Review: UK tech house veteran Silverlining is back with the latest installment in his Silverlining Dubs series, once again offering up dynamic excursions into the deeper end of the dance music spectrum. "A Paradoxical Insistance" shimmers and shakes with illustrious strokes of synth, marking out a moody headspace for the subliminal set to lose themselves in. "Turn, Turn. Turn" takes a spikier stance with its rasping percussive tones and peppy groove, but there's still plenty of space for dubbed out sound design to keep this jam firmly rooted in the grand tradition of proper tech house.
Review: Asad Rizvi's Silverlining return to form (and archive purge) continues unabated with this latest instalment on his label. The tech house originator kicks off this ninth part in the Silverlining Dubs series with a fresh production, the stripped back and highly technical "Groundhog Rave". It's followed up by an older jam originally released on Eukahouse back in 1997. "Stolen Baggage" is a sweet, poignant club track with lingering keys that positively melt between the snaking beats. "Spinach, Mystery & Insult" brings things back to the here and now with a shimmering set of drums and sonar bleep synths aimed squarely at the deep end. Brief diversion "Sticky Snails" completes the package with a surprise foray into kosmische-inspired territory, pointing to the diversity tucked away in this seasoned producer's repertoire.
Doodlebug - "Loose In Your Mind" (Silverlining remix) (7:03)
Review: Yet more gems from the Silverlining studio, this time turning to the much sought after "Breezin Thru" track originally released in 1998. This is a true classic from the golden era of tech house, rooted in the London scene defined by the likes of Terry Francis and the like, and yet it sounds like it could have been made yesterday. The strident, upfront beat and immersive atmospheric shimmers are pure dancefloor gold. On the flip, Andy Blake and Dave Coker's Doodlebug project gets the remix treatment, winding up as crafty electro breaks with a tilt towards the deep end of the dance.