History Always Favours The Winners 黑胶唱片和CD

Review: Experimental musician Leyland Kirby has been skirting round the edges of electronic music since the tail end of the '90s, delivering curious concept albums under a dizzying variety of pseudonyms (The Caretaker, The Stranger, Billy Ray Cyrix, Butcher Claws and Bored in Columbia, amongst many others). Here he dons his familiar V/VM alias for a discordant trip into drone territory supposedly inspired by fading memories of the last throes of early '90s outdoor raves. In truth, there's little in the music - a typically hissing, dystopian fusion of murky textures and becalmed electronic tones - to justify the concept, but it matters little. Kirby is a master at creating vaguely spooky, industrial-influenced soundscapes, and The Death of a Rave (A Partial Flashback) only enhances his reputation.