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Review: In true progressive rock fashion, Nautilus's latest album - the long-serving German group's eighth in total - is a conceptual affair inspired by Jules Verne's semi-fictional 1871 travelogue, 'A Floating City'. The story provides a loose framework for the band's classic-sounding progressive rock adventures, which as usual join the dots between the mid-70s sounds of Pink Floyd, the epic synth-scapes of Tangerine Dream, the grand and atmospheric work of Jeff Lynn circa 'War of the Worlds', and more contemporary hybrid electronic/electric sounds. Highlights include the System 7-influenced techno-prog fusion of 'Moondance', the duelling guitar solos and spacey synths of 'Mother' and the pleasingly psychedelic ambient journey that is concluding cut 'Last Signals on Endless Sea'.