Finders Keepers 黑胶唱片和CD

Review: The ominous clangs and thuds grow louder and louder, louder and louder, atmosphere of increasing tension turning into borderline panic as timbre's brooding menace threatens to erupt into snarling aggression. Suffice to say, like a good chunk of Diabel, 'Wedding Dance Macabre' is disinterested in niceties and would likely run anyone through who is looking for background music. The fact this is one of Andrzej Korzy?ski's scores for one of Andrzej ?u?awski's movies only makes that feat more phenomenal, given the role soundtracks often play in cinema.

Of course, it's not all so foreboding and intimidating. Tracks like 'Through the Door - Theodor' are in fact downright playful, tune comprising high pitched 'boing' noises, like springs recoiling in harmony, while 'Your Father Is Dead Young Lord' is a masterclass in emotionally captivating piano. Nevertheless, the point remains - these were never meant to accompany a visual piece, but instead play leading parts in the narrative of Diabel.

Review: People are not over-egging it when they try and tell you that Polish composer Andrzej Korzynski was an exploratory artist. Words like 'mind-bending', 'cosmic', and 'immersive' are often used in the same sentence as any reference to his name, let alone musical output, which remains some of the most sought after among fans of what can only really be described as staunchly experimental psyche.

For many, The Devil Tapes is the holy grail of Korzynski. Made to score Andrzej ?u?awsk's film, The Devil, by this point the pair had already worked together on the movie soundtrack to Possession, and cracked the collaborative process. Having been asked to make music that was "totally unique, like something from another planet", the composer took his initial taped experiments and pulled the vari-speed down, then layered hallucinatory effects over the top, resulting in something that's beyond a mere accompaniment, and very much integral to the film itself.

Review: .Celebrated Polish composer Andrzej Korzynski defined prolific. The musician was behind some of his homeland's biggest musical hits of the post-World War II communist era, through to the late-1990s, while his work on soundtracks helped create some truly iconic movies from those decades, including Andrzej Wada's The Birch Wood and Man of Marble, and Andrzej Zulawski's The Devil and Possession. Tajemnica Enigmy, or Secret Enigma, represents all the other bits - work that had been presumed lost behind the Iron Curtain and socio-economic and cultural overhaul that took place following the collapse of the USSR. Recorded in studios from Warsaw to Paris, it's psychedelic rock, sublime pop, noise, avant garde, electronica and so much more, not least strange, otherworldly suspenseful stuff and funk-driven party rock 'n' roll. Quite the deep dive.

Review: Jean-Pierre Massiera lived in his own little world with his own famous studio in the South of France. He is as master of outsider sounds from pop to funk and often transcends all these sounds with psychedelia. He is a perfect embodiment of the Finders Keeper label and that is why he is back on it with a reissue of his classic compendium Midnight Massiera. This special limited edition version captures all of weird and wonderful sounds and left of centre grooves. The once called himself Jesus while stood informant of a theatrical electric chair crucifixion, and he certainly has a godly talent.

Review: Comet In Moominland was a cult kids TV show that has never been heard before. It is a world of Moomin melodies and instrumental comet songs from a show that is often said to be one of the most haunting ever shown for children. It is crafted on a weird and wonderful array of gear, with lo-fi home tricks as well as ocarinas, kalimbas, miniature squeak boxes, Waspy synths, cornflake box shakers and more. The sounds are as enigmatic, curious and alluring as the show was and this is the sort of occult and left of centre record we hardcore diggers always love to lap up.

Review: If you've not seen Des Morts then buckle up and prepare for something you'll never, ever forget. The critically acclaimed documentary is one of very few films to directly deal with the unspeakable of life - death. During the course of the running time, you encounter doctors desperately trying to save a stab victim, a body melting in the heat of a crematorium chamber, the execution of a Philippine guerrilla, people who are about to be no more, and those they will leave behind.
Fear of all this is a largely Western condition, but humans have a universal obsession with death that stays with us until all questions are eventually answered when we finally die. Composer Alain Pierre does his best to convey this mystery, awe, and unknowing via a soundtrack that runs between outtakes from the film, synthesiser overtures, field recordings, religious chants and more.

Review: A b-sides and rarities album turned-gem, 'The Amber Light' is Jane Weaver's sequel to the 'The Silver Globe', and contains more heartfelt takes on her classic synth and indie folk style. Featuring contributions from Tom Furse and Suzanne Ciani, this album proves that even in extremely active careers, there can remain fossilised pockets of emotionality; a rawer take on the artist's practise, it was miraculously recorded between tours.