Review: There's no complex concept behind the latest four-track EP from the reliable Whiskey Disco camp, just a quartet of killer re-edits crying out for peak-time plays. Highlights wise, we're particularly enjoying the hard-spun Afro-disco grooves and well-placed dub delays of Alex Zuiev's "Afro Magic", though Alkalino's quirky opener - a thrillingly dubbed-out take on a tongue-in-cheek, left-of-centre disco treat - is also superb. Elsewhere, Love Drop sticks heavy new house beats underneath a stone cold classic (listen to the clips and you'll be able to identify the source material in seconds), while Terrence Pearce crafts a space-disco epic out of undulating Afro-disco grooves, bleeping synth melodies and some seriously cosmic effects.
Review: Sometime Better Listen, Homage and Kolour LTD producer Chevals makes his bow on Whiskey Disco with a quartet of perfectly pitched re-edits. The French artist begins with the lolloping deep house-disco bounce of "La Bouteille", where jammed-out electric piano lines and rising horn motifs increase in prominence thoughout. It's rather good, all told, as is the shirts-off, hands-aloft soaring disco soul of "Under Your Command", which sounds like one of those edits that will create pandemonium if dropped at the right time. Over on the flipside, "Fairy Tales" is a slick and soulful take on an '80s soul-era electrofunk shuffler, while "Croisades" is a punch-drunk dance through horn-heavy disco-funk pastures.
Anthony Mansfield & DJ M3 - "It's Too Late" (5:36)
Gledd - "When You Move" (6:21)
Review: Sleazy McQueen presents another wicked serving of Disco deviance on the always reliable Whiskey Disco. The North Carolina based imprint's 57th edition gives us four more surefire disco edits by the likes of Tony Chocoloney from Melbourne, Australia who gives us some funked-up soulpower on "Less Groove", Ukrainian Alex Zuiev gives us a loungey kinda something' on the tres chic "Valentina" and Anthony Mansfield delivers an unrepentant use of sleek filter sweeps throughout the slo-mo antics of "It's Too Late" featuring a bit of help from good buddy DJ M3.
Review: Having made his name with a string of fine rework releases on the acclaimed Tugboat Edits imprint, Guillermo "Hotmood" Gonzalez makes his first appearance on Whiskey Disco. Disco De Los Muertos ("Disco of the dead", if our Spanish is up to scratch) is predictably full of cheeky dancefloor moments that should appeal to both house and disco DJs alike. Our pick of the bunch is probably the low-slung "Playing The Groove For An Hour", where fizzing synth stabs ride a ridiculously rubbery slap bass riff and rolling house groove. That said, the deeper and dreamier "The Camel" is rather good, while the horror-tinged Mexican funk-goes-house fare stretched across the A-side is both rock solid and highly playable.
Review: From the tropics comes Whiskey Disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. It's loosely connected to Sleazy McQueen and his assorted cohorts. On the A side we have the one and only Osmose: DJ, digger, sound designer & producer but most of all: the originator of the Osmose Sound 7" Vinyl Record Stabilizer. He throws down some late night, deep down boogie business (on the very soulful tip) for the A side. On the flip, Thoma Cher makes his debut with some neon lit 80s disco vibes on "All You Need" while "Fright Night" is more on the Italo angle.
Review: We've been very impressed with the re-edits of Toronto based party-starters the Patchouli Brothers. This four-tracker marks their first appearance on Whiskey Disco, and comes on the back of a run of killer 12" singles on Basic Fingers. They hit the ground running with elastic EP opener "He Wonders", where fiendishly exotic synthesizer lines and hazy, misty-eyed vocals ride bouncy beats and rubbery bass guitar, before sauntering off into horn-heavy deep disco-funk territory on "A Mighty Joy". The fun continues on the flipside, where the formidably fuzzy, off-kilter warmth of tropical disco stepper "Can't Stop Christy" is joined by the classic disco flex of fantastic closing track "Take You There".
Review: A double dose of goodness here, as Whiskey Disco regulars Pontchartrain and thatmanmonkz serve up two tasty new re-edits apiece. It's the former who handles side A. He begins with the breezy, tropical-sounding disco stomp of "La Magie" - all punchy horns, classic disco bass, fizzing synth lines and glassy-eyed female vocals - before brilliantly reworking a suitably obscure disco/jazz-funk instrumental (the suitably spacey "Hey Mariposa"). Arguably even better is "Luh Me On Mi Celly", the low-slung, stretched-out dub disco revision that counts as thatmanmonkz's first contribution to the EP. His second, "Radiation Steppa", is a fizzing, synth-heavy disco-boogie number blessed with passionate male group vocals.
Sleazy McQueen & Vagabundo Club Social - "Boh!" (7:41)
The Rejected - "O Craque De Futbol" (6:50)
Pontchartrain - "Have A Little Taste" (7:04)
Review: Whiskey Disco's first missive of 2018 is something of a sweaty beast, with a quartet of producers stepping up to deliver some sticky dancefloor heat. Label chief Sleazy McQueen joins forces with Vagabundo Social Club on A-side edit "Boh!", a slamming rework of a Bohannon-esque disco-funk jam rich in hard guitar riffs and crunchy Clavinet lines. The Rejected takes a different approach on the flipside, serving up a rolling, delay-laden tweak of celebratory, soccer-themed Brazilian club jam "O Craque De Futbol". Sunny, funky and low-slung, it's accompanied on side B by the gently housed-up swamp funk of Pontchartrain's "Have a Little Taste". Given the quality of the EP, we're more than happy to follow that instruction.
Review: Sleazy McQueen's always reliable Whiskey Disco is back with its 61st edition, featuring Ukrainian editor Alex Zuiev. The man from Mariupol first appeared on the label back in 2017 and he's become a staple of sorts - as this will be his fourth for the Florida based imprint, in addition to appearances on Editorial, FKR and Spare Change. The Flying Objects EP features the rowdy late night disco of "Trenitalia" which is sure to get the crowd dancing on the ceiling, while on the flip prepare to get deep down and dirty on the lo-slung oddity of "Soul Fire" - which is perfect for late hours.