Review: Since making his debut six years ago, Sergio Moreira has released countless singles exploring his personal take on drowsy deep house and left-of-centre electronic futurism. Because of that, this debut album feels long overdue. From start to finish, it feels like the set of a producer comfortable in his own skin. While many will be dazzled by the three-part suite at the centre of the album - "Bring Back The Night", which subtly twists and turns over 15 warm, glassy-eyed minutes like a breakbeat-sporting deep house version of a classical epic - there's plenty to set the pulse racing elsewhere. Highlights include the bass-heavy, breakbeat-driven peak-time dubbiness of "One Last Thought", the Motor City techno electronics and shuffling bottom end of "Controlling Transmission" and the hazy opener "From Here To There".
Review: Two years after they offered up the first part in the "Retrofitted Future" series, Primary Perception partners Mahy and Nichel Cruz return to Slow Life with volume three. They hit the ground running with "Valis", a crunchy romp through bold analogue bass, twisted acid lines and spacey electronics, before bouncing their way through more melodious, warm and ear-catching territory on the aptly named "Sci-Fi Jazz". Side B boasts two versions of "Funky Emotions" - the low-slung, bass-heavy and decidedly futuristic original mix and the altogether deeper and dreamier "Break mix" - as well as utterly gorgeous ambient track "Space Is An Ocean".
Review: Like many of Saverio Celestri's releases, this return to regular home Slow Life is a collaborative affair, with production duties shared by debutant Late Consequence (in reality an experienced Italian producer operating under a new alias). The duo kicks things off with the spacey bounce of "Consequence", where computer beeps and bleeps rise above heavy analogue bass, locked-in techno drums and flotation tank chords, before offering a subtle nod towards early UK bleep techno on sub-bass heavy workout "The Wheel". Turn to the flip for some deeper, purist tech-house vibes (the deep house influenced warmth of "This Is The Universe") and the sparkling, head-in-the-clouds tech-funk of "Celestial".