Lakeshore US 黑胶唱片和CD

Review: Star Trek Picard is a TV series that has been as healed for its great soundtrack as much as any of the on screen action. The award winning British composer Stephen Barton (also known for his work on Star Wars Jedi Fallen) is behind it and his work on the third season might be the best yet. Pulled out of retirement once more, Jean-Luc Picard (played by the legendary Patrick Stewart) seeks help from Captain Riker to answer a distress call and uncovers a conspiracy reaching to the furthest corners of the Federation as well as the unwelcome return of an old foe. Thematic is dramatic, absorbing and emotive and is all captured on this record.

Review: It's no real shock that a Tim Burton Netflix modern revitalisation of The Addams Family, and particularly the central character Wednesday, would become a global success seemingly overnight. Jenna Ortega's performance was also key to retaining the character's essential components while imbuing new nuances and eccentricities, but the project wouldn't have felt complete without the almost essential soundtrack from Burton's go-to composer Danny Elfman, who is also currently experiencing quite the career resurgence thanks to his excellent Big Mess album from 2021. Linking up with the younger yet equally impressive Chris Bacon, the Wednesday score is equal parts whimsical, macabre, gloomy and horrific, yet endlessly playful, which almost describes all of the Burton/Elfman scores. Thanks to Bacon, there's a notable increase in glitching synths spells and modern tweaks to elevate the usual whimsy to a reimagined standard of orchestral dramatics.