Original Gravity 黑胶唱片和CD

Review: Dave Barker of 'Double Barrel' fame is back on the mix here for the Original Gravity label. This is the second form the many in as many months and is on the faster end of the reggae tempo scale so prepare to be swept up and skanking in no time. The lo-fi 60s reggae and early ska vibes are strong on this one as the dancing Hammond organ chords compliment Barker's effortless flow. Horn stabs and drums with infectious swagger complete the a-side 'Peace of Mind'. On the flip, The Regulators offer up a nice and laidback, deep-cut dub version with 'Jamaican beat.'

Review: East St. Louis soul singer Raye Cole is on the cusp of big things, having been picked up through talent scouting competitions and drawing praise from high places. Following a debut split single with Rachel Maxann last year, she's back on Original Gravity with her own outing, a hard-stepping, raunchy funk jam which serves as the perfect vehicle for her raw, righteous voice. As well as the slightly naughty original version of 'I'm A Lady' on the A side, there's also a tastefully censored 'Radio Version' on the flip in case you need to be mindful of your audience. Whichever version you plump for, the sass in those horn stabs tells the listener all they need to know.

Review: This unique 7" features two different artists - Raye Cole and Rachel Maxann - doing their own renditions of the same song, in this instance, 'Find Myself Another Man'. These versions bring a modern twist to a rhythm and blues banger that will transport you back to the good old days, Raye's version adding a bit more of a hop to it while Rachel's version has a garage band and surf rock tinge to it. Both are late night blues without a doubt though andit'sanother case of hats off to Original Gravity records for always keeping things fresh with their ever-changing moods.

Review: This new tune on the crucial Original Gravity label finds Donnoya Drake covering the classic Shirelles joint 'Will You Love Me Tomorrow.' She re-sings the vocal in her own way, adding extra soul and spice, while the reggae rhythms swagger down low with plenty of drum fills and undulating guitar riffs. On the flip, Junior Dell & The D-Lites offer up 'I Can't Turn You Loose' which is a classic reggae sound with big horns energy and fat bottomed low ends all sweeping you up inna lovely rhythm that never lets up. Another 7"s of gold from this label.

Review: Original Gravity brings the goods once more here with Donnoya Drake. It's a single that first dropped back in summer 2002 but arrives back on wax in time to heat up your Christmas parties. 'Only You' is a cover of a classic jam with an authentic reggae low-end and neat chords that never let up. On the flip, the ever-excellent Woodfield Rd Allstars step up with 'Shake Up The Dance' which has big brassy notes that bring a ska edge to the rocksteady rhythms. Two different but equally effective tunes.

Review: If you're reading this you will already be familiar with Jamaican rocksteady and reggae vocal trio The Heptones and their very many lovely tunes. This one with Woodfield Road All Stars is as smooth as they come. 'Love Has Got A Hold Of Me' has slow motion grooves and lazy drums with the most gently persuasive acoustic riffs next to soul drenched and warm vocals. On the flipside is 'Breezin' Up Brentford Road' which has some lovely hammond organ vibes and an evn more laid back swagger to it.

Review: More scorching hot soul sounds here from Original Gravity who look to Jodie and Floyd James and the GTs for their latest dose of 7" goodness. Jodie is in powerful form on the a-side as she delivers an empowering vocal over fast paced and chested-puffed drums that will steamroller all in their wake. This soul anthem has class and depth with some slick guitar solos and big horn energy. Floyd James & The GTs step up on the flip side with 'Johnnie's Blues' which is full of Hammond organ chords and 60s guitar riffs.

Review: Rachel Maxann's 7" single 'All Of This And Nothing' offers a delightful journey back to the swinging 60s. With a sultry voice and passionate singing, Maxann channels the era's essence, accompanied by a backing band featuring a vibrant horn section and captivating organ melodies. The title track oozes with vintage charm and undeniable groove, transporting listeners to a bygone era of soulful music. On the B-side, 'Find Myself Another Man (alternate take)' takes a different turn, embracing early rock 'n roll vibes with a sprinkling of blues influence and soulful flair. Maxann's vocals shine against the backdrop of energetic instrumentals, delivering a rousing performance that keeps the essence of the era alive while adding her own modern twist.

Review: Rachel Maxann is a globetrotting vocal talent from Memphis, whose newfound recognition in the soul scene owes to her many latest tours and live performances, both in the city and around the world. And that's not to mention her deft and cheeky fusions, such as that of Motown and indie rock. Now two originals for Original Gravity surface, hearing her embark on building up a recorded music edifice, after two contributions to the label's split singles series appeared last year. 'Time Flies With You' is a paean to love made in the dance, hearing Maxann jollily note the atemporal feeling of spending time with her favourite person. Relations are soured on the B-side, however, with 'Why Can't You Miss Me Too?' revealing the melismatic potential in Maxann's voice, not to mention a penchant for dramatic, heartbroken storytelling.