Silva Screen 黑胶唱片和CD

Review: A long awaited, bumper six album pack of music and voice assembled by Delia Derbyshire of Radiophonic Workshop fame, and broadcast on four shows between January 1964 and September 1965, collectively known as Inventions for Radio. These experimental, longform shows were conceived by playwright Barry Bermange and were made up of the voices of callers-in, speaking on four themes: dreams, the existence of God, life after death and ageing. The participatory nature of these shows deviated massively from the radio status quo of the time, and the participants were selected to eschew the standard received drawl of most 60s radio presenters.
The music and editing was done by Derbyshire, whose avant garde sonic settings lend the audio an enigmatic, spectral quality. Although she was not credited for her contribution, nor were the broadcasts available commercially, they still developed a cult following. Silva Screen now presents the four broadcasts in their entirety, each on a separate LP, with two LPs of bonus material, and a booklet of detailed notes by producer Mark Ayres and David Butler of the Delia Derbyshire Archive. An elusive and essential landmark of 20th century sound collage.
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Review: The life and times of Delia Derbyshire continue to be a fascination for anyone with even a passing interest in electronic music. And rightly so, for she was at the vanguard of music technology working in the BBC Radiophonic Workshop. Silva Screen are committed to presenting her pioneering works with the due reverence and ceremony they deserve, and so it goes for the two pieces of incidental music she composed in the 1960s, pressed onto this beautifully packaged gatefold 7". A-side piece 'The Delian Mode' has become something of a byword for Derbyshire's work, and listening to this record, there's nothing else in musical history quite like it.

Review: An LP which features music by originally recorded in 1969 by BBC Radiophonic Workshop members such as the late Delia Derbyshire, Brian Hodgson and the American born composer David Vorhaus: who later formed as the experimental electronic band White Noise. It was released by the Standard Music Library label, set up in 1968 by Bucks Music and London Weekend Television who also supplied production music for use in TV, commercials, radio and film. Many of these tracks were also used in the 1960's cult TV show 'The Tomorrow People' and each one has a short description of the music after the track title. Derbyshire and Hodgson assumed pseudonyms in the credits: Li de la Russe & Nikki St. George respectively. Two of the tracks are co-written by the pair, who also worked together on Unit Delta Plus: an organisation and studio project which was extensively involved in the promotion and exploration of electronic music at the time. Legendary stuff!

Review: Originally released in 1979, BBC Radiophonic Workshop 21 was released to celebrate their 21st anniversary. The A side consists mainly of jingles and sound effects from 1958 to 1971 by Workshop founder Desmond Briscoe, as well as material from The Goon Show, some of Delia Derbyshire's experimental work and the pilot episode version of the Doctor Who theme. The second side features works recorded between 1971-1979, including Richard Yeoman-Clark material from popular BBC series Blake's 7 and Peter Howell's vocoder heavy "Greenwich Chorus" theme for The Body in Question.