Kalahari Oyster Cult 黑胶唱片和CD

Review: It would be fair to say that Roza Terenzi (real name Katie Campbell) is a producer on the rise. She hit all the right notes on her 2017 debut EP for Good Company Records and this follow-up for Colin Volvert's Kalahari Oyster Cult label is, if anything better. She starts by effortlessly joining the dots between creamy Italian dream house and bustling, bleep-era UK breakbeat house on "Mwah", before allowing those bass-heavy UK influences to bubble up to the surface on the spacey goodness of "Gigi". Head to "Rare High" for heavy sub-bass, head-in-the-clouds deep house flourishes and leisurely breakbeats - a wavy, sunrise-friendly treat - before admiring the electro-breaks hustle and sleepy, saucer-eyed shimmer of closer "Soft".

Review: SUED co-pilot SW offers up a six track MyDefinition of techno on Kalahari Oyster Cult that is utterly fresh. He starts with dubbed out rhythms and percolating percussion before getting tripped out and break-y on 'Moonnewso On', with its alien effects and squelchy bass. 'Goiossee' is another slow motion braindance the 'Massless' recalls the early work of Two Loneswordsmen. There are hectic rhythms and wild detuned chords tumbling all over the place on 'J JustMUST4y' before closing salvo 'VFXpeaksTWIN' is an ambient piece pairing church chords with breaking waves. Weird and wonderful.