London 黑胶唱片和CD

Review: Everything Is Connected (Best Of) marks a significant milestone in Blancmange's illustrious 45-year career. Curated by their now sole member, singer Neil Arthur, this collection expertly captures the essence of the band's evolution, blending iconic hits with personal favorites. Emerging from the UK's post-punk DIY scene, Blancmange achieved widespread acclaim with their 1982 LP Happy Families, earning gold status in the UK and spawning international hits. With seven Top 40 singles and 70 weeks in the UK album charts, Blancmange's influence extends far beyond their genre. Their impact on British synth-pop reverberates through the words of admirers like Moby, John Grant, and Honey Dijon, who recognize their pivotal role in shaping the house music scene. Everything Is Connected features timeless classics such as 'Living On the Ceiling', 'Waves,' 'Blind Vision,' and a poignant cover of Abba's 'The Day Before You Came.' Alongside these hits are recent favorites like 'What's The Time,' 'Reduced Voltage,' and 'Some Times These,' showcasing Blancmange's enduring relevance and innovation. This compilation is a fitting tribute to a band whose music continues to resonate with audiences worldwide.

Review: Surely one of the most iconic of all the British funk bands of the 90s, The Brand New Heavies split the difference between the heads-down seriousness of the rare groove scene with a sharp pop instinct which found them great success. This best of collection gives you hit after hit, and as soon as the irresistible groove of 'Never Stop' kicks in you'll be taken right back to that era. There's a house sensibility to some of the tunes which speaks to their proximity to Soul II Soul, but this is a funk band first and foremost, and their dynamic flow as a group is what resulted in such evergreen hits as 'Shelter' and 'Apparently Nothing'.

Review: As one of the quieter mainstays of the Factory Records phenomenon, The Durutti Column have a cult quality which draws attentive listeners in close. Vini Reilly's distinctive approach to shimmering, repetitive guitar playing was instantly mesmerising from the debut album in 1980 through reams and reams of albums over the years. 1997's Time Was Gigantic When We Were Kids is a firm favourite among the many albums Reilly recorded over the years and now it's receiving its first-ever vinyl pressing with five bonus tracks included, as well as expanded artwork and extensive sleeve notes to take you deeper into the album.

Review: Echo & The Bunnymen came back with renewed vigour when they reformed in 1997 and recorded Evergreen. The album was headed up by 'Nothing Lasts Forever', which lodged in the UK's musical psyche as the Britpop wave receded and everyone was craving a little more maturity in their indie bands. 25 years on, the album ranks as of the band's finest, as vital to their story as the classic 80s records, and it's a welcome treat to see it pressed up once again, on fetching white vinyl with a yolky centre, no less.

Review: It's now 25 years since Echo and the Bunnymen reformed (the Liverpool-born band initially disbanded in 1993) and recorded 'Evergreen', their seventh studio album. While reviews were mixed at the time, there's no doubt that it's as jangly, timeless-sounding and sonically gorgeous as any of their more acclaimed albums of the '80s and early '90s. Given that it was released at the height of 'Britpop' (Liam Gallagher provided backing vocals on 'Nothing Lasts Forever', a by-product of Oasis recording in the studio next-door), it's sound is far baggier, looser and warmer than much of the music being made by their younger rivals. On this expanded anniversary edition, the original (if remastered) set is joined by a disc of live recordings, both from their own shows and promotional radio sessions, all of which were laid to tape between 1997 and '99.

Review: London never really came close to matchign Manchester in the baggy stakes, but Flowered Up's album A Life With Brian and its unique fusion of indie rock, dance, and psychedelic influences, is as close as it got. Originally released in 1991 and now reissued on limited orange vinyl, the classic 90s record is a vibrant exploration of youth culture and urban life in London with infectious grooves, catchy hooks, and anthemic choruses all present and correct and ready to deliver a dynamic and energetic listen. The album's title track stands out as a definitive highlight with its distinctive sound and lyrical depth, but really all of these tunes offer a nostalgic journey back to the early 90s and celebrates Flowered Up's enduring legacy.

Review: Goldie's timeless remains a drum & bass benchmark, but also one of the most seminal albums in all of electronic music. The man behind it celebrated its anniversary last year with various different projects and now follows that up by handpicking a selection of remixes to take his most treasured material. There is a mix of old school dons and new school talents from all over the world here, each adding their own unique spin. Searchlight, aka Irish drum and bass producers ZeroT and Beta2, are signed exclusively to Goldie's Fallen Tree 1Hundred label and bring some lush jazz and broken beats to 'State of Mind' and later 'Sensual' while Metalheadz tastemaker J Kenzo brings dark, minimalistic and tribal sound to his Tribute remix of 'Jah'. These are just some of the many standouts.

Review: There is a mix of old-school dons and new-school talents from all over the world here, each adding their own unique spin to Goldie's timeless. It's a record that remains a drum & bass benchmark, but also one of the most seminal in all of electronic music. The man behind it celebrated its anniversary last year with various different projects and now follows that up by handpicking a selection of remixes to take his most treasured material. Searchlight, aka Irish drum and bass producers ZeroT and Beta2, are signed exclusively to Goldie's Fallen Tree 1Hundred label and bring some lush jazz and broken beats to 'State of Mind' and later 'Sensual' while Metalheadz tastemaker J Kenzo brings dark, minimalistic and tribal sound to his Tribute remix of 'Jah'.

Review: There is no more iconic figure in the world of drum & bass than Goldie. In fact, he has pretty much transitioned to natural treasure in the years since he operated at the genre's bleeding edge as a DJ, label boss of Metalheadz and producer. His Timeless album, now a hard to believe quarter of a century old, was his big breakthrough and took d&b into new realms. The epic title track will always be the benchmark by which all others are judged by the whole flow the record, precision beat work and lush synth sounds have rarely been bettered.

Review: This special 20th anniversary edition of Danii Minogue's Neon Nights is a limited edition picture disc with the lady herself smeared all across it. It is an official bootleg edition because the album itself was never made available on vinyl back when it was first released back in 2003 and it also features mash ups like 'Begin To Spin Me Round' (Dannnii vs Dead or Alive) and 'Don't Wanna Lose This Groove' (Dannii vs Madonna). A collector's piece for sure for those looking to bring some playful pop perfection into their lives.

Review: You'd be hard-pushed to think of a band as synonymous with the evolution of electronic music over the last 30+ yeas as Orbital. The famous Hartnoll brothers are as iconic for their famous head torches, stage designs and live shows as they are their timeless music. Their new studio album Optical Delusion arrives in early 2023 and of course, comes with an extensive UK tour to back it up. This is the pair's 10th studio album overall and has already been teased by some useful singles. Rave, techno, trance and breaks all colour the grooves of this new long player.

Review: The Hartnoll Brothers have decided to remaster and reissue their eponymous 1991 debut album - frequently referred to as 'The Green' album for obvious reasons. Amongst the numerous editions is this delicious box set, which compliments the fantastic original album (stretched across two slabs of wax), with a slipmat, a 60-page hardback book of photos and fresh liner notes, and an additional double-album of rarities and unreleased cuts from the period. It's this latter item, which includes B-sides, non-album singles (hello 'Satan') and sought-after remixes (Sasha's legendary version of 'Midnight' and the barely known 'Rhyme and Reason' take on 'Satan'), which makes the box set so alluring to fans. Basically, it's the ultimate edition of a British dance classic.

Review: Orbital's debut and self-titled album (also known as the green album) is a classic example of the UK rave sound in 1991. Featuring the hits 'Belfast' and 'Chime', this important piece of electronic music gets some loving attention in the form of being remastered for the first time since release. But that's not the only thing - this CD edition also comes with a bonus CD featuring rarities and remixes from the time. What better way to celebrate 25 years of this amazing band and its cherished history for their role in helping create the sound of techno.

Review: Orbital's debut album is classic album in the techno genre. A name that needs no introduction really, Orbital defined rave and techno through the 90s creatively and performance wise. This self-titled or as many know it by, 'The Green Album' features perhaps the most popular songs of the rave generation in 'Chime' and 'Belfast'. However, tracks like 'Midnight', 'Steel Cube Idolatry' and 'The Mobius' are the birthmarks of Orbital finding their sound that would turn them into Glastonbury legends and soundtrack pioneers. This edition is true to the original 2x12 making it desirable for those new to the album, those who want a second copy or those who want to complete their Orbital collection. Orbital's roots begin here and have them at their most raw. Do not miss out on having a part of rave history with this record!

Review: London Records has announced a deluxe reissue of Orbital's iconic debut album, affectionately known as the Green Album. Originally released in 1991, it straddled the line between rave and ambient techno, featuring timeless tracks like 'Chime', 'Belfast,' and the Butthole Surfers-sampled 'Satan.' Now, those tracks are considered cornerstones of the early UK techno movement. This 4 disc CD set offers the most comprehensive experience, with the original album on disc one and a treasure trove of Green Album-era B-sides, remixes, and alternative versions on discs two and three. Disc four treats fans to two live sets from 1991/92, sourced from the band's soundboard recordings. Wrapped in a 12" box, the deluxe edition includes reprinted flyers from the era and a lavish 60-page hardback book chronicling the Green Album's story, complete with new notes and a track-by-track analysis by Phil and Paul Hartnoll. This reissue is a must-have for Orbital fans and electronic music aficionados alike, offering a comprehensive exploration of a seminal album's legacy.

Review: The Redskins released just one studio album, their well received debut Neither Washington Nor Moscow in 1986. It came on London Records and now for the very first time since the first time, it reappears on vinyl and CD with new sleeve notes by bassist Martin Hewes. The album came just two years after the band formed but already their soulful songs were packed with passion and political undertones as a result of the band all being members of the Socialist Workers Party. Highlights include 'Bring It Down! (This Insane Thing)' which was the band's only Top 40 hit. The band split the same year this was rebased.