Funk Night Us 黑胶唱片和CD

Review: R&b and funk singer, rhythm guitar musician and songwriter Rickey Calloway hailed from Jacksonville, Florida but earned himself a global reputation. His style borrowed from James Brown but brought something new, inspired by his time playing in clubs from a relatively young age. He was active in the 70s and much of his music has been reissue do newer audiences since and now comes his King Of Funk album on Funk Night which, from the title down, pays homage to the aforementioned Brown. It features his most well known tune - the wonderful 'Tell Me' - as well as plenty of other big hitters like there particularly hard hitting 'Shake It Up, Shake It Down.'

Review: Estonian rock band Centre El Muusa hail from Tallinn and in vitally started out as experimental electronic duo Centre Electronique Muusa before evolving into the current set up in 2018. They have dropped a couple of tasty albums since 2020 and now contain with their explorations and fusions of the worlds of jazz, rock, folk, world and country with hints of kraut on the new 7" for Funk Night. 'Moonlight Horses' is a psyched out world of campfire guitars and star gazing riffs that leaves you feeling fully hippie-d up. 'Catching Stars' then heightens the trip with more angular guitars and a big wall of garage-rock sound.

Review: The Great Revivers have been mainstays of the Funk Night label for a decade or so now. They know how to serve up the most potent dancefloor bombs for DJs who like to make an impact and after countless 7"s to that effect, they now drop an entire album's worth of high-grade tackle. 3rd Drop from this Russian quartet takes in 12 of their most signature sounds, from the rolling and cosmic-tinged open 'Adventures Begin' via the bristling broken beats of 'Not Good, Too Bad.' There is a 60s American feel to many of these cuts as well as some more slow and sentimental moments like the organ-laced melancholy of 'From Darkness To The Light'.

Review: We aren't sure who Inner Space Quartet are be we are sure you will like them. This is the second new music from them this month and it follows a busy 2022 in which they put out three head-turning 7"s on different labels. They seem to be settling for Funk Night as their home this year but soundwise are harder to pin down - there is Thai funk, space rock, jazz, psyched-out guitars and much more all contained with these two expansive and immersive sounds. 'Paranoia Party' is the really 60s-tinged narcotic opener then 'Delay' brings more rock guitar sounds as if from some secret and tripped-out Stones concert in the desert back in the day.

Review: Following a near two-year absence from vinyl, the usually prolific Misha Paniflov is back on Funk Night Records with another nostalgic 45 rooted in deep funk, library music, cinematic soundtracks and psychedelia. The Estonian first offers up 'Dr Juvenal's Solution', a jaunty and genuinely heavy dancefloor work out marked out by sixties spy-movie guitars, bustling breaks, intergalactic synth sounds and warming bass. He opts for a more laidback, downtempo feel on side B, with stretched out, Peter Green style guitar solos and meandering Moog lines reclining atop a bittersweet backing track.

Review: Penza Penza is one of many aliases used by funk-fuelled musical polymath Misha Paniflov. This "45" showcases two tracks from the project's recently released debut album, which added heavy funk vibes to a hallucinatory stew of flavoursome psychedelic rock. A-side 'Mad Madis Twist' is gnarly, rugged and impressively heavy, with Paniflov and company wrapping squally, Jimi Hendrix style guitar solos and flanged funk-rock riffs over a cacophonous, all-action rhythm track. 'Shulz' Thing' is a little tighter, more bass-heavy and undeniably funkier, though the wild guitars and acid-fried attitude remain front and centre.

Review: What's important is to spread confusion, not eliminate it: Estonian production master Misha Panfilov knows this as much, running a carefully-curated imagecraft cartel, in which his many aliases confound and bemuse us into believing his many works are the doing of someone else. Case in point: At first glance, we were well-duped into believing Penza Penza were some kind of exotic psych supergroup lost to time, but a deeper investigation as to the origin of the alias indeed reveals the singular force of Panfilov to be the artist behind these tracks. It's no wonder the A-sider is called 'Deep Dive', affirming our propensity for curious, almost forensic suspicion as to its true origins. A serene groove of just-intoned riffs and sizzlingly offbeat hits, this one's certainly a solid accompaniment for your next mescaline dabbling. Meanwhile, we're happy to award the B-sider with "banger of the year so far" - 'My Friend Ash' is an ecstatic mover, as deceivingly retro as it is beguiling, with stabbing counterpoints and wild toppers, as suitable for the club as it is would've been for some kind of 70s hoedown.

Review: If you're after fresh workouts for body-popping break-dance sessions, this 45 from John Reed & The Automatics on Funk Night Records should be essential listening. While there's something undeniably alluring about the more suspenseful B-side, 'Space Break' - where effects-laden electric guitar licks and alien-sounding synths rise above a metronomic bassline and a relaxed funk break - it's the more up-tempo A-side, 'Stardust Break', that's the real winner. Based around drum-breaks that reference 'Apache' and a seriously squelchy synth bassline, it's an intergalactic club jam that's just tailor-made for headpins, windmills and caterpillars.

Review: While most of us will (sadly) not be going anywhere this holiday season, we can still get a musical taster of what it would be like Chilling at Christmas in the St Petersburg studio of modern funk apostles the Vicious Seeds. Their festive offering is a drowsy, deep, slow and laidback affair - the kind of jazzy instrumental soul and funk that would probably go well with a few mince pies and a needlessly large glass of port. A-side 'Meeting at Flea Market' is particularly lovely, with trombone and trumpet-heavy riffs and leisurely jazz guitar solos making themselves comfortable atop crunchy, deep (filled) funk drums. 'Shades of Pale', meanwhile, is even deeper, warmer and more bass-heavy, with some of the laziest and jazziest electric guitar solos we've ever heard. Delicious!