Review: Although Dalek One has been exterminating dancefloors (sorry) for some time, it was only last summer that the deep dubstep don made his long-awaited vinyl debut. Here he keeps up the pressure via a weighty EP on Encrypted Audio. Check first the mangled, electronically scrambled rap vocals and sci-fi riddims of "Eyes Red", before getting your ears around the elongated sub-bass tones, tribal percussion and paranoid electronics of "Wire Tap". If that's not enough to set the pulse racing - and it should be - we'd recommend whacking on the crackling, sub-heavy roller that is time-travelling dancefloor treat "Man Sees Alien". In summary: pleasingly far-out.
Review: Keeping it loose as we wade into a new year, Encrypted Audio ask Japan's Karnage back for more faraway jams. As with previous outings together, it's an enveloping sea of shades ranging from the woozily bent and cascading tones of "Leaper" that almost slime off the beats to the bleary flute loop that's mangled with precision levels of uplift on "Mysticism". In between we have the industrial strength "SOL" which sounds like a steel foundry melted into a waveform. Powerful.
Review: Following his recent collaboration with Sepia on Wheel & Deal, Chonkmob's Koma gets busy on Encrypted with three dastardly originals. "Moonlight" is murky and all fogged out with devilish tendencies while "Uncle Sullivan" takes a trappist approach with its lavish lead strikes creating drama on every up and down. "Deep In The Crease" (with Dalek One) is all about the hip hop breaks, gritty sleaze, off beat samples and sweary cockney. Need a more trippiness? Jump on Murk's remix.
Review: Last spotted on Encrypted's Codedinsound V/A album in 2017, Denver's Malleus returns with his first full EP for the label. If you've been following his sounds on the likes of Gourmet Beats and Foundation Audio, you'll know exactly what's up here; swampy, otherworldly textures, trippy aesthetics, warped and weirded out sound designs. "Damien" takes the lead with demonic graveyard arpeggios and pressurised kicks while "Dragging The Lake" is swampy, grotty and gloopy in consistency but poignant and barbed in emotional energy. For maximum wonk jump on "Grinn" while militant nightmare heads should jump straight onto the finale "To Kiss The Witch's Flesh". Filth.