K7 黑胶唱片和CD

Review: HAAi's ascendance has been nothing short of stratospheric in the past six years, emerging as a dedicated deep house connoisseur with a personal, expressive approach to the genre and swiftly signing to Mute and pushing her sound into wild new areas of exploration. Immediacy has always been at the forefront of what she does, and so it goes now she mints the latest entry in the prestigious DJ Kicks series. As well as some original tracks and collaborations with people like Jon Hopkins, there are standout cuts from contemporary scene leaders like I JORDAN and The Blessed Madonna, plus space for the wilder sonics of Cocktail Party Effect, going some way towards capturing the many-sided spirit of one of dance music's current crop of superstars.

Review: Kassian never hurries his release rate which means that when the Shall Not Fade and SB Jamz producer does drop new music you need to tune in. This latest comes six months after his self-released and self-thief versions 003 back in January and arrives via the esteemed K7. 'X-303' is twisted and textured techno for late night warehouses with 'Tabla' a more layered up jumble of percussion and loopy drums. 'Prelude' burrows deep on a prying lead and bulky but rubbery drum loops and 'Patterns' rounds out with an edgy vibe, clipped vocals and uneasy synths that keep you locked.

Review: Oslo-born, London-bred, Delhi-influenced DJ and producer lands on K7 here with an EP that comes after a period of "creative stagnation". To get through it she decided to try and forget what she knew, and went with the flow as she embraced experimentation. The results are fantastically deft - fresh rhythms, wispy synths, plenty of detail but also effective club cuts that make you want to move. Dub, techno and house all get collided in freeform fashion with 'Blamerke' built on double-time polyrhythmic drums and overlaid with warped synths. 'Bottlepop' is more loose and funky with wispy neon melodies and 'Ghungroo' is layered up with sonorous bell and a real sense of urgency. Colourful stuff.

Review: Electronic duo Tosca (Richard Dorfmeister and Rupert Huber), based in Vienna, was founded in the fallout of the success of the former's Kruder & Dorfmeister project - albeit during a time when Dorfmeister wanted to explore other sonic worlds. Now, they've come a long way since then; and a testament to this endurance comes in the form of their most recent album Mirage. Named after a tiny cafe in Vienna - halfway between Rupert's home and the Tosca studio - the album also takes its namesake from the alternative word for a fata morgana, i.e. the optical illusion of strange shapes sometimes glimpsed on distant ocean horizons. All that in mind, we're met here with a full-length remix project of the original album, in keeping with a longstanding tradition that every album of theirs hears a remix.