Review: Rejoice all serious disco edits heads, we have another batch of highly sought after treatments from the mighty Danny Krivit available here for your delectation. First up is "One Step Back, Two Steps Front", a powerful '80s jam that splits the difference between prime-time soft rock, disco and soul - the power lies in the stirring impact of the vocals to create a truly spellbinding dancefloor moment (as soon as you have the chance to experience one). "Funk It" is a more classically funky work out with a smattering of Hi NRG histrionics to match the heavy boogie of the rhythm section.
Review: Supreme edits from the one and only Mr K: "Boogie Land" explores the insane P-Funk gold of Ike Strong with full emphasis on the obese walking bassline, gutsy backing vocals and layered riffs, all extended with hypnotic glory. "Lady, Lady, Lady" is a dramatic rearrangement of the instrumental version of Boogie Man Orchestra where the pianos and strings are placed centre stage and squeezed for every ounce of drama and disco theatre. Insanely good.
Review: Most Excellent Unltd continues to delve into the reel-to-reel edit archives of Mr K, AKA legendary New York DJ Danny Krivit. This 12" contains two more heavyweight bombs. First up in "Love The Life You Live", a hustling chunk of Blaxploitation era disco-funk from Kool & The Gang that Krivit brilliantly builds into a frenzy of sweaty drunk breaks, relentless horn lines and fuzzy bass guitar. Over on the flip, the native New Yorker takes his scalpel to a little known cover version of Beatles' favourite "Drive My Car", stripping out the vocals to leave heaps of percussion, a killer bassline, rousing horns and hard-wired funk guitars that sound like they've had a few tabs of acid. The resultant edit is a seriously heavy dub-disco treat that bears almost no resemblance to the "Rubber Soul" classic (or the Gary Toms Empire's version that he edited up, for that matter).
Review: Once again here edit king Mr. K turns his attention to one of the many hits penned by New Orleans legend Allen Toussaint. This time it's a 1978 tune from The Pointer Sisters that they still use as a concert opener whenever they play, despite the fact it didn't chart that well on release. That didn't stop it becoming a dance floor hit though, here the synths are polished up and drawn out with an added acappella and the whole thing dazzles. On the flip is an excellent edit of Gene Harris' cover of Stevie Wonder's transcendent "As", fine-tuned for 2019 and beyond with emphasized percussion and a sinewy extension that cuts the bulk of the lyrical intro and lets Harris's electric piano and the all-star choir shine.