Review: This tasty 12" marks a welcome return to action for "metalurgic funk" maestro E-GZR, a shadowy, publicity shy producer whose occasional outings on Sex Tags offshoot Wania are rarely less than essential. The headline attraction here is the saucer-eyed geezer's collaboration with Vancouver's Laura Sparrow AKA LNS. Entitled "Crypto Stock", the track offers a deliciously spacey, funk-fuelled trip into deep electro territory that offers a near perfect balance between weighty dancefloor chops and ear-catching home listening fare. On the flip, E-GZR goes solo, wrapping more deep space chords, jammed-out synth lines and bustling bass around a suitably fuzzy bassline and redlined TR-808 drums.
Review: DJ Sotofett's Wania imprint closes a wild and entertaining 2017 off with a pair of masterful EPs, both of them showcasing the Norwegian's genre-crossing tastes and outlook. First up is this steely 10", spear-headed by newcomer Salik, out of London Town. Up until now, the imprint has predominantly focussed on the US styles of dance music, a rough and ever-quirky blend of house and techno, but Salik's "Inna Brixton" verges on much more UK-centric territories with its near six minute spew of moody energy, clicking and bouncing steadily to the sound of deep, treacherous sub bass. The flipside features DJ SO-PHAT himself, coming through with a beatless away of acid-tinged melodies that blend into a tight little rhythm, before dissipating into a loose pool of drones and bass - Sotofett at his most outlandish. An essential buy.
Review: As much as we love keeping our ears to the ground, this new release from DJ Sotofett's personal WANIA imprint is leaving us guessing at every turn. The music, of course, is utterly on-point, as per usual, but we know little to nothing in regards to the mysterious Tech-Droppers. Taking much more of an electro spin compared to the imprint's more natural approach around techno, this feels like the right place for Wania to be exploring, and this is especially true if every track sounds as hot as this! The first three cuts on the A-side all offer different infusions of industrial high-tek, kicking off with the synth-driven "Crystal-Tech", followed by the rougher, more bass-centric approach of "Acid-Tech", and then onto the moodier, more broken arrangement of "Crystal-Dub". On the flip, "Tech-Strobe" is all wave and far-out vibes, while "Strobe-Revenge" churns out a beat spun the wrong way, and "Tech-Acid" bleeps its gentle waves of acid alongside Wania's characteristic atmospherics. Killer!