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Review: Keiran Hebden rarely does things by halves, though it's still surprising to find that Morning/Evening, his eighth full-length, consists of two contrasting 20-minute explorations, each inspired by a time of day. "Morning" is, as you may expect, warm, bright and evocative, with intoxicating Eastern vocals, dreamy chords and various bursts of melodious instrumentation riding a rolling, jazz-flecked, soft touch deep house groove. It is, of course, intensely beautiful. Hebden largely disposes of the beats entirely on "Evening", delivering 15 minutes of picturesque electronic melodies and sunset-friendly ambience, before introducing a jazz-flecked house rhythm for the final five minutes. It, too, is a thing of great beauty.

Review: Keiran Hebden rarely does things by halves, though it's still surprising to find that Morning/Evening, his eighth full-length, consists of two contrasting 20-minute explorations, each inspired by a time of day. "Morning" is, as you may expect, warm, bright and evocative, with intoxicating Eastern vocals, dreamy chords and various bursts of melodious instrumentation riding a rolling, jazz-flecked, soft touch deep house groove. It is, of course, intensely beautiful. Hebden largely disposes of the beats entirely on "Evening", delivering 15 minutes of picturesque electronic melodies and sunset-friendly ambience, before introducing a jazz-flecked house rhythm for the final five minutes. It, too, is a thing of great beauty