Review: Rimarkable, The first signing to boss man Waajeed's DIRT TECH RECK label based in Detroit. Presents her stunning debut with the single, "I'm in Trouble", over eight minutes of planetary prayer from Purgatory. Produced, mixed and arranged by Waajeed, this elaborate dance floor offering is a marriage between deep Afro House and Detroit Techno, with potent and memorable vocals by Rimarkable.
As a seasoned DJ in New York for the last decade, Rimarkable is clear this track will be welcomed on dance floors worldwide. "This song was produced and performed from a DJs perspective," she says. "It will take the dancers to a place of possession, and allows space for the DJ to officiate and build a bridge to wherever they'd like to go next. It's definitely something to keep in your crate of arsenals."
Review: Former Slum Village and Platinum Pied Piper beat maker Waajeed has thrown himself into soulful, synth-laden deep house production of late, primarily by making his presence felt on cuts by fellow Detroit legend Theo Parrish. Here he strikes out on his own with a brilliantly colourful, imaginative and on-point EP of solo productions. There's much to admire throughout, from the looked vibraphone melodies, darting brass and undulating broken house rhythms of "Shango", to the Dego and Kaidi Tatham style, jazz-funk influenced electro smoothness of "Better Late Than Never". Opener "Winston's Midnight Disco", where hushed synth-disco samples are wrapped into alien synth lines and elastic bass, is also rather fine.
Review: Soulful hip-hop beat-maker Waajeed's transformation into a Detroit deep house star continues apace, with the former Slum Village man's second EP for Dirt Tech Reck in as many months. He begins by doffing a cap to Theo and Moodymann on "Get Down", a shuffling, warm and dreamy workout full of rich disco bass, twinkling electric piano keys, gentle vocal samples and layered hand percussion. Confirmed summer jam "Through it All" is a breezy, string-laden bastion of piano-heavy positivity complete with bustling analogue bass and "Strings of Life" style solos, while B-side "Kingdom" sits somewhere between crunchy Chicago house, gospel and lilting Motor City deepness. Yes, please!