Milan US 黑胶唱片和CD

Review: The late great Ryuichji Salamoto has left us with a vast body of work to enjoy until the end of time and amongst the many highlights of his ground breaking catalogue was this album, Async. It was Ryuichi's first solo album in eight years at time of release in 2017 and fund him taking inspiration from "everyday objects, sculpture, and nature." Sakamoto said this was an album about making the sounds he most wanted to listen to and was made with the traditional Japanese idea in mind that, "less-is-more." It is full of field recordings and was recorded in New York City with a deep selection of unique acoustic and electric sounds.

Review: Canadian saxophonist, multi-instrumentalist and frequent collaborator of Arcade Fire, Bon Iver and most recently post-metal juggernauts Cult Of Luna; Colin Stetson isn't your standard film composer, nor is 2018's cerebral psychological family horror Hereditary your standard frightfest. Stetson's droning brass and avant-garde compositions may add layers of mercurial dread to filmmaker Ari Aster's bleak visuals but when isolated, the pieces take on entirely new life of caustic, crawling atmospherics which swell to nauseating degrees before spiralling into frenzies of twisted modern classical imbued jazz, complete with bursts of warped brass and psychotic strings coalescing into truly hellish soundscapes.