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Review: Oumou Sangare is an icon of Malian music, and African music overall. She first came to attention in the early 90s with songs descended from wassoulou traditional hunting songs. She's remained a creative and visible force ever since, and now she's back with her first album of new material since 2017's critically acclaimed Mogoya. Timbuktu fuses Sangare's Malian sound with elements of blues, folk and rock to create a timeless body of work which winds up all her own. You'll instantly be transported into her rich and rooted world of sound, where she uses her position as a hugely influential African musician to push for women's rights amongst other socially-conscious themes.

Review: Ali Farka Toure is widely regarded as the godfather of the genre 'desert blues', which blends distinct elements from Toure's own Malian heritage with electric guitar tropes from blues. Though he's got a panoply of albums dangling from under his immense belt, 'Le Voyageur' is brand new, documenting several unreleased tracks alongside old greats - it's the first album released by the artist since 2010's 'Ali & Toumani'. If the classic 'Kenouna' is anything to go by, then you can be sure to expect blissful horizon-gazing rhythmics, guitar chromatics, and matching counterpoint on vocals - all hallmarks of Toure's distinctive style.