Rhythm Section International 黑胶唱片和CD

Review: Chaos In The CBD have quietly been building an impressive reputation for some time, with releases on Hot Haus, Amadeus and Needwant all hitting the spot. Here they transfer to Bradley Zero's Rhythm Section International with what's arguably their most mature and musically expansive EP to date. There's a decidedly dusty, eyes-closed deep house feel throughout, with hypnotic grooves laden with all manner of neat, often jazz inspired touches. This is perhaps most obvious on the St Germain style jazz-house goodness of "Observe" - all skipping cymbals, bouncy grooves and killer pianos - but can also be found on the deeper "Observe". It's there, too, on the lilting brilliance of "Midnight In Peckham" - think yearning trumpets and twinkling piano motifs - and the blissful "Luxury Motivation".

Review: ***B-STOCK: Original outer sleeve missing, otherwise in excellent condition***


The last Rhythm Section release came from Vancouver man Local Artist, but number 6 sees Peckham man Bradley Zero actually looking to local artists in the shape of FYI Chris. The production handle of Chris Watson and his namesake Coupe, this Peckham duo have already impressed with the No Hurry stealth drop on Church late last year, but it's clear they've learnt a few new tricks since then. Nestling snugly into the SE London beatdown sound Bradley has been cultivating through the label, Back In The Millenium is pleasantly hard to pin down with bits of house, hip hop and acid thrown into the mixer. We are quite impressed by "Jeru" which desiccates a famed '90s Primo sample with some dextrous MPC work, whilst MCDE fans will be all over "Need I Say More". A big 12" Nik!

Review: This mini album from Saul, a collaboration-loving duo comprised of Jack Stephenson-Oliver (keys player with Vels Trio) and producer Barney Whittaker AKA Footshooter, could well be one of the most summery-sounding releases of 2022. A gorgeously warm, dreamy and tactile affair that effortlessly joins the dots between classy dancefloor dynamics, laidback electronics, freewheeling jazz musicianship and soulful vocal flavours, it's a genuinely brilliant and highly entertaining affair. Our picks of an extremely strong bunch include the broken beat/electro-boogie fusion of 'Coalesce (featuring Natty Wylah)', the gently two-step influenced deep house soul of Allysha Joy hook-up 'The Light' and the Balearic ambient meets post-dubstep bass music flex of 'Lifted'.