Nuclear Blast 黑胶唱片和CD

Review: Since signing The Exploited in 2021, iconic metal/punk label Nuclear Blast have gone to lengths to reissue the three latest albums from the legendary Edinburgh oi-punks, who by the arrival of 1987's Death Before Dishonour, had moved towards an even more aggressive form of crossover thrash hardcore. This direction would continue to be pursued throughout their 90s output, with The Massacre in 1990, Beat The Bastards in 1996 and most recently (although 21 years and counting currently) 2003's vicious statement of latter-day intent Fuck The System. Coming seven years after its predecessor as well as marking the band's seventh overall full-length, it's the only album to date to feature guitarist Robbie Davidson and bassist Mikie Jacobs, while the project and its subsequent tour cycle would be marred in controversy due to the band being refused entry into Montreal, Canada in October 2003. This led to the cancellation of the show and a full scale riot of 500 fans smashing windows and destroying cars, ultimately leading to their Mexico City date also being cancelled for safety reasons. Is it really shocking to imagine that's how The Exploited's fans would react when they felt that burned? Juno don't condone, we're just not that surprised.

Review: With the arrival of 1987's Death Before Dishonour, Edinburgh punk legends The Exploited began to distance themselves from their pre-established oi/street punk demeanour, and move towards a far heavier, speed metal-inflected crossover thrash style of hardcore punk; a direction they would continue to pursue throughout the 90s. Following a six-year gap after 1990's The Massacre, 1996 would see the group return with easily the best LP from their latter-day output, Beat The Bastards. Packed to the brim with seething, feral bangers such as 'Law Tor The Rich', 'System Fucked Up', and 'Massacre Of Innocents', this new splattered vinyl double LP pressing comes courtesy of the wonderful folks over at Nuclear Blast who've worked to beautifully restore and reissue the band's heaviest final three albums ever since signing them back in 2021.

Review: Thrash metal revivalists, Municipal Waste, make their ferocious return on 'Electrified Brain', their first full-length in five years, and follow up to 2017's blistering, 'Slime & Punishment'. The seventh album from the Richmond, Virgina outfit delivers on all of the violent, crass, whiplash-inducing mayhem we've come to expect, yet approached with seasoned experience and a renewed energy following their half-decade respite. Commenting on the material, enigmatic frontman Tony Foresta offered these choice words - "We're not writing any love ballads to sell records." Make of that what you will.