Text 黑胶唱片和CD

Review: Four Tet is back with a new album of shimmering wonderment on his own Text label. As ever, it's the way that Kieran Hebden tugs at the heart strings so artfully that makes him so well-loved, and he's not holding back one iota as "Sixteen Oceans" opens up with the ineffably pretty "School". There's some advanced garage ruminations on "Baby", classic ambience on "Harpsichord", and so the eclectic and extremely soul-cleansing vibes continue across three sides of wax. In addition to this wonderful new album, Hebden has also held back the fourth side for a bunch of locked grooves so satisfying you could get lost in them all day.

Review: If you were judging Kieran Hebden's 11th Four Tet studio album merely on the way it's presented, you'd immediately think he'd spent the last two years immersed in early '90s ambient house albums. While it's unlikely he's done that, it's fair to say that New Energy does owe a debt to classic electronica sets from that period. For all the exotic instrumentation and subtle nods to post-dubstep "aquacrunk" experimentalism and chiming, head-in-the-clouds sunrise house, the album feels like a relic of a lost era. That's not meant as a criticism - New Energy is superb - but it is true that his choice of neo-classical strings, gentle new age melodies, sweeping synthesizer chords and disconnected vocal samples would not sound out of place on a Global Communication album.

Review: Well, what can we say apart form the fact that we'd been waiting on this one for quite some time? Mister Saturday night casual and The Trilogy Tapes member Anthony Naples drops his debut LP on Four Tet's Text imprint, and if you weren't expecting that at first, well, neither were we when we heard about it! Moving away from his usual style of jerky, lo-fi house, Body Pill spews a significant air of ambient and the totally abstract. While we were expecting a straighter dancefloor kinda joint, Naples has gone for something a little more wide-eyed. Tracks like "Ris", "Changes" and "Pale" are totally beatless and the New York kid manages to create playful groove out literally out of thin air. It's not all soundscapes and, however, and cuts such as "Refugio" or "Miles" boast some of the dude's most complex club arrangements to date. An interesting and enthralling debut LP, that's for damn sure.