Perlon Germany 黑胶唱片和CD

Review: After the adventures in Meditations from Thomas Melchior, Perlon's latest release of an impressive 2015 so far finds the label turn to a lesser known artist in Bihn. The production alias of Berlin based Germann Nguyen, BIHN emerged last year with a pair of low key 12"s as well as working with Onur Ozer as Treatment. What Nguyen lacks in profile he makes up for in punchy Perlon-worthy productions skills on the basis of his two tracks here with opener "Visio" a quite haunting cut where stripped back drum programming allows a neat bassline and detailed synth work to shine. Complementing this, it feels like "Ruski" is Nguyen letting his more urgent desires reign free and is likely to become a B side many selectors cherish.

Review: Since debuting in 2016 Gaetano Caruan has only put out a handful of releases. While these EPs showed promise, there was always a feeling that the producer may be capable of hitting higher heights musically. Diaframma, Caruan's first outing on the mighty Perlon label, delivers on that early promise, offering up rhythmically interesting, off-kilter workouts that blend minimal techno chops with oddball electronics and plenty of smoky jazz influences. For proof, check 'Steps to Klapa', where wonky but weighty bass, fuzzy electronic stabs and chanted vocal snippets ride a killer rhythm, and the smooth, intergalactic micro-house hustle of 'Spalladium'. Elsewhere, 'Horns' is a sumptuous chunk of heady, morning-fresh electronic jazz and 'We Got The Swing' is an oddball, bass-heavy club workout full of hazy samples, bossa-influenced beats and creepy keys.

Review: This is the thirrd release by the amazing Italian producer Ivan Iacobucci for the Perlon label. The previous two were so well received, this next one was destined to come out sooner than later. Perlon fans know what to expect from their label of choice and Ivan delivers the goods. Those addictively quirky and fonky jackin' minimal techno jams. The title track is that and then some! We especially like the sexy jam 'Waiting For My Love'. Expect the unexpected when you flip over the record as 'Close the Door' is a full-on acid banger that combines high energy techno into what sounds like a video game soundtrack theme song! Closing things out is the wild sounding 'Fear & Madness in the Desert'. We are smiling at the thought of someone playing out these corkers to audience. Expect to see WTF typefaces everywhere!

Review: Fumiya Tanaka is about as revered as minimal producers come. The Japanese cult hero has had a busy year too - he dropped an album One More Thing on this, his home label, only back in January, and is now back with another of his superb 12's. The title cut 'Deep One' is just that - the drums are snappy but hit down low, while menacing organ chords Ida muffled vocals are layered up top to make for a moody, churchy vibe. 'I'm Standing Beside You' is a classic minimal piece with detuned synths, those super low drum and bass rumbles and shapeshifting chords that draw you inwards forever.

Review: Japanese techno titan Fumiya Tanaka is no stranger to Perlon, having first appeared on the lauded label back in 2012. Even so, Ab still marks the veteran producer's first appearance on the Berlin-based imprint for the best part of five years. Tanaka hits the mark straight away on A-side "On A Bass", a perfectly crafted, low-slung tech-house roller that pits the rhythmic swing associated with Ricardo Villalobos against a locked-in bassline, creepy deep space chords and all manner of twisted, cut-up vocal samples. In comparison flipside "Dreaming Perfect Zebras" feels rather classic and old school, with Tanaka drawing on both his love of early UK tech-house, Motor City influenced deep house and the crunchy tech-house percussion of contemporary imprints such as YYY.