Kalahari Oyster Cult 黑胶唱片和CD

Review: Kalahari Oyster Cult heads down under for a new EP from Furious Frank. The Australian 303-connoisseur serves up a trio of subtle and supple joints designed to pump any floor. The first is a melancholic but hopeful trip with purposeful drums and more pensive pads, while 'Artificial Simulation' gets more raw and ragged with its corrugated bass and prickly acid sounds. 'Trip 2 Fantasy' is a blunt tool with heavy reverb, stomping drum funk and more molten acid and rounding out the EP is Ludwig AF with a Worldwide Dancefloor Destruction mix that is deep, pulsing, and hypnotic.

Review: Over the last few years, Andrea Mancini has released many fine records as Cleveland, most of which offer a trademark take on techno and tech-house laden with interesting sounds, tribal percussion, and notable nods to British bass music. It's a hugely attractive formula all told, and one he further explores on Golem, the Luxembourg-born producer's second EP for Kalahari Oyster Cult. Each of the three original tracks on show has its own unique flavour, from the out-there, intergalactic post dubstep techno of 'Trullo', and the sunrise-ready futurist techno voodoo of 'Forest', to the Livity Sound-in-space brilliance of 'Golem'. Label-mate Junes does a great job remixing the latter track, with his impressive version thrillingly joining the dots between hypnotic tech-house, broken techno and creepy breakbeat.

Review: DJ soFa continues his Elsewhere compilation series on Kalahari Oyster Cult with a superb sixth instalment that showcases a load of exciting and hybrid electronic styles. These are tunes that are ripe for club play but are rooted in odd-pop, synth-punk, DIY and post-kraut styles. The artists hail from all over the globe and include the twisted funk of Seytan Tuyu's 'Anita,' hall of melodic mirrors that is Cilin's 'An Abhainn Mhor' and Mytron & A Von F's soot-black and gritty motorik thriller 'Confiture.' This series has been going since 2017 and this proves, it is still as strong as ever.

Review: SUED co-pilot SW offers up a six track MyDefinition of techno on Kalahari Oyster Cult that is utterly fresh. He starts with dubbed out rhythms and percolating percussion before getting tripped out and break-y on 'Moonnewso On', with its alien effects and squelchy bass. 'Goiossee' is another slow motion braindance the 'Massless' recalls the early work of Two Loneswordsmen. There are hectic rhythms and wild detuned chords tumbling all over the place on 'J JustMUST4y' before closing salvo 'VFXpeaksTWIN' is an ambient piece pairing church chords with breaking waves. Weird and wonderful.

Review: Fresh from delivering a fantastic, club-focused album on Ninih (the robust 'Dwang'), Remco Hazewinkel AKA Eversines returns to Kalahari Oyster Cult for the first time in three years. He hits the ground running with opener 'Gaze', a moody and acid-saturated slab of nostalgic house-tempo techno full of foreboding motifs and psychedelic electronics, before wrapping winding TB-303 lines and dreamy pads around a rubbery bassline and elastic house beats on 'Fast Fall'. Over on the B-side, 'Affection Toward The Urban Environment' joins the dots between early 90s Dutch techno, Yorkshire bleep & bass and acid-flecked new beat, while 'Wavedash' is a bleep-sporting acid-electro shuffler that may well be the EP's standout moment.