Young 黑胶唱片和CD

Review: It has taken five years for FKA Twigs to follow up her astonishing first album, "LP1". With that kind of timeframe, you can't help but have high expectations for the finished product, expectations "Magdalene" more than meets from the off. An artist in the truest sense - with every step and stage in the recording process controlled by her - it's an accomplished comeback for a woman who in the last half decade has experienced both personal loss and major physical challenges. Don't expect more of the same, then, but instead a talent finding new purpose and new confidence following difficult times. With the ever-impressive Nicolas Jaar giving a helping hand, the result is a raw, honest record that's deeply personal, full of self-reflection and, ultimately, accepting and positive. Not to mention destined to be on repeat. Her position as one of the UK's most vital and compelling acts re-confirmed.

Review: It has taken five years for FKA Twigs to follow up her astonishing first album, "LP1". With that kind of timeframe, you can't help but have high expectations for the finished product, expectations "Magdalene" more than meets from the off. An artist in the truest sense - with every step and stage in the recording process controlled by her - it's an accomplished comeback for a woman who in the last half decade has experienced both personal loss and major physical challenges. Don't expect more of the same, then, but instead a talent finding new purpose and new confidence following difficult times. With the ever-impressive Nicolas Jaar giving a helping hand, the result is a raw, honest record that's deeply personal, full of self-reflection and, ultimately, accepting and positive. Not to mention destined to be on repeat. Her position as one of the UK's most vital and compelling acts re-confirmed.

Review: Romy Madley Croft continues to explore her solo career - as seems to be the inevitable prophesied path of of The xx member trifecta - with Mid Air. Collabs with Fred Again and Beverly Glenn-Copeland here thematically match Romy's implicit vision: to exploring the ever-thinning dividing line between heartfelt rave music and sounds for personal, teary-eyed catharsis moments. Edging ever-more into a more party-pop direction (contrastion to her prior projects' enduring indie tinge), Romy gets far trancier with things on the likes of 'Strong' and 'The Sea', even verging on Eurodance in short bursts. Other moments of downtime further express the many angles of Romy's personal ecstasy, citing the project as a dedication to queer clubbing and a mitigation of loneliness.

Review: It feels like Romy's debut album has been a long time coming, but it's absolutely worth the wait. Stepping to one side of the imposing shadow of her band The xx, the world-famous singer-songwriter has taken her time to deliver something sincere and vulnerable which opens up her world and celebrates the places she's found sanctuary. Having worked extensively with production wonder boy Fred Again, writing for other artists, the two finally funnelled their creative chemistry into songs for Romy which now result in a perfect nugget of pop-club with aeons of space for all the feelings to swirl. It's immediate and catchy, but elegant in equal measure, and certain to lodge Romy in the pantheon of modern pop titans for sensitive souls.

Review: Catharsis runs through the debut solo album from Oliver Sim, best known to most of us as the bassist-singer from The XX. A record that's about pulling back the curtain to reveal who he really is - surprising, considering The XX's output always felt heart-on-sleeve - even the vocal delivery feels more honest, less whispered, no longer hidden beneath effects and subtle textures.

Hideous Bastard is in many ways also less produced, more human. And by that we mean theatric, dramatic, packed with artistic ideas, and the feeling of someone coming of age to finally feel comfortable in their own skin letting us in. Inventive to the last, it's forward thinking alternative electronic-pop-rock-indie fare but, more significantly, it's an act of sharing - from his own HIV diagnosis at 17 (the first time he has publicly discussed the illness) to thoughts about the industry and society itself.

Review: Arriving five years after the London trio's last album 'Co-Exist', this third effort shows a band ready to make a bold step on from the sound that haunted radio and TV links alike around the start of this decade. And in what could be said to be a move from innocence to experience, they're doing so with hitherto unrevealed confidence and chutzpah..'I See You' expands on their trademark intimate melancholia with considerable finesse, yet longtime fans shouldn't worry too much about them losing their gloomy charm in the process - more so this is a band brandishing an expanded palette where once they were content to paint their room black.

Review: Here it is: the long awaited second album from Mercury award winning, waif-like London trio The xx. The band have enjoyed a huge amount of success since their eponymous debut album dropped in 2009, and Coexist sees them subtly tweak their sound rather than wholly reinvent it, with their booming drums traded in for something less grandiose. There are some stunning moments on the LP (opener "Angels", "Reunion" and "Swept Away" all linger long in the memory) that will ensure it swats any "difficult second album" talk to one side; this is the sound of a band comfortable in their own skin. Caps doffed to Young Turks who present the LP on sumptuous heavyweight vinyl with included CD and booklet.

Review: Arriving five years after the London trio's last album 'Co-Exist', this third effort shows a band ready to make a bold step on from the sound that haunted radio and TV links alike around the start of this decade. And in what could be said to be a move from innocence to experience, they're doing so with hitherto unrevealed confidence and chutzpah..'I See You' expands on their trademark intimate melancholia with considerable finesse, yet longtime fans shouldn't worry too much about them losing their gloomy charm in the process - more so this is a band brandishing an expanded palette where once they were content to paint their room black.