remixing, this long player displays Dennis Ferrer as a songwriter, producer and tastemaker at the pinnacle of his powers.
Sam Divine - "Take My Hand" (feat Josh Barry) (5:57)
Oden & Fatzo X Camden Cox - "Lady Love" (4:55)
Review: Though mostly known for their colourful and soul-drenched house, Defected can also do more physical and tech-leaning sounds as exemplified on this new EP. It features a mix of new school tastemakers with Jansons opening up with the old school breaks and bars of 'Hypnotic' (feat Dope Earth Alien) then American star LP Giobbi layers up the freewheeling melodies and punchy drum loops on 'Giodisco.' Sam Divine gets for a deep and driving house sound on 'Take My Hand' (feat Josh Barry) and Oden & Fatzo X Camden Cox close things out with a more light and airy vocal sound on 'Lady Love.' Some useful variation here.
Review: Who better to tell the story of house music than one of its main early protagonists? Marshall Jefferson penned plenty of Chicago's greatest early records and as a DJ helped lay the foundations for the sound too. As such he is a perfect choice for Defected's House Masters series and does a fine job of laying out some of its finest moments on this brilliant new mix. No matter how many times you hear these OG gems they still resonate, from the passionate vocals of Ten City to the iconic chords of 'Someday' via the darker jack of Jefferson under his Hercules alias this is an essential listen.
Review: Defected needs no introduction, simply a reiteration that its no secret its one of the most influential house labels around today. Jamie Jones made a huge splash at Ibiza's 2022 season with this track, receiving support across the board from underground tastemakers to daytime radio. Bolstered by the remixes of Brazilian icon Vintage Culture and the alchemist himself, longtime Ibiza master Damian Lazarus on this rolling feel-good house groove. It's easy to see the mass appeal of such a sunny track.
While Jamie explored disco influences with his signature high-energy groove on the original, Vintage Culture's clear-cut trademark sound gives a distinctly tougher feel, a chugging bassline and rolling synths giving it that dark club side. Lazarus, the soundshifter that he is, reshapes the track in his image. Culminating in a more abstract, chopped-up house entry, undeniably funky with some synths and keys that sound like they shouldn't work - but by God do they.
First Choice - "Let No Man Put Asunder" (Frankie Knuckles 12" remix) (7:36)
Review: Defected's House Masters series tribute to Frankie Knuckles is being released as two double LPs, but it could have easily been four or five, such is the quality of the tracks and remixes that the 'Godfather of House' produced during his lifetime. Naturally this second and final part is full to bursting with colourful, tactile and wonderfully saucer-eyed classics - many familiar, some slightly less so - which deserve a place in your collection. Picking highlights is naturally tough, but for proof of Knuckles' unassailable musical majesty and dancefloor magic it's hard to beat the Sound Factory mix of 'The Whistle Song', the low-tempo house bliss of his remix of Inner City's 'Whatcha Do With My Lovin', the Satoshi Tomiie/Robert Owens hook-up 'Tears' and his incredible revision of Electribe 101's 'Talking With Myself'.
Review: It's been a long time coming, but finally Defected's producer and remixer-focused House Masters series has turned its attention to the undisputed Godfather of House himself, the late, great Frankie Knuckles. This first part (of two) fittingly opens with the track that originally set out his melodious, warm, colourful and loved-up trademark sound, the Jamie Principle collaboration 'Your Love', before flitting between genuine anthems (legendary remixes of Loose Ends' 'Hangin' On a String' and 'Blind' by Hercules and Love Affair, the sleazy, acid house-era 'Baby Wants To Ride', the exceptional 'Hallucinogenic Mix' of Chaka Khan's 'Ain't Nobody') and arguably more overlooked gems (the garage-house wonders that are his remixes of Adeva and Sounds of Blackness).
Review: Over the last three years, DJ/producer Mimmo "MoBlack" Falcone has turned MoBlack Records into arguably the World's leading label for African house music. Defected clearly thinks so, because the label has decided to put out this EP featuring tracks from remixes from Falcone and some of his regular collaborators. On side A Falcone joins forces with Armonica to deliver two sparkling, rubbery, positive and heavily electronic reworks of Fela Kuti classic 'International Thief Thief'. Both hit the spot, though it's the Dub, with its extended vocal breakdown and trippy effects, that floats our boat. Over on the flip we're treated to two versions of MoBlack, Emmanuel Jal and Henrick Schwarz hook-up 'Chagu': a bouncy Afro-tech take from Schwarz and a warmer, deep Afro-house interpretation by Falcone.
Review: Return to 2001: Swiss brothers Shakedown drop an iconic house anthem that debunked the standard XXL funk du jour with a much spacier, synth-based 80s boogie sound. Still relevant and heavily played, Defected have commissioned three on-point artists for the 2018 contemporisations: Peggy Gou gets her acid tweaks on, Tiger & Woods pitch down the vocal and dust off the Street Sounds electroid feel and Purple Disco Machine cooks up an unapologetic funked up house jam that wouldn't have gone amiss on Classic back in the day. For good measure Shakedown return with their own signature Galactic Boogie version that pumps with strong Moroder tendencies. Good night.
Dennis Ferrer & Disciples - "Whisper" (feat James Yuill - John Summit remix) (5:40)
Ferreck Dawn Vs Izzy Bizu - "Life" (5:56)
Ferreck Dawn X Jem Cooke - "Back Tomorrow" (5:58)
Review: Defected gather together some big hitters for this VA release which will appeal to all those who like their house music pitched for the biggest rooms possible. John Summit takes us to the top with 'La Danza' and Dennis Ferrer & Disciples get some epic remix treatment courtesy of Summit once again. Ferreck Dawn and Izzy Bizu face off on the B side with 'Life', which brings some powerful pop hooks into the mix atop a catchy as hell house beat. That leaves it to Dawn to tackle Jem Cooke for a version of 'Back Tomorrow' that's just as anthemic, giving you everything you need to move a massive crowd.
Review: It's a case of old school meets new school on this fresh new slice of house from Defected. Representing the vets is the one and only Louie Vega, while in the contemporary corner are New York's finest, the Martinez Brothers. Marc E Bassy also pops up on vocals for this feel good deep house gem. His part sung, part rapped delivery comes over soul drenched beats and nice singing leads, which have long been a hallmark of the great Masters at Work man, Vega. A TMBLV mix is more pumping, Honey Dijon cuts loose on elastic bass and rugged rhythms and Dom Dolla offers a more energetic and main room version.
Review: Last time out Andreya Triana and The Vision (AKA KON and Ben Westbeech) took us to "Heaven" and back. For their latest single they've asked us to gape in wonder at some suitably sizeable "Mountains". In its original "Extended Mix" form (side A) the track is soulful, slick and seductive, with Triana's superb vocals rising, mountain-like, above a musical panorama rich in dreamy chords, jazz-funk bass, gospel pianos and club-ready beats that sit somewhere between deep house and disco. Danny Krivit is the man at the controls for the flipside remix. He stretches out the track impressively, making a bit more of the spacey synths, guitars and bass while re-framing the track as a soaring slab of piano house brilliance.
The Vision - "Heaven" (feat Andreya Triana - Danny Krivit edit) (6:21)
The Dangerfeel Newbies - "What Am I Here For?" (original NDATL vocal - Danny Krivit edit) (8:45)
Review: Since the 1970s Danny Krivit has been a prolific re-editor. We're used to him cutting up classic cuts - think disco and soul, in particular - but he's never been afraid to turn his talents to contemporary cuts. That's what you get on this surprise Defected release. On the A-side he turns his attention to "Heaven", the killer gospel-inspired modern disco single from The Vision and Andreya Triana, turning in a version with plenty of drops, instrument solos and more emphasis on the righteous, life-affirming vocals. He's in a smoother mode on side B, extended and rearranging the rich and soulful dancefloor treat that is Kai Alce's Original NDATL vocal mix of The Dangerfeel Newbies' "What Am I Here For?" - a gem from 2016 that has previously been criminally overlooked.
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