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Items 1 to 5 of 5 on page 1 of 1
Studio Electronics Boomstar Modular Amp Module
Cat: 655797 Rel: 14 Jul 20
 
Analog amplifier module in Eurorack format - 8HP
Notes: The amplifier (AMP) is a 2 stage Class A discrete design using 3 pairs of hand matched transistors. Envelope is usually applied to ST1/1. ST1/2 goes thru an attenuverter and can be used for envelope or modulation. ST2/1 goes to the 2nd stage, and is typically used for volume control. ST2/2 goes thru an attenuverter and is typically used for modulation.

The AMP, the 5089, and the 3003 are Class A circuits. They draw more current from the +12 rail than from the -12 volt rail. If the system power supply is under-sized, hum or buzz may be heard. In that case, larger filter capacitors and/or a larger power transformer will be needed. The 4075 draws equally from both rails, and is more immune to hum. Like our filters Boomstar Modular AMPs are hand-built entirely in the U. S. of A - just ask Rachael Herbison!

Potentiometer Potential:
Two attenuverters and two attenuation pots control the INPUT, ST1 CV2, ST2 CV2, and OUTPUT, delivering smooth, detailed, and complex expression.

Switch it Up:
Uber useful continuous hypnotic DRONE for endless sustain/release, and DRIVE - the overdrive circuit from the Boomstar desktop - for last stage energy, bite, soft clipping, and gonzo '70's era "Distortion Plus" crunchy fuzz.

Patch it Up:
Six patch points: INPUT, ST1 CV1, ST1 CV2, ST2 CV1, ST2 CV2, OUTPUT direct the deepest manipulation.

All Controls and Patch Points:

INPUT - Adjusts the audio input
ST1 CV2 - Adjusts stage 1, control voltage 2
ST2 CV2 - Adjusts stage 2, control voltage 2
DRONE - Sustains the last note received
DRIVE - Final output stage overdirve/saturation
OUTPUT - Adjusts the audio output
INPUT - Audio input
ST1 CV1 - Stage 1, control voltage 1 input
ST1 CV2 - Stage 1, control voltage 2 input
ST2 CV1 - Stage 2, control voltage 1 input
ST2 CV2 - Stage 2, control voltage 2 input
OUTPUT - Audio output

- Size: 8hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 35mA, 12mA (+12 / -12)
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 1 in stock $216.47
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Studio Electronics Boomstar Modular Quadnic Oscillator Module
Cat: 655847 Rel: 06 Sep 17
 
Quad digital OSC module - 12HP
Notes: Deeply featured 12hp module with four digital oscillators - each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input. In unison mode, all 4 OSCs can be played via the 1st 1V/O input, by 1V/O inputs 1-4, and widely detuned, or switched to a preset chord formation - a major move beyond the 'one note samba' monophonic, module choreography - scooch over Grainy, Quadnic is cookin' up digi-vittles for four. "Come 'n' git it!" and stay in record: the Quadnic is non-programmable; when the power recycles, the Quad defaults to voice 1 active with current pot positions. All edits are live; all edits are volatile. Exciting. Always fresh.

The Four Oscillator Structure image gets one into the weeds of the sound. Control of all the OSCs parameters globally without sacrificing individual CV control is now a reality: essentially a sensible polyphonic mode with individual CV control. Previous OS Master Modes used only OSC 1 as the controlling CV - the additional mode uses all 4 controlling CVs. Changing stronger together.

Master Matters:
- With MASTER mode switched on, the oscillator responds to it's own CV input
- Oscillators 2 to 4: If Master LED is not lit, the oscillator responds to CV 1, with the pitch control adding +/-1 octave offset
- Oscillator 1 always responds to CV input; the other oscillators follow CV 1 if they are not set to Master
- When all 4 oscillator switches/lights are selected, the Quadnic is in unison mode and all oscillators follow CV 1; the front panel control affects all 4 oscillators
- To get all oscillators to same pitch, adjust the Pitch and Fine controls
- To get all oscillators to play the same sound (they are quite independent), adjust all controls
- All 4 OSC lights on, with Master selected or flashing: unison can detune massively up to 4 octaves
- All 4 OSC lights on, with master not selected: unison and Chord produce chords

Inputs and Outputs:
1V/OCT 1 - Oscillator 1, 1 Volt per octave input. 0-10V input range. Controls the pitch of any other oscillator that is set to Slave mode.
1V/OCT 2 - Oscillator 2, 1 Volt per octave input. 0-10V input range. Only affects oscillator 2 when in Master mode.
1V/OCT 3 - Oscillator 3, 1 Volt per octave input. 0-10V input range. Only affects oscillator 3 when in Master mode.
1V/OCT 4 - Oscillator 4, 1 Volt per octave input. 0-10V input range. Only affects oscillator 4 when in Master mode.
Proc CV - Process CV input. +/-5V input range. One CV input for all oscillators, but can be attenuated for individual oscillators using the Process CV control.

Out 1 - Oscillator 1 output.
Out 2 - Oscillator 2 output.
Out 3 - Oscillator 3 output.
Out 4 - Oscillator 4 output.

- Size: 12hp
- Depth: 35mm including connectors
- Power Usage: 50mA max
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MRP:$325.04 SAVE 25%
 2 in stock $242.58
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Studio Electronics Boomstar Modular Sci Fi Module
Cat: 655848 Rel: 14 Jul 20
 
Ring modulator, noise generator & sample-and-hold generator module
Notes: SCI FI is an ingeniously vintage-circuit-inspired Richard Nicol/Pittsburgh Modular original - jump cut to Mattechmodular to see just how much fun can be wrung out of it!

As the reader might already know, ring modulation is a signal-processing electronic function: an implementation of amplitude modulation or frequency mixing, performed by multiplying two signals. This beloved other-worldly, warm, and at times clangourous colouring dates at least as far back to Bode's Melochord of 1947 technology, which was ultimately licensed to Robert Moog in the early 1960s. Of course analog maestros Don Buchla, and Lord Tom Oberheim made their indelible marks, with circuitry culminating - to our ears - in the brilliantly rhythmic, and wildly expressive Yamaha CS-80 Ringmod's sonic alchemy and "Electone" informed controls.

Back at the Modstar Ranch: The SCI FI's outputted ring-modulated signal is the sum and difference of the frequencies present in each waveform - a signal rich in partials - often producing a haunting, bell-like, metallic, and sometimes softly grinding, understated modulation awash in harmonic and non-harmonic tones. S.E. brought its own brand of dynamic ModMax Pedal-flavoured Ringmod to the world in 2002.

SCI FI is getting better all the time with its companion LFO FREQ (low frequency oscillator), true analog PINK, and digital WHITE noise, S & H - a true sample and hold generator, with RANGE control, and LAG generator - a slew limiter which craftily smooths out changes in audio or modulation signals: higher values = smoother signal flowing. This module is every bit as creamy sounding as it is electrically charged: the higher frequencies coat the sound with a sparkling quality one wouldn't naturally expect, but it is a welcome sound indeed.

Potentiometer Potential:
Six attenuation pots: RING MOD, LFO FREQ, WHITE, PINK, RANGE, and LAG.

Patch it Up:
Seven patch points: RM X IN, RM Y IN, GATE, SOURCE, RM OUT, WHITE, PINK, and S & H OUT.

All Controls and Patch Points:
RING MOD - Adjusts the ring mod depth.
LFO FREQ - Adjusts the rate of the sample & hold.
WHITE - Adjusts the white noise level.
PINK - Adjusts the pink noise level.
RANGE - Adjusts the sample & hold depth or intensity.
LAG - Adjusts the sample and hold lag or slew limiting (glide): in the circuit after the sample & hold and before the range attenuator.
RM X IN - Ring Mod X waveform input.
RM Y IN - Ring Mod Y waveform input.
GATE - External gate input for sample & hold.
SOURCE - External audio/CV input for sample & hold.
RM OUT - Ring Mod output.
WHITE - White noise output.
PINK - Pink noise output - the pink noise is normalled to the source input of the sample & hold.
S & H OUT - Sample & hold output.

- Size: 10hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 48mA, 41mA (+12 / -12)
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 1 in stock $270.87
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Studio Electronics ModStar 8106 Filter Module
Cat: 655795 Rel: 08 Aug 17
 
Hi-pass filter module in Eurorack format - 12HP
Notes: Designer Tim Caswell: "The 8106 is a 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module, which is a 4 pole, 24 db/oct voltage controlled lowpass filter with voltage controlled resonance. Three dual OTAs with similar topology to the BA662 used in the Jupiter 8 (and the IR3109 module) were employed, one amp for the hi-pass filter, four (with added buffers) for the low-pass, and one for the resonance. This filter takes a wide range of input signals, and tracks control voltage extremely well. Tap points are available for 6db, 12db, and 18db/oct. Although the topology is similar to the 4075, the tonality, especially when overdriven, is distinct."

Interface and feature Maestro Greg St. Regis, opted for the 6dB over the 12dB/18dB "tap" for the second filter output, due to its colourful, and starkly contrasting character.

And yes, this INPUT drive hits harder - much faster than our other filters - so there is plenty of dirt to go around, but a familiar and comforting Roland-y quality/tonality/flow is definitely home base, especially with a nice SLIM O top-dead-centre square wave is riotously coursing and pulsing through the 8106's veiny through-hole circuitry.

7 Pots:
FREQ, RES, FREQ CV, RES CV, HPF, INPUT, OUTPUT

2 Switches:
FULL/HALF TRACK, 6dB/24dB

Patch Points:
1V/O, FREQ CV, 6dB OUT, RES CV, INPUT, OUTPUT

- PCB Mounting Scheme: Through-hole
- Size: 12hp
- Depth: 38mm including connectors
- Power Usage: 40mA, 35mA (+12 / -12)
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 1 in stock $285.01
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Studio Electronics Tonestar 8106 Synth Voice Module (black faceplate)
Cat: 655881 Rel: 08 Aug 17
 
Self-contained synth voice module inspired by the ARP 2600
Notes: TONESTAR 8106, an ARP 2600-inspired complete synth voice, infuses Tim Caswell's "Jupiter to Juno" filter alchemy - a 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module - into our Tonestar 2600 platform; this chirpy yet full-bodied 8106 model is also fully #OutsToOuts modular featuring 27 pots - one more that the 2600 model for the high-pass filter, 6 switches - one less, sacrificing resonance modulation for that high-pass filtering, and 21 jacks. If the Tonestar 8106 thins somewhat with resonance excess, route the triangle wave 'round the VCF with the "NO VCF" switch setting, and keep this juicy reimagining of the Roland IR3109 module boomin' and gloomin'.

27 Knobbed and "Shafted" Potentiometers:
VCO: RANGE, PM MAN, LFO, PORTA, MOD (ENV), TRIANGLE, SAW, SQUARE, SUB, TUNE; Noise: LEVEL; VCF: FREQ, RES, KBYD, DRIVE, HPF, ENV, MOD (LFO); LFO: AMNT (OSC), RATE; ENVs: (ADSR) ATTACK, DECAY, SUSTAIN, RELEASE, (AR) ATTACK, RELEASE; VCA: FEEDBACK (filter/VCA), VOLUME

6 Switches:
VCO: OCT (up/null/down); FREQ/PW (frequency/null/pulse width); NO VCF (VCF/null/no VCF); VCF: TRIANGLE/SQUARE (triangle/null/square); ENVs: HOLD, MSTR (hold/null/master); VCA: IN/MIX

21 Jacks:
VCO: TRIANGLE, SAWTOOTH, SQUARE, MIX, 1V/O, MOD IN; NOISE: NOISE (white); LFO: DEPTH, TRIANGLE, SQUARE, SPEED; VCF: EXT IN, FIL OUT, MOD IN; ENVs: MOD IN, ADSR OUT, AR OUT, GATE IN; VCA: IN/MIX, VCA IN, OUTPUT

- PCB Mounting Scheme: Through-hole
- Filter: A 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module, which is a 4 pole, 24 db/oct voltage controlled lowpass filter with voltage controlled resonance. 3 dual OTAs with similar topology to the BA662 used in the Jupiter 8 (and the IR3109 module) were employed, 1 amp for the hi-pass filter, 4 (with added buffers) for the low-pass, and 1 for the resonance. This filter takes a wide range of input signals, and tracks control voltage extremely well. Tap points are available for 6db, 12db, and 18db/oct. Although the topology is similar to the 4072, the tonality, especially when over driven, is distinct.
- Size: 32hp
- Depth: 35mm including connectors
- Power Usage: 130mA, 80mA (+12 / -12)
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 1 in stock $434.05
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